Product Description

No Description Available.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 8-JAN-2008
Media Type: DVD

Product Details

• Amazon Sales Rank: #2811 in DVD
• Brand: CROWE,RUSSELL
• Released on: 2008-01-08
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: Subtitled, Color, Dolby, Widescreen
• Original language: English, Spanish
• Subtitled in: English, Spanish
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 122 minutes

Features

• In Arizona in the late 1800s, infamous outlaw Ben Wade (Crowe) and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans (Bale), struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial. On the trail, Evans and Wade, each fr

Amazon.com
Here's hoping James Mangold's big, raucous, and ultrabloody remake of 3:10 to Yuma leads some moviegoers to check out Delmer Daves's beautifully lean, half-century-old original. That classic Western spun a tale of captured outlaw Ben Wade (Glenn Ford)--deadly but disarmingly affable--and the small-time rancher and family man, Dan Evans (Van Heflin), desperate enough to accept the job of helping escort the badman to Yuma prison. Wade, knowing that his gang will be along at any moment to spring him, works at persuading the ultimately lone deputy to accept a bribe, turn his back on "duty," and go home safe and rich to his family. That the outlaw has come to admire his captor intriguingly complicates the suspense. All of the above applies in the new 3:10, but it takes a lot more huffing and puffing to get Wade (Russell Crowe this time) and Evans (Christian Bale) into position for the showdown. Mostly, more is less. To Mangold's credit, his movie doesn't traffic in facile irony or postmodern detachment; it aims to be a straight-up Western and deliver the excitement and charisma the genre's fans are starved for. But recognizing that contemporary viewers might be out of touch with the bedrock simplicity and strength of the genre--not to mention its code of honor--Mangold has supplied both Evans and Wade with a plethora of backstory and "motivations." At the overblown action climax, the crossfire of personal agendas is almost as frenetic as the copious gunplay. (By that point the movie has killed more people than the Lincoln County War.) Best thing about the remake is Russell Crowe's Ben Wade, a Scripture-quoting career villain with an artist's eye and a curiously principled sense of whom and when to murder. As his second-in-command, Ben Foster fairly pirouettes at every opportunity to commit mayhem, and Peter Fonda contributes a fierce portrait of an old Wade adversary turned bounty hunter for the Pinkerton detective agency. --Richard T. Jameson

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Customer Reviews

Great Remake With New Twists
Although many say the Western is dead, in books as well as movies, it continues to rear its head and make itself known every so often. There's something inherently noble and visceral about the artform and the subject matter, the calm delineation between good and evil, that stubbornly continues to attract an audience.

In 2007, the Western showed back up at the box office in a trio of films that came out roughly at the same time. 3:10 TO YUMA was the first out of the gate, but it was followed in quick order by THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD and NO COUNTRY FOR OLD MEN.

The movie had been made fifty years ago, and much of the plot in that version made it into the remake. Both movies were based on a short story by Elmore Leonard, who has had several of his Western and crime novels made into films.

Christian Bale stars as Dan Evans, a one-legged, down-on-his-luck rancher struggling to keep a home together for his wife and two kids. Russell Crowe plays Ben Wade, an intelligent and heartless outlaw who's leading one of the blood-thirstiest gangs to ever take up the owlhoot trail.

Both stars take turns stealing scenes. Bale has the hard-edged look of coarse rawhide. Crowe possesses some of the deadest eyes ever shown in movies.

One of the best portrayals in the movie was a surprise to me, though. It took me a minute to recognize Peter Fonda as professional bounty hunter turned Pinkerton agent Byron McElroy. Fonda reminded me a lot of his father Henry, but part of that is because Fonda has aged. He also delivers a quality of acting and honesty in the character that is just amazing, and he was content to carry the supporting character role and didn't try to upstage anyone.

Logan Lerman was another surprise. He stared as William Evans, Dan's 14-year-old son. I'd thought Lerman was much older, but as it turned out he was 14 when the movie was made. He was likeable and intense.

When it came to truly cold-blooded villains, though, Ben Foster as Charlie Prince totally blew me away. The hair on the back of my neck went up as soon as he stepped on stage, and within a minute I hated him.

The story is simple. Dan is struggling to make ends meet and bumps into Wade during an armored wagon job. Later, after taking Byron McElroy into town for medical attention, Dan confronts Hollander, the man who's trying to run him off his land. When Hollander won't give him an extension on his loan, Dan finds Wade and helps take him captive. Then he agrees to help transport him to Yuma for $200.

The movie quickly spins out into the action of the violent road trip. In addition to being one of the fastest gunmen around, Wade is also a skilled psychological warrior, constantly taunting his captors and seeking out their weaknesses.

The action involves traveling through hostile Indian lands, meeting up with a team of killers working the railroad coming through the area, and a final showdown in Yuma that is one of the most exciting I've ever seen in a Western.

