Product Description

In Heaven's Mirror, author Graham Hancock continues the quest begun in his international best-seller Fingerprints of the Gods: to rediscover the hidden legacy of mankind and to reveal that "ancient" cultures were, in fact, the heirs to a far older forgotten civilization and the inheritors of its archaic, mystical wisdom.

Working with photographer Santha Faiia, Hancock traces a network of sacred sites around the globe on a spectacular voyage of discovery that takes us from the pyramids and temples of ancient Egypt to the enigmatic statues of Easter Island, from the haunting ruins of pre-Columbian America to the splendors of Angkor Wat. It is a journey through myth, magic, and astounding archaeological revelations that forces us to rethink the cultures of our lost ancestors and the origins of civilization.

The first fully illustrated book by Graham Hancock, Heaven's Mirror is a stunning and illuminating tour of the spirituality of the ancients--a search for a secret recorded in the very foundations of the holiest sites of antiquity.

Product Details

• Amazon Sales Rank: #264284 in Books
• Published on: 1998-10-26
• Released on: 1999-10-26
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

Amazon.com Review
It could be true! That's the enthusiasm that author and scholar-mystic Graham Hancock counts on--in himself and in his readers--as he lays down his theories of an ancient (Atlantean, perhaps?) civilization that disseminated a sophisticated religion of ground-sky dualism and a "science" of immortality. Hancock's previous work, including the popular and controversial Fingerprints of the Gods, has drawn criticism for its leaps of faith and allegedly pseudoscientific conclusions, but Heaven's Mirror proves at least a little more substantial. His chief thesis is that numerous ancient sites and monuments--the pyramids of Mexico and Egypt, the ruins of Angkor Wat in Cambodia, the monuments of Yonaguni in the Pacific, and the megaliths of Peru and Bolivia--are situated in such a way, geodetically, that they point towards some separate and uniform influence, some lost civilization or "invisible college" of astronomer-priests. And that civilization, as evidenced in the mathematics and architecture of the sites, points towards some gnosis, or body of knowledge, that would allow humanity to transcend the trap of mortality, a worldview in which the knowledge-giving serpent of Eden is not a villain but a hero.

Whatever you think of Hancock's ideas and theoretical musings in archaeo-astronomy, Heaven's Mirror is a gorgeous book, thanks to the photography of Santha Faiia. Lush, evocative photos of the monoliths on Easter Island and temples deep in the Cambodian jungle are enough to set the mind to introspective wandering--maybe, just maybe, Hancock's got it right after all. --Paul Hughes

From Library Journal
Hancock culminates his life's work?begun in such best sellers as Fingerprints of the Gods?by arguing that monuments built worldwide by ancient civilizations are linked by a common human legacy handed down from the heavens.
Copyright 1998 Reed Business Information, Inc.

From the Inside Flap
In Heaven's Mirror, author Graham Hancock continues the quest begun in his international best-seller Fingerprints of the Gods: to rediscover the hidden legacy of mankind and to reveal that "ancient" cultures were, in fact, the heirs to a far older forgotten civilization and the inheritors of its archaic, mystical wisdom.

Working with photographer Santha Faiia, Hancock traces a network of sacred sites around the globe on a spectacular voyage of discovery that takes us from the pyramids and temples of ancient Egypt to the enigmatic statues of Easter Island, from the haunting ruins of pre-Columbian America to the splendors of Angkor Wat. It is a journey through myth, magic, and astounding archaeological revelations that forces us to rethink the cultures of our lost ancestors and the origins of civilization.

The first fully illustrated book by Graham Hancock, Heaven's Mirror is a stunning and illuminating tour of the spirituality of the ancients--a search for a secret recorded in the very foundations of the holiest sites of antiquity.

Customer Reviews

A new theory of Ancient Civilization which merits attention
This is no mere picture book and Hancock is no Velikovsky. This book has a message of pivotal importance to all humans. It rolls back the horizon of human knowledge to unknown epochs, to a prior high-civilization with technological skills we may not even possess today. Hancock's claim is no less than that. He proves that the monumental layouts of ancient Tiwanaku, Gizeh and Ankor are actually based on star-patterns from 10,500 B.C. and that they contain the coded numbers of the earth's 26,000 year precessional zodiac cycle. Talk about ante-diluvian amnesia! If this theory is correct, then a high civilization existed at or before the 11th Millennium B.C., located in the equatorial regions, with the ability to travel world-wide, while most other humans were still in the stone age. One may ask why are there no inscriptions in stone from this civilization? That mystery may be resolved in due course. More importantly, I think this basic hypothesis is very plausible. With new dating techniques, we must now reevaluate the entire basis of pre-history which, until now, been based on stale eurocentric + mid-eastern cultural preconceptions limited to notions about ice caps and Cro-Magnons inexplicably leading to the rise of the Sumerians, Babylonians, through a series of Indus valley migrations. These findings will surely force the world's archeologists to reappraise those areas of the planet not covered by ice in the period 20,000 to 10,000 BC. I predict that the impact of this theory over the long term may mirror that of Darwin's Origin of the Species. Heaven's Mirror is a disturbing master-work in every respect. My sincere wish is that conventional archeologists should hold back from scorning Mr. Hancock. I ask them to open up to the new evidence with equanimity and address it with a scientific rather than emotive response.

