Product Description

Poetry Speaks features the work of the most influential writers in modern poetry—written and performed—from 1892 to 1997. This book combines their most significant poems in print with the authors themselves reading their poetry on audio CD. Poets range from Alfred, Lord Tennyson, Walt Whitman, T.S. Eliot and Dorothy Parker to Langston Hughes, Allen Ginsberg, Sylvia Plath and Gwendolyn Brooks.

The power of spoken poetry is at the heart of Poetry Speaks. Poetry is a vocal art, an art meant to be read aloud. Listening to a poem read aloud can be a transforming experience. Poetry Speaks not only introduces the finest work from some of the greatest poets who ever lived, it reintroduces the oral tradition of poetry.

Poetry Speaks features over 40 poets in chapters each containing:
• The poems that are read by the poet on the audio CD
• Additional poems in print form to allow the reader to further explore the poet
• A short biography and photo of each poet
• Original manuscripts and letters for most of the featured poets
• An original essay for each poet written by today’s most influential poets, a veritable Who’s Who of poetry, including: Seamus Heaney on W.B. Yeats; Richard Wilbur on Robert Frost; Mark Strand on Wallace Stevens; Jorie Graham on Elizabeth Bishop; Glyn Maxwell on Dylan Thomas; and Rita Dove on Melvin B. Tolson.

Poetry Speaks—combining the talents of great poets past and living, their words written and spoken—is the most ambitious, comprehensive and innovative poetry project to be published in years, and is sure to be the model for collections to come.

Robert Pinsky, Rita Dove and Dana Gioia are featured Editorial Advisors.

Product Details

• Amazon Sales Rank: #214718 in Books
• Published on: 2001-10-01
• Original language: English
• Number of items: 10
• Binding: Hardcover
• 352 pages

From Publishers Weekly
This is the definitive anthology to date of canonical poets reading short selections of their own work. Though some of the audio here has been widely available for decades, it is certainly exciting to hear Tennyson, Browning, Yeats, Eliot and Co. reading their work and to read easily along in the provided text indeed, a huge first printing of 100,000 is riding on that excitement. Former Poetry Society of America executive director Paschen and National Public Radio reporter Mosby have assembled a very high-wattage team of living poets to write short essays on the historic ones whose voices we hear. The real standouts are about the less familiar of the latter: Rita Dove on the superb modernist Melvin B. Tolson; Forrest Gander on the magisterial Laura (Riding) Jackson; Michael Palmer on San Francisco Renaissance man Robert Duncan; Elizabeth Alexander on Etheridge Knight. T0 hear the distinctive accents and pauses of these poets 42 here in all, including the likes of Gertrude Stein and Robert Lowell remains truly wonderful. Paschen and Mosby's biographical notes can veer into shorthand platitude, but the initiated will be curious as to how poets such as Jorie Graham and Charles Bernstein approach Elizabeth Bishop and Ezra Pound respectively (though the essays are by design cursory). At the very least, those getting their first dose of poetry will find lots of names for further investigation. Charles Osgood introduces each poet's specific selections on the discs, which are complemented by further poems from each poet in the text. All told, while there will be quibbles about missing poets, this set evinces care, and will displace its patchwork of rivals for the foreseeable future. (Oct.)Forecast: Though it's being published in October, look for this set to be a huge holiday item and to begin showing up in public libraries almost immediately. For others, Tennyson's previously unavailable reading of "The Charge of the Light Brigade" and Langston Hughes's of "The Negro Speaks of Rivers" will be worth the price of admission on their own.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Adult/High School-A cornucopia of pleasurable reading and listening that features the works of 42 poets. This anthology's high accessibility and its clean and unusual layout ensure its usefulness in most collections. Organized chronologically by the poets' dates of birth, followed by their pictures, a short introduction to their lives, a critical essay by a poet/essayist, some rarely seen handwritten notes, and several of their important poems, this offering would be enough to satisfy most readers. However, the package also includes three CDs of the poets' interpretative readings of these poems. These recordings reflect the pitch, intonation, and age of the poet at the time of the recording such as Robert Frost's gravelly voice, a young Sylvia Plath, or Dylan Thomas's singing cadences. The essays by such writers as Robert Pinsky and Anthony Hecht will be of particular value to teachers introducing literary criticism because their writing is so clean and uncluttered. In addition to the CDs, the poets' notes heighten the sense of the creative process. For example, Dr. William Carlos Williams used prescription pads to scrawl lines as the words came to him. These items punctuate the pages, letting readers know that poetry comes slowly, after numerous cross outs and revisions. The reason for omissions of such great poets as Emily Dickinson is obvious-this collection focuses only on poets whose recordings are available. A must for poetry lovers.

Margaret Nolan, W. T. Woodson High School, Fairfax, VA

Copyright 2002 Cahners Business Information, Inc.

From Library Journal
In this anthology, which comes with three audio CDs, Paschen, a poet and cofounder of the national "Poetry in Motion" program, and freelance writer Mosby, editor of the Rhino Records CD anthologies In Their Own Voices and Our Souls Have Grown Deep Like the Rivers, present a well-balanced cross section of 42 poets from 1892 to 1997. The selections represent several major poetry movements, including the late romantics, modernists, postmodernists, confessionals, and black arts writers. Charles Osgood, who narrates the audio, offers low-key introductions that never distract from the poems at hand, all of which are read by the poets themselves on the accompanying CDs. Each chapter of the anthology proper is dedicated to a specific poet and includes a brief biography and an original essay from a contemporary writer. Al Young's essay on Langston Hughes, Joy Harjo's on Theodore Roethke, and Sonia Sanchez's on Gwendolyn Brooks are outstanding for their warmth, humor, and affection. Readers and listeners are guaranteed to hear poems in a new way after spending time with this book and CD set. Recommended for all academic libraries and public libraries looking to enrich their poetry collections. Pam Kingsbury, Florence, AL
Copyright 2001 Reed Business Information, Inc.

