Product Description

In the tradition of John Berendt's Midnight in the Garden of Good and Evil and Erik Larson's The Devil in the White City, Douglas Preston weaves a captivating account of crime and punishment in the lush hills of Florence, Italy.





Douglas Preston fulfilled a lifelong dream when he moved with his family to a villa in Florence. Upon meeting celebrated journalist Mario Spezi, Preston was stunned to learn that the olive grove next to his home had been the scene of a horrific double murder committed by one of the most infamous figures in Italian history. A serial killer who ritually murdered fourteen young lovers, he has never been caught. He is known as the Monster of Florence.





Fascinated by the tale, Preston began to work with Spezi on the case. Here is the true story of their search to uncover and confront the man they believe is the Monster. In an ironic twist of fate that echoes the dark traditions of the city's bloody history, Preston and Spezi themselves became targets of a bizarre police investigation.





With the gripping suspense of Preston's bestselling novels, THE MONSTER OF FLORENCE tells a remarkable and harrowing chronicle of murder, mutilation, suicide, and vengeance-with Preston and Spezi caught in the middle.

Product Details

• Amazon Sales Rank: #2773 in Books
• Published on: 2009-06-25
• Original language: English
• Number of items: 1
• Binding: Paperback
• 368 pages

Features

• ISBN13: 9780446581271
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Amazon Best of the Month, June 2008: When author Douglas Preston moved his family to Florence he never expected he would soon become obsessed and entwined in a horrific crime story whose true-life details rivaled the plots of his own bestselling thrillers. While researching his next book, Preston met Mario Spezi, an Italian journalist who told him about the Monster of Florence, Italy's answer to Jack the Ripper, a terror who stalked lovers' lanes in the Italian countryside. The killer would strike at the most intimate time, leaving mutilated corpses in his bloody wake over a period from 1968 to 1985. One of these crimes had taken place in an olive grove on the property of Preston's new home. That was enough for him to join "Monsterologist" Spezi on a quest to name the killer, or killers, and bring closure to these unsolved crimes. Local theories and accusations flourished: the killer was a cuckolded husband; a local aristocrat; a physician or butcher, someone well-versed with knives; a satanic cult. Thomas Harris even dipped into "Monster" lore for some of Hannibal Lecter's more Grand Guignol moments in Hannibal. Add to this a paranoid police force more concerned with saving face and naming a suspect (any suspect) than with assessing the often conflicting evidence on hand, and an unbelievable twist that finds both authors charged with obstructing justice, with Spezi jailed on suspicion of being the Monster himself. The Monster of Florence is split into two sections: the first half is Spezi's story, with the latter bringing in Preston's updated involvement on the case. Together these two parts create a dark and fascinating descent into a landscape of horror that deserves to be shelved between In Cold Blood and Midnight in the Garden of Good and Evil. --Brad Thomas Parsons

From Publishers Weekly
Starred Review. United in their obsession with a grisly Italian serial murder case almost three decades old, thriller writer Preston (coauthor, Brimstone) and Italian crime reporter Spezi seek to uncover the identity of the killer in this chilling true crime saga. From 1974 to 1985, seven pairs of lovers parked in their cars in secluded areas outside of Florence were gruesomely murdered. When Preston and his family moved into a farmhouse near the murder sites, he and Spezi began to snoop around, although witnesses had died and evidence was missing. With all of the chief suspects acquitted or released from prison on appeal, Preston and Spezi's sleuthing continued until ruthless prosecutors turned on the nosy pair, jailing Spezi and grilling Preston for obstructing justice. Only when Dateline NBC became involved in the maze of mutilated bodies and police miscues was the authors' hard work rewarded. This suspenseful procedural reveals much about the dogged writing team as well as the motives of the killers. Better than some overheated noir mysteries, this bit of real-life Florence bloodletting makes you sweat and think, and presses relentlessly on the nerves. (June 11)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Italian journalist Spezi, source of much of the ooky background info Preston incorporated into his and Lincoln Childs’ serial-murder novel Brimstone (2004), gained much of his insight into the ghastly topic from his long-term reportage on the tangled investigation of the fiend referenced by the title of this book. After moving to Florence in 2000 and excitedly hearing about the local mystery of the murders of several pairs of young lovers in the 1970s and 1980s, Preston struck up with Spezi, joined the pursuit of the malefactor, and with Spezi eventually identified and interviewed a likely suspect. The local constabulary had other ideas. As the two writers closed in, Judge Giuliano Mignini brought them up short by informally charging them with interfering with his investigation. Later, he lodged formal charges against Spezi and had him arrested. Mignini had his own prime suspects, apparently thinking a satanic cult was responsible. Talk about your knotty true-crime situations! Officially, the investigation “grinds on with no end in sight,” having claimed one more victim—Spezi’s peace of mind. --Mike Tribby

Customer Reviews

Stranger than fiction
In the annals of crime, the case of the "Monster of Florence" (the name Italian journalist Mario Spezi, one of the co-authors, and one of the key players in the case and this book, gave the killer) is truly one of the strangest. Starting in 1974, and continuing through 1985, seven couples were brutally murdered in the secluded lovers' lanes located in the hills surrounding the city of Florence, Italy. Still unsolved to this day, the crimes captured the horrified attention and imagination of the Italian people, and consumed enormous resources--nearly one hundred thousand men were investigated and more than a dozen arrested during the course of various inquiries into the crimes. Per Douglas Preston's introduction, the investigation "has been like a malignancy, spreading backward in time and outward in space, metastasizing into different cities and swelling into new investigations, with new judges, police, and prosecutors, more suspects, more arrests, and many more lives ruined."

