Track Listing

1. Because
2. Get Back
3. Glass Onion
4. Eleanor Rigby/Julia (Transition)
5. I Am The Walrus
6. I Want To Hold Your Hand
7. Drive My Car/The Word/What You're Doing
8. Gnik Nus
9. Something/Blue Jay Way (Transition)
10. Being For The Benefit of Mr. Kite!/I Want You (She's So Heavy)/Helter Skelter
11. Help!
12. Blackbird/Yesterday
13. Strawberry Fields Forever
14. Within You Without You/Tomorrow Never Knows
15. Lucy in the Sky With Diamonds
16. Octopus's Garden
17. Lady Madonna
18. Here Comes The Sun/The Inner Light (Transition)
19. Come Together/Dear Prudence/Cry Baby Cry (Transition)
20. Revolution
21. Back In The U.S.S.R.
22. While My Guitar Gently Weeps
23. A Day In The Life
24. Hey Jude
25. Sgt. Pepper's Lonely Hearts Club Band (Reprise)
26. All You Need Is Love

Product Details

• Amazon Sales Rank: #1217 in Music
• Brand: Beatles
• Released on: 2006-11-21
• Number of discs: 2
• Format: Special Edition
• Dimensions: .37 pounds

Album Description
FIRST TIME EVER SPECIAL EDITION will include both the stereo CD and a BONUS AUDIO DVD packaged in a digi-package with O-card. The DVD is audio only and will contain 81 minutes of music in both 5.1 surround sound and stereo (presented in DVD-Audio MLP, DTS, Dolby and PCM).

"Love" is a fascinating reworking of numerous classic Beatles recordings by the band's original producer, Sir George Martin, and his son Giles. "Love" is also the title of the highly successful Cirque du Soleil show, a co-production with Apple Corps featuring the music of the Beatles, currently wowing audiences in Las Vegas. In creating the music for the show and for the album, George and Giles have created a continuous "soundscape"--a series of well-known Beatles songs augmented by additional instrumentation and vocals taken from their vast bank of original multi-track tapes. If you can imagine "Strawberry Fields Forever" beginning with John's original demo before going into an early take of the song and then climaxing in a musical collage including the piano solo from "In My Life" and the harpsichord pattern from "Piggies" and lots, lots more--or "Get Back" prefaced by the "Hard Day's Night" opening guitar chord, the guitar and drum solos from "The End," and segued into "Glass Onion," you will begin to get the picture. But hearing is believing! The guys have pushed back the boundaries and come up with a brand-new work that will add to the enduring legacy of the band. The result is an amazing album that not only reinforces the timeless quality of the group's recordings--the fans will have fun enjoying the roller-coaster experience of the album whilst trying to spot where all the pieces come from--it is also destined to open up a new legion of fans to the Beatles experience.

From Amazon.co.uk
It begins with a twittering of birdsong lifted from "Across the Universe." And once the triple-tracked a capella harmonies of "Because" enter, followed by snatches from "A Hard Day's Night" and "The End," leading into a fired-up "Get Back," it becomes obvious that this is far more than just another Beatles compilation. This is Love, conceived by the Fabs' former producer George Martin and son Giles as a stageshow soundtrack to Cirque de Soleil's Las Vegas spectacular of the same name, but appears to have taken on a life of its own. Whereas the Beatles' last release, 1, delivered the (over?) familiar hits in a nice, simple package, Love is a mélange of the familiar and obscure, all literally mixed together in one 78-minute audio collage which succeeds in reminding the listener just why the Beatles truly are, as Lennon put it, "toppermost of the poppermost." There's no new Beatles material per se, but the songs are all approached differently--some are cut together in a flawlessly mixed medley (check out "Being for the Benefit of Mr. Kite!/I Want You/Helter Skelter"), some reassemble different backing tracks and vocal performances to create new spins on old classics; but all the songs are revitalized considerably. Even in its weakest moments (which probably work better in the context of the show itself), Love is still a formidable prospect, and one has to admire Martin's willingness to go out on a limb with such a project. While purists may complain that the cut 'n' paste nature of the project is simply tampering with perfection, at the very least it'll make them reach for the originals and enjoy them all over again. For newcomers and everyone else, it makes a fine listen, both in its sonic clarity (the actual tracks are the best they've sounded on CD) and audacious nature. --Thom Allott

More from the Fab Four

The Capitol Albums, Vol. 2	Revolver	Sgt. Pepper's Lonely Hearts Club Band
Anthology 1	Anthology 2	Anthology 3