Customer Reviews

A remarkable collection
Fourty-two poets read their own work on three CDs. The accompanying text is a large and rather weighty book with a chapter for each of the poets. Each chapter includes a one-page biography, a two or three page essay on the works, and several representative poems including those read on the CD. Poetry fans of all stripe will be fascinated by the readings, which range from early (and difficult to understand) recordings by Lord Tennyson to fairly recent (and good quality) recordings by Sylvia Plath. Some of the recordings are quite rare and hard to find; others have been widely available for many years.

The great interest in this collection, of course, is the opportunity to actually hear a great poet--and possibly one of your own favorites--read their own work. And the result can be disconcerting, magical, and sometimes both. The earlier poets found in the collection do not read their poems so much for content as they do for rhyme, giving the rythms of their work emphasis above all else; later poets, however, are prone to read very dramatically, sometimes to the exclusion of all else. And there are a number of suprises. Carl Sandburg reads with a significant accent and such a lilt that he often sounds as if he is about to flow into song. Gertrude Stein and Dorothy Parker, two poets as different as night and day, have unexpectedly rich and warm voices. e.e. cummings reads very, very slowly--almost to a point at which you'd like to shake him by the shoulders and ask him to speed it up! Interestingly, it becomes increasingly obvious to the listener that a poet is not necessarily the best reader of his own work, for some are clearly more successful readers than others.

The recordings, be they good or bad, are always interesting. The same cannot be said for the text. The short biographies of each poet are reasonable, but the essays concerning their works are a very mixed lot. Some are quite interesting, addressing elements in both the poetry and the poet's reading of it; a few are so completely spurious that one wonders why the editors bother to include them at all. (I also find it a bit frustrating that two personal favorites--Marianne Moore and Stevie Smith--are not included in the collection, but this of course is a matter of personal taste.) In spite of the very occasional short-comings in the text, POETRY SPEAKS would be an ideal purchase for both budding and lifelong poetry lovers. It would also be ideal for the English teachers, literature professors, and librarians in your life.

Since none of the editorial reviews actually include the poets found in this collection, I note them here: Lord Tennyson; Robert Browning; Walt Whitman; William Butler Yeats; Gertrude Stein; Robert Frost; Carl Sandburg; Wallace Stevens; William Carlos Williams; Ezra Pound; H.D.; Robinson Jeffers; John Crowe Ransom; T.S. Eliot; Edna St. Vincent Millay; Dorothy Parker; e.e. cummings; Louise Bogan; Melvin B. Tolson; Laura Riding Jackson; Langston Hughes; Ogden Nash; W.H. Auden; Louis MacNeice; Theodore Roethke; Elizabeth Bishop; Robert Hayden; Muriel Rukeyser; William Stafford; Randall Jarrell; John Berryman; Dylan Thomas; Robert Lowell; Gwendolyn Brooks; Robert Duncan; Philip Larkin; Denise Levertov; Allen Ginsberg; Frank O'Hara; Anne Sexton; Etheridge Knight; and Sylvia Plath.

You can hear Tennyson, Frost, Plath and MORE!
This is just amazing! This poetry and audio CD collection (there are THREE audio CDs in the book) lets you hear lots of different poets reading their own work. There's Auden and Bishop and Langston Hughes and Yeats. It's incredible. I don't know where they found all of these different poets. And the book has essays by some of the best poets around. Billy Collins has an essay, and Richard Wilbur, and Pinsky. So you can listen to and learn about the poets you know (like T.S. Eliot or Sylvia Plath) or you can discover somebody completely new to you (like Melvin Tolson). All in all, the best poetry collection I've ever seen!

Not a bad effort, fills a hole
I love poetry and I love hearing poets recite their own work. I can't think of another CD which brings together such a broad collection of recordings. It really is an idea whose time has come. This collection has exposed me to some poets I didn't know before, has deepened my appreciation for some that I had barely heard of, and has given me a real feeling for how tastes in poetry reading change over time. So basically it is a good book/cd set. If you have a lot of money, or if you have been yearning for this kind of thing for a long long time (as I had), then you might consider getting it.
Now the problems. Interspersed with the poetry tracks are tracks of a really dorky sounding narrator (that would be Charles Osgood) giving you a bio on the poet who follows. He sounds like a cheesy voice-over speaker from an overproduced tv documentary. He is so annoying that I cannot bear to let the CD run, as I do my other recorded poetry CDs. And who wants to keep listening to bios, anyways? It's as if the CDs were made to be listened to only once. I have the terrible feeling that the editors thought this narration would be helpful for high-school teachers. I cannot even imagine being forced to listen to his voice while sitting in class . . this kind of thing is what made high school intolerable. Especially when you move from Osgood's narration to someone like Etheridge Knight reciting, the disparity couldn't be more disheartening. When I want to listen to the poems, then, I have to sit by the player or keep a remote in my hand to keep skipping the narration tracks. It really has dampened my appreciation for this effort, since my favorite way to listen to poetry is while washing dishes (hands occupied). I wish they had decided just to let the poets speak for themselves. The biographical information is in the book, anyways.
I rated the set so far down because my sense is that in their effort to make it 'accessible,' the editors of this set overprocessed it. The text layout and the presentation of information (what information they choose to provide as well as the way of providing it) have a sterile, commercial feel (even forgetting the narration on the CD). The book is far too heavy. The editors could have included all the same poets, all the essays, biographical information, etc. in a much simpler set, in paperback perhaps, with clean lines and normal book paper, and they would have created an instant classic. It's disappointing that poetry lovers would have such bad taste. So get it, but don't expect to be really happy with it.