Product Description

In the deft hands of Neil Gaiman, magic is no mere illusion . . . and anything is possible. In Smoke and Mirrors, Gaiman's imagination and supreme artistry transform a mundane world into a place of terrible wonders—where an old woman can purchase the Holy Grail at a thrift store, where assassins advertise their services in the Yellow Pages under "Pest Control," and where a frightened young boy must barter for his life with a mean-spirited troll living beneath a bridge by the railroad tracks. Explore a new reality, obscured by smoke and darkness yet brilliantly tangible, in this extraordinary collection of short works by a master prestidigitator. It will dazzle your senses, touch your heart, and haunt your dreams.

Product Details

• Amazon Sales Rank: #128747 in Books
• Published on: 2008-02-01
• Released on: 2008-01-29
• Original language: English
• Number of items: 1
• Binding: Paperback
• 368 pages

Features

• ISBN13: 9780061450167
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
This anthology of short stories, and the occasional story poem, is vintage Neil Gaiman: quirky, sometimes very funny, often dark and disturbing. Most have been published before, but are hard to find elsewhere and cover all of Gaiman's writing life. As Gaiman says in his introduction, "most of the stories in this book are about love in some form or another," but not requited love. The stories in Smoke and Mirrors touch on all of Gaiman's themes: sex, death, dreams, and the end of the world. From "Chivalry," about the Holy Grail and where it finally ended up, to "Troll Bridge," a very adult version of "The Three Billy Goats Gruff"; from "Bay Wolf," a story poem that melds Beowulf and Baywatch, with interesting results, to "Murder Mysteries," which is about a murder, but also about angels, God's will, and Evil, these stories leave lasting impressions. Fans of Ray Bradbury's short stories and of Gaiman's other works will enjoy this collection. --Nona Vero

From Publishers Weekly
Imaginative twists on old legends and frightening glimpses into the impossible combine to form this impressive collection of 30 stories and poems by the author of Neverwhere and co-creator of The Sandman graphic novels. Each entry skirts the edges of a puncture in reality through which something dark and mysterious peeks. Then it moves on and the apparition is hidden away again, but not forgotten. The narratives follow a dream logic: The angel Raguel, the Vengeance of the Lord, can bum a cigarette off a youth in L.A. and tell him the truth behind Lucifer's fall ("Murder Mysteries"), and nonchalant assassins can be found in the Yellow Pages under pest control ("We Can Get Them for You Wholesale"). The bizarre and disturbing essence of the stories is highlighted by their background of absolute normalcy. Their prose is simple yet evocative, and Gaiman's characters are textured with well-defined personalities. Because the characters treat the unreal as ordinary, the eeriness of what unfolds has all the more impact. In "Chivalry," a woman finds the Holy Grail in a secondhand shop, and Galahad must trade something for it that will look just as good on her mantle. Demons take over London in "Cold Colors," because the devil has learned how to network and God can't get "saintware" up and running. The intriguing world behind these pages is indeed smoke and mirrors, just a step or a word or a story away from our own.
Copyright 1998 Reed Business Information, Inc.

From Booklist
In 30 prose and verse narratives, dark fantasist Gaiman proves that he knows how to stick to a story's point until it is thrust home. Poe would love him. He lacks Poe's grandiloquence, though, and also H. P. Lovecraft's, which he derides in "Shuggoth's Old Peculiar," one of three Lovecraftian items; the other two, by the way, feature Lawrence Talbot, the wolf man of 1940s horror movies, as a fang for hire, and "Bay Wolf," the verse one of them, mixes up Beowulf and Bay Watchwhat a howl! Other top-flight entries are the Raymond Carver^-style "Mouse," which is barely touched by fantasy; "Tastings," a highly erotic psychic vampire sketch; and "Snow, Glass, Apples," a ghastly retelling of "Snow White." Best of show is "Murder Mysteries," in which a young man meets an angel who tells him something John Milton didn't know: what provoked Lucifer to rebel against God. A box of bonbons for dark fantasy fans, and a strong successor to Neverwhere. Ray Olson

Customer Reviews

Savory melange of style and substance
I should point out first that (a) I've been Neil's friend for many years, and therefore not without bias, and (b) some of these stories I've read several times before. However, due to various health problems, I have been spending a lot of time in a series of doctor's waiting rooms for months now, and Smoke and Mirrors has been my book of choice for resisting lure of six month old issues of Field and Stream. I have read it from start to finish, resisting the strong temptation to flip forward to the stories I hadn't read, savoring each offering as I would a course in a lavish meal (and considering I'm on a diabetic's diet that's more savoring than I'm allowed in the traditional sense). It's been an unalloyed pleasure. And yesterday, while waiting for my endcrinologist to check me over, I finished the last story.

