Product Description

A young Lebanese-American girl struggles with her sexual obsession, a bigoted Army reservist and her strict father during the Gulf War.

Product Details

• Amazon Sales Rank: #15222 in DVD
• Brand: Warner Brothers
• Released on: 2008-12-30
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: Color, DVD, Widescreen, NTSC
• Original language: English
• Subtitled in: English, French, Spanish
• Number of discs: 1
• Running time: 124 minutes

Features

• A young Lebanese-American girl struggles with her sexual obsession, a bigoted Army reservist and her strict father during the Gulf War.Running Time: 117 min. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 883929047505 UPC: 883929047505 Manufacturer No: 1000045079

Amazon.com
Haunting and moving, Alan Ball's directorial debut, Towelhead, settles around the viewer for hours, days, afterward, as its delicate layers unfold. Ball, the screenwriter of American Beauty and the creator of HBO's splendid Six Feet Under, revisits some familiar territory here, yet bestows grace upon even his most flawed characters. The film follows the life of 13-year-old Jasira (Summer Bishil), quiet and compliant, who's shuttled between an uncaring American-born mom and a strict, bigoted Lebanese-American dad (Peter Macdissi). When she goes to Houston to live with her father, Jasira starts babysitting for a bratty neighbor kid, whose dad (Aaron Eckhart) takes an unnatural interest in the girl. A new classmate, Tommy, also desires the eighth grader, and one begins to feel Jasira's whole world is a predatory nightmare. Yet the film, while uncomfortable at times to watch, manages to provoke without appalling. Young Jasira is exploring her own sexual awakening, secretly (with echoes of American Beauty), and so desires adult attention that she tiptoes into a flirtation with Eckhart's character, Mr. Vuoso--who is undeniably creepy, yet Eckhart's performance gives Vuoso a begrudging sympathy, no small feat. It's the film's achievement that characters the viewer should be repulsed by--the harsh, overbearing dad; the pervy Mr. Vuoso--have more than a shred of humanity. And luckily for young Jasira, another neighbor, played by Toni Collette, takes her under her wing--and there's almost a palpable sigh of relief when she does. And the script is shot through with humor, which doesn't exactly leaven the intense subject matter, but provides some lightness. When Jasira gets her first period, uptight dad takes her shopping for sanitary pads (no! tampons! ever!), and in the harsh light of the drugstore asks the mortified girl, "Would you describe your situation as Light, Medium, or Heavy?" Bishil is a lovely new discovery, like Thora Birch or Wes Bentley of Beauty, and stays true to herself while the adults around her--with the exception of Collette's Melina--let her down, or worse. The cinematography, draped in shadows, underscores Jasira's unstated plea: See me. Notice me. Care about me. --A.T. Hurley

Customer Reviews

For those who take their humor black
From the moment Thomas Newman's soundtrack opens the film, you know you are in the dark suburban underworld of Alan Ball. Much like Six Feet Under, Towelhead explores dysfunctional family relationships as experienced through the eyes of a 13-year-old Lebanese-American girl.

Many of Ball's familiar themes are present here - sexual awakenings, sexual deviance, abusive families - and as usual he handles the themes with an uncomfortable sensitivity. There are plenty of moments which you'd rather not be sharing with the troubled characters, but the film compels you to watch.

The film medium perhaps suits Ball's subject matter better than TV. Where Six Feet Under often threatened to destabilize its credibility with the implausible bad luck that his central characters endured, Towelhead manages to maintain its focus, offering up a tenderly traumatic, and darkly humorous story of Jasira's coming of age into an increasingly sexualized world.

one of 2008's best films
****1/2

Even at the tender young age of 13, the strikingly beautiful Jasira seems destined to go through life igniting the passions of the men and boys around her. A product of a mixed marriage (her mother is white, her father Lebanese) and a broken home, she lives with her strict, traditionalist dad in a Texas suburb during the time of the first Gulf War. Though shy by nature, Jasira seems wise beyond her years when it comes to exploring her burgeoning sexuality. Like many girls her age, she dreams of one day becoming a famous model like the ones she sees in fashion magazines or on billboards around town. Yet, despite the sternness and rigidity of her father, Jasira winds up getting involved with both a black boy at school and the middle-aged family man who lives two doors down.

