Product Description

The story of four modern American Catholics who made literature out of their search for God

In the mid-twentieth century four American Catholics came to believe that the best way to explore the questions of religious faith was to write about them-in works that readers of all kinds could admire. The Life You Save May Be Your Own is their story-a vivid and enthralling account of great writers and their power over us.

Thomas Merton was a Trappist monk in Kentucky; Dorothy Day the founder of the Catholic Worker in New York; Flannery O'Connor a "Christ-haunted" literary prodigy in Georgia; Walker Percy a doctor in New Orleans who quit medicine to write fiction and philosophy. A friend came up with a name for them-the School of the Holy Ghost-and for three decades they exchanged letters, ardently read one another's books, and grappled with what one of them called a "predicament shared in common."

A pilgrimage is a journey taken in light of a story; and in The Life You Save May Be Your Own Paul Elie tells these writers' story as a pilgrimage from the God-obsessed literary past of Dante and Dostoevsky out into the thrilling chaos of postwar American life. It is a story of how the Catholic faith, in their vision of things, took on forms the faithful could not have anticipated. And it is a story about the ways we look to great books and writers to help us make sense of our experience, about the power of literature to change-to save-our lives.

Product Details

• Amazon Sales Rank: #45595 in Books
• Published on: 2004-03-10
• Original language: English
• Number of items: 1
• Binding: Paperback
• 554 pages

From Publishers Weekly
Four 20th-century writers whose work was steeped in their shared Catholic faith come together in this masterful interplay of biography and literary criticism. Elie, an editor at Farrar, Straus & Giroux, where three of the four writers published their work, lays open the lives and writings of the monk Thomas Merton, Catholic Worker founder Dorothy Day, and novelists Flannery O'Connor and Walker Percy. Drawing comparisons between their backgrounds, temperaments, circumstances and words, he reveals "four like-minded writers" whose work took the shape of a movement. Though they produced no manifesto, Elie writes, they were unified as pilgrims moving toward the same destination while taking different paths. As they sought truth through their writing, he observes, they provided "patterns of experience" that future pilgrims could read into their lives. This volume (the title is taken from a short story of the same name by O'Connor) is an ambitious undertaking and one that could easily have become ponderous, but Elie's presentation of the material is engaging and thoughtful, inspiring reflection and further study. Beginning with four separate figures joined only by their Catholicism and their work as writers, he deftly connects them, using their correspondence, travels, places of residence, their religious experiences and their responses to the tumultuous events of their times. This thoroughly researched and well-sourced work deserves attention from students of history, literature and religion, but it will be of special significance to Catholic readers interested in the expression of faith in the modern world.
Copyright 2003 Reed Business Information, Inc.

From The New Yorker
This long, unusual book consists of interleaved biographies of four mid-century American writers—Dorothy Day, Thomas Merton, Walker Percy, and Flannery O'Connor—who, though they rarely, if ever, met, are connected by the fact that they were all serious Roman Catholics and therefore alone: isolated both from literary circles (anti-religious) and from the Church (anti-literary). Except for O'Connor, they were converts; they "read their way" to religious experience, and then became writers, so that others could pick up the trail. They were very different—Day was devoted to social service, Percy to philosophy, O'Connor to literature, Merton to the inner journey—and Elie doesn't love them all equally. O'Connor is his favorite. Merton is the one he struggles with, but, by virtue of his warm, clear writing (better than Merton's), he makes us care about the self-involved friar, too.
Copyright © 2005 The New Yorker

From Booklist
Elie has fashioned a fascinating multiple biography of four of the most influential Catholic literary figures of the twentieth century. Interweaving the life stories of Thomas Merton, Dorothy Day, Walker Percy, and Flannery O'Connor, he illustrates how all four integrated the theme of pilgrimage into their work. He also analyzes the literary pilgrimages each of his subjects embarked upon during lifetimes devoted to reading, writing, and contemplation. Of primary significance to each of these authors was religion. Merton, Day, and Percy were all converts who zealously incorporated their adopted faith into both their daily lives and their writing. O'Connor, born and bred a Catholic among Protestants, instilled a thoroughly original sense of divine irony into her fiction. These four biographies serve as a backdrop for the scholarly analysis of the inspirational intersection of life, art, and religion. Margaret Flanagan
Copyright © American Library Association. All rights reserved

Customer Reviews

Illuminating
I stumbled upon an advance reader's copy of this work in a used bookshop--I had never heard of the book's author, an editor at FSG, but I was curious to find out how he would weave together the stories of his four subjects: Dorothy Day, Thomas Merton, Flannery O'Connor, and Walker Percy. At first glance, they seemed to have little in common apart from their religion.