I rationed myself on this book, but you don't have to. If you only know Gaiman from Neverwhere or his Sandman comics, this is a chance to see the full range of his writing chops, which are formidable. I defy anyone to find me a better story this side of Nathaniel West about the mythical land of Hollywood than "The Goldfish Pool and Other Stories." I cannot think of a more bizarre marriage than the melding of epic poetry and bikini bimbos that is Baywolf. I heard the ghost of Peter Cook at my ear in "Shoggoth's Old Peculiar." I took inordinate pleasure in reading "Snow, Glass, Apples" aloud to a group of my son's friends, and watching them laugh uneasily.

There is a wealth of fine storytelling here, a veritable trove of style and substance, passion and pastiche, wit and bite and vision and venom. The art of the short story is in excellent hands.

No illusions: Neil Gaiman is a genius
People tend to get snide when you mention Neil Gaiman used to write comic books. Infidels. If your friends mock you and your fascination with the worlds Gaiman creates, just give them a copy of this book and tell them to shut up. It's the best introduction I can think of to everything Neil.

Some stories are undoubtedly stronger and more inspired than others, but the collection on the whole is astoundingly good, and makes Stephen King look pathetic, though it's hard to compare the two. Gaiman doesn't write horror stories, he writes magical ones -- stories that wrap you up in what your parents told you for years was impossible or unreal.

"Snow, Glass, Apples" -- this is not your grandmother's Snow White, and Gaiman himself states that he hopes the reader will not read the original faery tale the same way ever again. He succeeds. This story is worth the price of the book alone.

"Chivalry" -- a brilliant, extremely funny look into the mind of an elderly woman who's found the Holy Grail in a secondhand store and think it's just a fabulous mantel pice, never mind that Arthurian knight who keep bothering her for it. I made my dad read this one.

"Nicholas Was..." -- ever wonder how Christmas in the Gaiman household is? Dark, haunting, and achingly beautiful. Possibly my favorite, despite its (sadly) short length.

"The Goldfish Pool and Other Stories" -- the longest, and one of the best hands down, stories in this book. Neil takes the big hypodermic needle of writing and instead of sucking the life right out of what could have been a boring story, injects it with a subtle shadow and oodles of glitter. Very touching.

"The Sweeper of Dreams" -- one word:

There's not only stories, but poetry as well, and if I could go door to door and beg people to buy and read this book, I would. Not everyone appreciates Gaiman's mission of reintroducing magic into our world, but I, for one, plan on doing every little bit I can do to help.

Smoke and mirrors and illusions...

Gaiman-the new master of the short story
Every now and then a reviewer uses the words "every now and then" to start a review. It usually is followed by a glimmering review of a very artsy, very bad book. With this book, though, it is completely appropriate. It is appropriate to say that every now and then a story collection comes along that will, in the end, change the way we read short stories. The last time this happened was, perhaps, King's "Night Shift." Before that, pick any Ray Bradbury collection.

But Gaiman's collection is both and more put into one. "Smoke and Mirrors" is absolute masterpiece and seems like it would satisfy almost any avid reader's tastes. There is the humor, social commentary, poetry of all kinds and even a few examples of remarkably tasteful erotica included in this timeless collection. The dark side of the reader is revealed in a reassuring and, at the same time, frightening way. Reading Gaiman is not mere recreation, it is experience. This reviewer did not take long to complete these pages, despite a relatively busy work schedule. When it was over, it leaves disappointment that stems from the fact that the book was over, finished. Yet it is a fulfilling, and wonderful experience. It is not bogged down by "trying to make a point," despite the points it does make on the reader. It is simply telling a story, and the reader takes it as he or she wishes. This, in the end, is the essence of writing, and Gaiman has mastered it perfectly.

The stories are diverse; humor and dark, poetry and prose. However, no matter which story you read one thing remains constant: Gaiman's superb ability in the art of storytelling.

Writing short stories is an art of the most refined form, and Gaiman has done more than lead the art form or change the art form. He has transcended it and made it his own.

Every now and then a story collection comes along that will, in the end, change literature. Here and now, that collection is "Smoke and Mirrors."