For two hours, I sat marveling at the characters, then tensely awaiting the outcome of the latest danger they were all facing. Even then, the twists and turns of the characters, the back stories they were all hiding till the very last moment, were awesome. No one was quite who I thought they were.

Westerns succeed best by having good men with a history of bad violence and bad men who haven't completely gone over to the dark side. 3:10 TO YUMA is one of those.

One caveat I will offer to people who have seen the original movie starring Glenn Ford and Van Heflin, this version does NOT follow the same paths or end up the same way. Expect to be surprised and shocked at how things turn out. And you'll be tense nearly the whole way through.

The classic Old West is Back
The Western genre is pretty rare nowadays--the Hollywood of today usually prefers other kinds of films (we feel you Clint Eastwood). Fortunately for the die-hard fans of the classic Spaghetti Western, the waiting is over. 3:10 to Yuma is one of the best Western film in years and probably one of the best films of 2007 overall. Not only we get excellent performances by Crowe and Bale, but the film captures the Western film traditions from the past--everything from a compelling story with a sense of justice and great gun action. Read on and I tell you, even if you're not a fan of Western, why you have to watch this extraordinary film.

Brief Intro Story:
The Old West is hard place to live, not only you have to deal with criminals and desert weather, but also with creditors who can be just as dangerous.

Things are not going well financially for the crippled family guy Dan Evans (Christian Bale) who has to support his wife Alice and two sons--he didn't pay the bills and his creditors burned his barn. As he is going back to town with his kids to complain about what happened, they see the famous outlaw Ben Wade (Russell Crowe) with his vicious gang who just busted a wagon full of cash (killing almost everybody). The gang members see Evans and his kids, but Wade (the boss of the gang) decides to only take their horses and leaves them standing there, but the gang makes a mistake--they left one wounded man. The gang goes to town and while Wade is alone and having fun with a local girl, he gets captured by the authorities while he is talking to Evans--who made it to town anyways. But they need extra help to transport him to catch a train that will take him to prison, and that's where Evans volunteers to help--for $200 dollars. He doesn't know that transporting this infamous bandit will turn his life around.

Review:
Director James Mangold (Walk the Line) has created an instant Western classic in almost every aspect. Here we find two cowboys, who are on different sides of the law, but at the same time, there is a sense of fellowship, loyalty and understanding between them--Not only their acting is impressive, there is so much chemistry on screen. In one hand, we have the outlaw Ben Wade who is a casual guy, a bit of a playboy, but he can be vicious if you push his buttons. despite all the immorality and his cockiness; he is a likeable character nevertheless. Then we have Evans who is a serious man of integrity, a loving father that will do everything he can to support his family righteously. There is a point in the film where his loyalty is put to the test, as well as the will to continue with the mission--this is the point of no return when it's not even about the money anymore. The two characters blend towards the end, they finally understand each other and create one of the best endings in recent memory.

Technically speaking, 3:10 to Yuma is a marvel to behold. We get the classic look and feel of the Old West with excellent cinematography, intense gun battle sequences and good costume design. Perhaps for many, the first act might be a bit slow, but after Wade gets captured, the film picks up with great drama and suspense. With all these great sequences, we also get excellent sound effects--which reminds me a bit of Kevin Costner's Open Range. Some of these sounds effects creates even melancholia--listen carefully, specially during the final battle.

The Verdict:
We didn't know taking the train could be so difficult back in the Old West. 3:10 to Yuma will not disappoint fans of the genre. It follows the classic Western formula with great performances by Russell Crowe and Christian Bale. Do I see a nomination for any of these vanguard actors? I'd say yes.

I wanted this film to be great.
I love the Western myth too much to like this film, which does injustice to the savvy of Western characters in general, and to the Code that drives every classic Western. In these things, it becomes a pseudo-Western; if it *does* revive the Western genre, I hope its successors don't commit its same atrocities.

The film is an exercise in Implausible Plotting. Cowboys and lawmen of the Old West escort a Notorious Outlaw across the wilderness and leave his hands cuffed in front of him, even after he kills two of the escort party in ways he never could have done had they just bothered to tie him up. Said cowboys and lawmen send a decoy "outlaw" in a stagecoach to throw the bad guys off the trail of the escort, and they just happen to lock the unfortunate decoy in the stage *for real* without giving him a key, so he can burn to death when the gang catches up and discovers his identity. Said cowboys and lawmen, armed and holding the higher ground, look out a hotel window to engage in conversation with the Notorious Outlaw's psychotically murderous gang, and then allow them to ride away unaccosted after several death threats, so the carnage can come later. What sane person would behave as these characters do? They act stupidly so dramatic tension can last longer.

Yes, the scenery is lovely. Yes, the acting is pretty much flawless, but who would have expected less from Crowe and Bale? The character actions and the conclusion are the problem here. After seeing this film, my 18-year-old brother remarked, "Well, if that was reality, I'd definitely wanna be on the side of the bad guys ... all the good guys were either stupid or wimpy." That is not the Western myth; that is the antithesis of the Western myth.