With "Towelhead," writer/director Alan Ball returns to the theme of simmering suburban eroticism that he explored so effectively in "American Beauty" and "Six Feet Under." Indeed, it`s safe to say that "Towelhead" is possibly the most perceptive, frank and intelligent exploration of teenage sexuality I've ever seen on film. Somehow Ball has managed to take a subject that could easily have become exploitative and sensationalistic and turned into a moving and compassionate tale of flawed individuals who, despite the fact that they may mean well, often act in ways that cause serious harm to others. As is true of every teen, Jasira is naturally curious about her body and intrigued by that secret, forbidden world of pleasure to which only grownups seem somehow privy. The trouble is that Jasira is surrounded by adults who provide her with either weak or contradictory guidance, or who can't control their own urges long enough to think about the harm they might be inflicting on others with their actions. On a broader scale, Ball questions how modern teens can be expected to make wise decisions about sex when they are routinely bombarded with mixed messages from a culture that is both highly sexualized and highly puritanical at one and the same time. Often times, we get the sense that Jasira is using her new found sexuality - without yet fully understanding the powerful effect it is having on the males around her - to fill an emotional void in her life, a void caused by a mother and a father who are so caught up in their own lives that they have little left over for their daughter. To a somewhat lesser extent, the movie also touches on the racism that exists in not only the white culture but the nonwhite culture as well. For while Jasira is being taunted by the kids at school for her dark skin (even though many assume she is Mexican), her own father is forbidding her to date a black boy who has taken a romantic interest in her.

Ball has populated his story (based on the novel by Alicia Erian) with a rich array of complex, multi-dimensional characters, each one a unique and closely observed individual. Beyond the intriguing Jasira, there is her hot-tempered father who, in his own, perhaps clumsy, way clearly loves his daughter but who is so bound in by the traditions of his culture that he can't even begin to understand what is going on in her heart. There is the kind, pragmatic next door neighbor who keeps her eye on the girl and extends the hand of friendship when it is needed most. And, finally, there is the older man caught between what he knows is right and his compelling need to seduce a child young enough to be his own daughter. Ball makes it clear that none of these characters is a hero or a villain, that life is simply too messy and complex a business for us to be assigning such roles to individuals. Yet, he clearly acknowledges that there is such a thing as going over the line, and that adults need to understand that their own desires should never be fulfilled at the expense of others more vulnerable than themselves.

Summer Bishil is heartbreaking and utterly believable as young Jashira, while Peter Macdissi infuses both a sense of menace and a strangely offbeat humor into the role of her hardnosed, dogmatic father. Toni Collete is her usual first rate self as the older woman who takes Jasira under her wing, offering her the kind of guidance her actual parents seem either unwilling or unable to provide for her. As the neighbor who seduces Jasira, Aaron Eckhart brings a great deal of courage, subtlety and restraint to one of the trickiest roles imaginable for an actor. Eckhart is obviously secure in the conviction that the audience will be mature enough to see the humanity in his character even while feeling disgust at his actions.

In fact, that's pretty much the way it is with the entire film. There are some who will be instantly turned off by the highly sensitive nature of the subject matter. But, true artist that he is, Ball has been able to transcend the sleaze to provide us with a heartbreaking human drama that, by touching on the universal, is able to strike a chord of familiarity in the audience.

Put simply, "Towelhead" is one of the very best films of 2008.

Save The Children??
I can see how a movie like this can be polarizing (much like Terry Gilliam's Tideland which was similarly criticized for it's "child abuse") but it's a very sweet film, very emotional and effective. It's a story of a little girl who is so neglected by her parents that she reacts to the innapropriate advances of an older man because he is providing the perceived "positive" attention and affection that she is so desperately seeking. She is bullied by her parents/schoolmates and abused by her adult male neighbor. It is sad what happens to her but I found her character entirely relatable and beautiful.

So, much in the same way that the father in this film inadvertenly fails to protect his daughter by being simultaneously overprotective and absent, I am so annoyed with reviewers that criticize this film, not because they didn't like it, but because "it's sick" or "child porn" or some such nonsense. It's the parents who crusade the most against what "the children" can see that most need to be engaging their children in conversation to see what's happening in their children's lives and truly help them instead of trying to shelter them from real facts about life!

This should be required viewing for all 13 year old girls (and their parents).