Obligatory reading for anyone who cares about history...
For everyone left in the world who is spellbound by the precision and scale of architectural feats of wonder fashioned centuries ago by enigmatic people, Heaven's Mirror is the pot of gold at the end of the reading rainbow. Not only is this marvellous book packed with breathtaking photography of such sites as Giza, Angkor Wat, Teotihuacan, Machu Picchu, Sacsayhuaman and many more, but the accompanying text and diagrams eloquently lay out a theory whose ramifications shake the fundamental assumptions of human history.

Graham Hancock is proposing that the unimaginable amount of effort that went into megalithic structures around the world was NOT merely the result of ego-driven monarchs erecting tombs for themselves and monuments for their gods. For if you stand at these sites (as Hancock and Faiia did) at crucial times during the year (solstices and equinoxes) you can easily see that entire groundplans are oriented with the sun, moon and stars. In fact, Hancock prodigiously documents that many of these sites are exact replicas of constellations known to be of great significance to the civilizations that built them. Further, many sites mirror their respective constellations not as they looked when the sites were built, but in the epoch of 10,500 BC. This in turn requires knowledge of the precession of the equinoxes, the apparent shift of the constellations through the sky caused by the wobbling of the earth on its axis. This process takes almost 26,000 years to complete and takes 72 years to shift just one degree.

It just so happens that not only are these ancient megalithic sites exact replicas of constellations in a common, vastly distant epoch, but the sites themselves are separated in relation to each other by units of measurement that also proclaim precessional knowledge. For example, Giza, Egypt (whose three famous pyramids have apexes that reproduce the pattern of stars formed in Orion's belt (Orion was literally thought of as Osiris to the ancient Egyptians) and whose infamous Sphinx faces directly east and would have faced its "reflection" in the constellation Leo just before dawn in 10,500 BC) is located 72 degrees of longitude from Angkor Wat in Cambodia (a site which, seen from above, depicts the constellation of Draco, also in the sky to the north in the epic of 10,500 BC). 72 years, you'll remember, is the amount of time the sky takes to precess one degree.

I hope the foregoing will encourage you to read this book from cover to cover. The above example is really just a tiny piece of the massive amount of evidence contained in this incredibly important book. Graham Hancock deserves praise for being bold enough to continue the controversial search for the truth he began in Fingerprints of the Gods. His attention to quantifiable detail, referral to original sources of scholarly study via endnotes and use of mouthwatering photography and clear diagrams make Heaven's Mirror a huge pleasure to read. What he's suggesting flies in the face of conventional notions about the technological sophistication of the ancients, but then, so do the very edifices that they've cleverly designed to last until now. Far from trying to shroud these ancient sites with an air of mystery, Hancock is trying to unravel some of their secrets by using hard science combined with a knowledge of religious syntax to get at the real significance of the message left by the builders. It now seems that there was indeed a strong reason for making sites that could not be destroyed by the gradual or even the sudden ravages of history.

I won't spoil the message part for you, but suffice to say that if Hancock is correct in his hypotheses, modern civilization could learn some things of great relevance from the ancients.

A Wonderfully Photographed Survey of Man's Spiritual Past
Much of what Hancock presented in FINGERPRINTS OF THE GODS appears
here, but there is also much that is new -- notably the celestial
alignments of the Yonaguni underwater monument and the beautiful
photography of Santha Faiia from exotic and important sites around the
world. The book has, however, one major failing -- that of paying
homage to the Inquisition-inspired portrayal of the Americas as
populated by savages. Hancock states, "...the great mystery of
Central America is that a culture of such unmitigated ferocity was
also a vehicle for profound religious ideas." He should know
better but Hancock has mixed together truly ancient Mexico --
populated for thousands of years before Christ by Olmecs and the
people who built Teotihuacan -- with the Mexico Cortez encountered in
the 16th C., populated by the barbaric Aztecs. The Aztecs were
relative latecomers to the Valley of Mexico, arriving as little as 300
years before Columbus. They built inferior pyramids -- mostly from
broken stones and boulders of earlier constructions, they borrowed
earlier spiritual beliefs -- including knowledge of Quetzalcoatl (who
advocated the sacrifice only of flowers and butterflies), and they
conducted the mass sacrifices so gleefully related by the historians
under pay of the Church of the Inquisition. Were the Aztecs, as
Hancock seems to say, contributors to the spirituality of Central
America? No, they never got to Central America, and they marked a
confused dead-end to thousands of years of pre-Columbian culture in
Mexico. And although some savagery may have marked the decadent years
of the Maya who did flourish in Central America and Mexico's Yucatan,
it must be remembered that most of the Mayan city-states were built
without defensive walls and with interconnecting canals and roads
(sacbeob), signs of cooperative civilization, not the barbarism that
marked the fortified cities of the Mediterranean and European
regions.