Product Description

In Jonathan Kellerman’s gripping novels, the city of Los Angeles is as much a living, breathing character as the heroes and villains who roam its labyrinthine streets. Sunny on the surface but shadowy beneath, this world of privilege and pleasure has a dark core and a dangerous edge. In True Detectives, Kellerman skillfully brings his renowned gifts for breathless suspense and sharp psychological insight to a tale that resonates on every level and satisfies at every turn.

Bound by blood but divided by troubles as old as Cain and Abel, Moses Reed and Aaron Fox were first introduced in Kellerman’s bestselling Bones. They are sons of the same strong-willed mother, and their respective fathers were cops, partners, and friends. Their turbulent family history has set them at odds, despite their shared calling. Moses—part Boy Scout, part bulldog, man of few words—is a no-frills LAPD detective. Aaron, sharp dresser and smooth operator, is an ex-cop turned high-end private eye. Usually they go their separate ways. But the disappearance of Caitlin Frostig isn’t usual. For Moses, it’s an ice-cold mystery he just can’t outrun, even with the help of psychologist Alex Delaware and detective Milo Sturgis. For Aaron, it’s a billable-hours bonanza from his most lucrative client. Like it or not, Moses and Aaron are in this one together–and the rivalry that rules them won’t let either man quit till the case is cracked.

A straight-arrow, straight-A student from Malibu, Caitlin has only two men in her life: her sullen single father and her wholesome college sweetheart, who even the battling brothers agree seems too downright upright to be true. Reluctantly tag-teaming in a desperate search for fresh leads, Moses and Aaron zero in on Caitlin’s white knight as their primary “person of interest,” hoping that, like most people in L.A., he has a secret side.

But they uncover more than just a secret as they descend into the sinister, seamy side of the City of Angels after dark, populated by a Hollywood Babylon cast of the glamorous and the damned: a millionaire movie director turned hatemongering eccentric; a desperate Beverly Hills housewife looking for an exit from the fast lane; a heartthrob actor being eaten alive by personal demons; a hooker who’s probably seen it all . . . and might just know too much. And at the center, a dead young woman whose downward spiral and brutal end loom over Moses and Aaron like an omen of what may come to be if the dark end of the street claims another lost soul.

Product Details

• Amazon Sales Rank: #111882 in Books
• Published on: 2009-03-24
• Released on: 2009-03-24
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 384 pages

Features

• ISBN13: 9780345495143
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
PI Aaron Fox and L.A. cop Moe Reed, interracial half-brothers who played minor roles in 2008's Bones, take center stage in bestseller Kellerman's routine 24th Alex Delaware novel. When Fox, who used to work for the LAPD, looks into the missing-persons case of 20-year-old Caitlin Frostig, he runs into conflict with Reed. The brothers end up pursuing some predictable lines of inquiry, checking out Rory Stoltz, Frostig's college boyfriend, as well as links to a filmmaker, Lem Dement, who's suspected of domestic abuse. More A-list connections surface after the investigators learn Stoltz was the personal assistant for actor Mason Book, whose rumored suicide attempt came shortly after Frostig's disappearance. The strains between Fox and Reed don't generate much heat, while the pacing and writing aren't up to Kellerman's best. Hopefully, Delaware and detective Milo Sturgis, relegated to cameos, will be back in their usual starring positions next time. (Mar. 24)
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From Booklist
Instead of the usual Delaware/Sturgis investigative duo, Kellerman returns to two new crime solvers, stepbrothers who appeared briefly in last year’s Bones. Though both are sons of cops, they couldn’t be more different. Biracial Aaron pulls in a sweet six figures as a PI, which allows him to indulge in Ferré shirts and Magli shoes; younger Moses, a forthright, muscle-bound blond, does things by the book for the LAPD. Childhood rivalries, misunderstandings, and different personalities have kept them at odds throughout their lives. Then, suddenly, they find themselves working on the same case: the disappearance of a young college student. Competitors at first, the brothers gradually become a kind of team, each one adding bits and pieces to a sprawling case that morphs into something completely different from what it was to begin with—involving a washed-up celebrity, an abusive Hollywood director, a drug pusher, a couple of prostitutes, and a missing baby. Kellerman continues to play fast and loose with his plotting, but everything eventually comes together here, with a few surprises. What’s best, though, is seeing Kellerman step outside of the all-too-familiar he relies on in the Delaware novels and introduce a couple of characters that have the potential to take his work in fresh directions. --Stephanie Zvirin

Review
Praise for Jonathan Kellerman

Compulsion
“Fresh, fascinating and compulsively readable.”—Boston Herald

Obsession
“Jonathan Kellerman’s novels are an obsession; once started it is hard to quit.” —Orlando Sentinel

Gone
“Sharply written and well-paced.”—Entertainment Weekly

Rage
“[An] adrenaline-fueled read.”—People


From the Hardcover edition.

Customer Reviews

Not One Of His Best.
This tale is complicated by lots of characters with the two main ones brothers who don't trust each other: one a private detective, the other a police officer, both working on the same case. I had a good bit of trouble keeping track of which brother knew what, had done what, told the other one what. I found it very confusing. Far too many descriptions of "fashion" clothes worn by the private detective...who cares? And there just seemed to be too many characters for the plot, some not at all well developed. Kellerman has written a lot of good, enjoyable novels; I don't find this to be one of them.

who's doing his writing these days?
The Jonathan Kellerman writing style has changed so much, I suspect someone else ghost wrote this book. I can barely wade through the metaphors and slang to figure out what he's saying. It's really awful. Can't imagine whoever wrote this stuff thinks it's clever, but I bet they do. J Kellerman just dropped off my favorite authors list and probably off my future purchases list. And, by the way, the story just goes nowhere.

Disappointing
I am a huge fan of Jonathan Kellerman, and I really, really wanted to like this book. I just could not get into it. I actually stopped reading after about 1/3 of the book because I found myself feeling that reading it was a chore rather than a pleasure. I found I just could not make myself care about the characters. They do not appeal to me at all. The plot just did not capture my interest and I agree that it seemed overly complicated. I imagine authors sometimes get tired of writing about their usual characters but please don't use your faithful readers as guinea pigs for poorly thought experiments.