Customer Reviews

Surround yourself with the Beatles!
For anyone who's a serious die-hard Beatles fan who thought they heard 'every little thing' the group ever did (the hours of 'Get Back' bootlegs, the mono 'White Album', all the 'rarities', Anthologies, and all the original LPs then CDs) will be amazed and impressed at what Sir George Martin & son did for 'Love' -- it must be heard, especially in 5.1 surround sound, to be believed. The original idea that George Harrison and Guy Laliberte (founder of Cirque du Soleil) to make a soundscape of Beatles music for a CDS show has been wonderfully realized. Songs we all heard for decades and hundreds of times over sound new again -- more so, the 'mash-up' concept literally re-invents the songs -- hearing 'Mr Kite!/She's So Heavy/Helter Skelter' yesterday for the first time was astounding -- the riff of 'Hey Bulldog' that makes a brief appearance in 'Lady Madonna', the string arrangment put to the demo of 'While My Guitar Gently Weeps', the newly remastered and remixed 'I am the Walrus' (finally!) -- it's a new day for Beatles fans. Some might view the Beatles' catalog as a sacred cow that should remain fixed and 'as was, as always should be' as they recorded it, and not be 'mashed-up' (all the superimposing of parts of one track onto another, time-shifting and altering the recordings to match tempos and keys). Understandable, since how indeed can really improve upon what they did way back when? But I very much enjoy 'Love' -- and appreciate that in with today's modern recording (Pro Tools was among the credits), Martin & son were able to present the timeless and beloved Beatles tracks in a new light, while making it clear how incredibly gifted the Beatles were -- you can hear all the instruments, vocals, sound effects better than ever before. While 'Love' might not be the best choice for a casual fan (one who has the red and blue best-ofs and/or '1'), it is an aural bonanza for a serious fan, in particular of the 'Revolver' era onwards with a focus on the psychelic years. To paraphrase the dearly departed George Harrison, I dig 'Love'!!

FANTASTIC-DIFFERENT-IS IT REALLY A BEATLES RECORD? DAMN RIGHT IT IS!
The stereo CD contains 78 minutes of music. The DVD surround sound version on DVD disc album is slightly extended version with 81 minutes of music.

FIRST OF ALL THE SURROUND IS AMAZING!!!!!!!!!!!!!!

After being asked by the remaining Beatles, Ringo and Paul, along with Yoko Ono Lennon and Olivia Harrison, to make experimental mixes from their master tapes for a collaboration with Cirque du Soleil, Sir George Martin, The Beatles legendary producer, and his son Giles Martin have worked with the entire archive of Beatles recordings to create LOVE. The result is an unprecedented approach to the music. Using the master tapes at Abbey Road Studios, Sir George and Giles have created a unique soundscape. The release of this album, which is also featured in the Cirque du Soleil/Beatles collaborative production of the same name at The Mirage in Las Vegas.

This album puts the Beatles back together again, because suddenly there's John, Paul,George and Ringo.
The music is stunning. I think the most amazing thing about it is that you can pull it apart and all the elements carry with it the essence of the entire song.
George and Giles Martin highly original work in creating the LOVE album gives us a genuinely new Beatles album. It makes us respect even more, if that were possible, the creativity and brilliance of the band behind the greatest catalogue in the history of recorded music.

The 5.1 disc is a DVD-Audio/DVD-Video hybrid. The audio is presented in high-resolution 96/24 5.1 surround on the DVD-Audio part of the disc. The DVD-Video part carries 5.1 surround in DTS and Dolby Digital as well as a PCM stereo mix. This DVD album is designed to be played on DVD video equipment but will carry no video component.

Masters remixed by the masters
This album is a true masterwork. Produced over many months by veteran producer George Martin and his son Giles, this album - especially in the 5.1 DVD-Audio format - reveals both the sheer quality of recording and performance of the original multitrack recordings, and the enormous possibilities of the modern digital recording studio in the hands of true masters of the craft.

Many of the original multitrack masters had a multitude of instruments crammed on to just a few tracks: disentangling them to permit the remixes present on this disc must have taken weeks on its own. Yet here you will find elements from the original songs presented more clearly than ever before, alongside elements lifted from other songs and spun in forwards, backwards and sideways. You'll hear things clearly you could never quite hear before, and some things you simply never knew existed.

Tracks from the early days feature quite traditional mixes while later, more psychedelic offerings are brim full of interesting little features that repay multiple listening, especially in surround. The audio quality is, quite simply, stunning: the DVD-Audio surround content is at 24-bit, 96kHz, which means, essentially, that you're hearing the masters as they were heard by the Martins at Abbey Road when they played them back - no other audio system can offer this. Even the CD is excellent, with none of the over-compression so prevalent on modern recordings.

There is only one new piece of recording here - a poignant new string arrangement for "While My Guitar Gently Weeps" recorded at Air - every other sound you hear is from the original mulitracks. The 26-track album is a more or less continuous segue of songs, some including transitions that contain elements from several different numbers, with a natural flow, development and conclusion.

Yes, it's the soundtrack to a show; yes, you have literally heard it all (almost) before; but in another way no, you have never heard this before - and you should take a listen. Congratulations to everyone concerned.

Be sure to buy the DVD version if you have a halfway-decent surround system (especially a DVD-Audio player, though any DVD player will play this disc in surround or stereo), though the CD sounds fine - and leave your preconceptions at the door.