As Elie shows in this entertaining and informative book, these writers were all highly aware of each other, and would meet on their separate "pilgrimages" toward authentic spirituality in increasingly secular times. "The School of the Holy Ghost" (as this quartet was once called) was not a school at all, as the Imagists or the Beats were; however, Elie shows, they felt a profound kinship, and one of the most fascinating aspects of the book is Elie's depiction of how they reached out to each other, through fan letters, postcards, reviews, publishing each other's work, and not-always-successful meetings (Merton and Percy had little to say to one another as they sipped bourbon on the porch of Merton's hermitage in Kentucky.)

Above all, what brought these Catholic believers together was a love of literature, and Elie's book happily overflows with this same virtue. Whether discussing Day and Merton's dispute over Vietnam draft card burning, or the racism of O'Connor's letters, Elie writes elegant and opinionated prose. He shows how hard these people had to struggle to find a path for themselves, and how they came to see struggle as an inherent quality of faith. His readings of O'Connor and Percy's fiction are astute, and he productively contrasts Day's activism with Merton's withdrawal into solitude. Elie's use of letters--especially O'Connor's--brings out the voices of the principals, and at the end of the book, you feel that you know them personally. I would recommend this superb synthesis to anyone interested in the intersection of faith and literature.

A Great Gem in Catholic Literary Scholarship
The title of Paul Elie's book THE LIFE YOU SAVE MAY BE YOUR OWN is borrowed from a short story title of Flannery O'Connor, one of the four writers discussed in his book. The other three are Thomas Merton, Dorothy Day, and Walker Percy. The focus of Elie's work is not as much biographical as it is literary. He looks at the two things that connect these four great people: faith and writing, and shows how both work together to produce the great literary output of each author. Elie sees these four people as being part of an informal "Catholic" school of writers. Elie looks at an analyzes many of the writings of each author, and presents it in a manner that will appeal to the scholar and lay reader as well. Though the book has biographical information, and is arranged in a chronological manner, biographical and historical details are only provided where absolutely necessary to discuss the literary works of Day, Merton, O'Connor, and Percy.

There has been a temptation to see Merton and Day as larger than life, almost saintly figures, Percy and O'Connor as eccentric southerners who happen to be Catholic, and in the case of O'Connor, a Catholic writer trying to impose blatant symbols of faith in all of her writings. Elie certainly admires all four, but shows them from a human point of view. In doing so, he debunks many of the myths surrounding these four figures. From a spiritual point of view, they are just as human as we are, and it is because of their very human struggles that their literary output is possible.

Elie breaks important ground by looking at these four great Catholic figures as writers, and his work will undoubtedly set the stage for further study of the literary connections of Merton, Day, O'Connor, and Percy. His book includes copious endnotes that will enable a person to easily find works by and about these four authors. In most chapters Elie discusses each of the four, but he uses breaks after sections about each author which makes reading easier. Elie himself is a book editor and he uses his skills as an editor to write a concise work. The length of the book demonstrates this alone. The text without endnotes is approximately 475 pages. There are certainly individual works about Merton, O'Connor, and Day equal or greater in length than Elie's work, but hardly say as much. I cannot say for certain about Percy since I am not familiar with scholarly or biographical works about him.

This book will more than likely be of interest to Catholic readers, but anyone who wishes to study the role of faith in Day, Merton, O'Connor, and Percy, will find this book a great read an a valuable resource.

A Flawed but Good Read
Paul Elie's combined biographies of Merton, Day, Percy, and O'Connor has many virtues, which other reviewers have mentioned and elaborated upon. No doubt the convergence of the lives of these four gifted writers is a fascinating story, and Elie's footnotes in the back are very detailed and helpful. The main problem I have with this book is that Elie's Catholicism is so attenuated that it can hardly grasp much of what these writers were trying to do with their lives and with their work. On the last page of his book, Elie states plainly his position that "there is no one true faith", true for all people, all times. That's a proposition that I think his four subjects would take issue with, and sharply. As O'Connor famously said of the Blessed Sacrament, "If it's a symbol, well the hell with it." Elie also has a fairly superficial understanding of what a pilgrimage is in traditional Catholic culture and theology. He reduces it to a journey undertaken to see something with one's own eyes, something akin to a story lived out. Well, sure, but of the deeper sense of that word--one central certainly to Percy--Elie has no idea. The "homo viator" is essentially a pilgrim, a wayfarer, and is central to Percy's idea of the self, and thus to all his work. Alas, Elie's faith--at least as expressed in this book--is nothing like the faith of the writers he finds so fascinating. Merton, Day, Percy, and O'Connor knew their faith allowed them to assent to something that transcended their reason, that allowed them to partake of mysteries that are not "projected" by their desires, but are the source and goal of all natural human desires in the first place. Elie's interesting but flawed work shows that heterodox Catholicism is hardly up to the task of really appreciating these gifted writers. Unfortunately, that is the least of its problems.