Not merely a recounting of those grisly crimes and endless investigations, The Monster of Florence (hereafter TMOF) is also an engrossing biographical piece, detailing the toll the case took on both its authors, who, in one of the stranger twists in a case replete with strange twists, become the focus of the ongoing police investigation. Thus, in a plot complication worthy of Alfred Hitchcock, the reporters became part of the very story they are covering--after his home is ransacked in a search, Spezi is subsequently arrested, and his collaborator, American crime novelist Preston, is harshly interrogated by the authorities. In a movie, the protagonists would have been able to clear their names by dramatically unmasking the real killer, unearthing a piece of key evidence at the last moment. Real life, however, proves to a bit more complicated, and certainly more bizarre.

The back cover copy of the advance reading copy of TMOF compares it to John Berendt's Midnight in the Garden of Good and Evil and Erik Larson's The Devil in the White City. The comparison is apt, but only to a point, as both these non-fiction works feel more like novels. TMOF, on the other hand, feels more like the product of journalists than novelists (certainly not surprising, given the backgrounds of its respective creators), calling to mind books like Jimmy Breslin's outstanding .44, or Vincent Bugliosi's memorable Helter Skelter. That's not to say it's any less gripping because of that tendency; in fact, in might have made the book all the more immediate and enthralling, because, in this instance, the strange facts in this case alone are enough to capture and hold any reader's attention.

A chilling tale of true evil
Recently, I seem to be reading a lot of books centered in and around the Italian city of Florence, treasured for centuries as the birthplace of the Renaissance. Everywhere there is art to behold, from paintings, sculpture and to architecture, and tourists crowding the city for the galleries and shopping. To the casual observer, it may just seem like a slice of heaven on earth.

But long-term residents know better. Between 1968 and 1985 eight double murders occurred, all of young lovers, with the female member of the pair brutally mutilated. One of the first reporters to hear of the crime was Mario Spezi, and through the years, he followed the crimes and the many stories of just who the Monster could be. He carefully assembled his notes, and wondered along with everyone else as to just who the killer was, dubbed The Monster by the press and the authorities.

American author Douglas Preston traveled to Italy with his wife and two of his children in 2000, living in a farmhouse near Florence. He was busy working on a new mystery novel, but kept getting sidetracked by the mystery of the Monster. A mutual friend introduced him to Mario Spezi, and very soon both men were good friends and investigating the riddle of the murders. Over the years they kept at the mystery, and soon they were discovering that the truth was very different than what the police and the carabinieri were saying what happened...

The narrative is broken up into two parts, the first half of the book centered around Spezi, and the general investigation, and the trials and suspects that well, weren't that credible. Spezi kept writing about the case, but the public and the press all seemed to want the more sensationalistic approach -- including rumours of a satanic cult being responsible, and a common sort of doorstop found in Tuscan homes actually being a 'device to communicate with the infernal regions.' Even a report from the FBI that contradicted the notions that were being reported did nothing to slow down the fantastic, and rather crackpot ideas.

The second half of the book, told from Douglas Preston's point of view, detailing his meeting with Spezi, and with a notable aristocrat of Florence, and his own story. Unlike the first half, this one does have a bit of humour here and there to lighten things up, mostly centered around being a very naive American and trying to learn the language.

About page two hundred or so, the story starts to run off the rails. Spezi has been sparring with the local investigator in the case, Michele Giuttari and Judge Guiliano Mignini, and in a very weird twist, have both Spezi and Preston indicted in the case.


Here is where my blood ran cold, as the reader gets to find out that not only the Italian judicial system impossibly corrupt but that many of the rights that Americans take for granted -- a fair and honest hearing, the right to have an attorney present, to know what you're being charged with and having access to the same evidence that the police and prosecutors do -- well, they simply don't exist in Italy. You can simply be denounced, the police can toss you into jail and there you can rot until they decide to speak to you.

Mario Spezi would go through the worry and humiliation of a prison stay and trial. Douglas Preston would be questioned and threatened with prison, and when he was freed, decided that the best thing to do would be to leave Italy with his family as soon as possible.

What finally happened is a shocker. For Americans, secure in the thought that we have the right to know, to be able to face our accusers openly, this is a very rude awakening. As to the real identity of the Monster, there are hints as to who he might be, but I fear that the truth will never be known.

A collection of black and white photos give faces to the principal players in the story, along with a map of Florence, with the sites of the murders marked. An index is included as well.

A warning -- the descriptions of the murders are brief, but very graphic, so this story is not for the faint of heart. What I came away with from this story was a sense of sorrow for the victim's families, a great deal of anger at the level of incompetence of the Italian officials, and thanking god that I live in a country where law at least has a fighting chance. Sometimes.

Four stars overall, and recommended, but only for those who enjoy true crime stories. Not for the squeamish.

Real life suspense makes for perfect summer read
The Monster of Florence by Douglas Preston & Mario Spezi is a non-fiction book with more twists and turns that most suspense novels. When Preston moved to Florence, Italy in 2000 he met journalist Spezi and learned about a series of murders from the 1970s and 80s that Spezi covered for his newspaper. Young couples were murdered while parking in their cars in the picturesque countryside by a vicious killer. The authorities had been spinning their wheels for over 30 years and the investigation was caught up in political machinations. When Preston started investigating the crimes himself for a newspaper article, the spotlight suddenly shone on him, as well as Spezi, who soon became accused of committing the murders himself. Preston lays the foundation for his case carefully, brick by brick leading the reader to the same conclusion that he and Spezi reached about the identity of the killer whom the local police refuse to consider as a suspect. The book is a dark look into the twisted maneuverings of Italian politics and how they tried to muzzle freedom of speech. It's a true crime book with a twist that makes it impossible to put down. Add this title to your summer must read list!