Product Description

Everyone’s looking for the perfect match, a life-long partner, and Lewis and Lindsay Thorpe have found theirs, thanks to hi-tech matchmaker Eden Inc.

But when the happy couple’s life together ends in what looks like a double suicide, Eden Inc. has some explaining to do. So they hire forensic psychologist Christopher Lash to figure out what went wrong. And then another perfect match ends in death...

Product Details

• Amazon Sales Rank: #14900 in Books
• Published on: 2006-10-31
• Released on: 2006-10-31
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 416 pages

Features

• ISBN13: 9780307275561
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
“Slick, sophisticated entertainment, as well as a cautionary tale about artificial intelligence.”–Washington Post

“Impeccably in tune with the times.” –Entertainment Weekly

“Child conquers the complexities of artificial intelligence–fueling the plot with material usually comprehensible only to technogeeks.”–People

“Speeds toward a suspenseful conclusion.” –The Commercial Appeal (Memphis)

“Fans of head-spinning ‘70s thrillers like The Stepford Wives or The Boys From Brazil will want to input this baby right away. . . . Fascinating.... A techno-thriller that cares as much about the heart as it does about the hardware.” –Mystery Scene

“Pure entertainment.” –The San Jose Mercury News

About the Author
Lincoln Child is the author of Utopia and the forthcoming Deep Storm. He is the coauthor, with Douglas Preston, of Relic, The Cabinet of Curiosities, Still Life with Crows, and a number of other bestselling thrillers. He lives with his wife and daughter in Morristown, New Jersey.

Excerpt. © Reprinted by permission. All rights reserved.
ONE


It was the first time Maureen Bowman had ever heard the baby cry.

She hadn't noticed right away. In fact, it had taken five, perhaps ten minutes to register. She'd almost finished with the breakfast dishes when she stopped to listen, suds dripping from her yellow-gloved hands. No mistake: crying, and from the direction of the Thorpe house.

Maureen rinsed the last dish, wrapped the damp towel around it, and turned it over thoughtfully in her hands. Normally, the cry of a baby would go unnoticed in her neighborhood. It was one of those suburban sounds, like the tinkle of the ice cream truck or the bark of a dog, that passed just beneath the radar of conscious perception.

So why had she noticed? She dropped the plate into the drying rack.

Because the Thorpe baby never cried. In the balmy summer days, with the windows thrown wide, she'd often heard it cooing, gurgling, laughing. Sometimes, she'd heard the infant vocalizing to the sounds of classical music, her voice mingling in the breeze with the scent of pi-on pines.

Maureen wiped her hands on the towel, folded it carefully, then glanced up from the counter. But it was September now; the first day it really felt like autumn. In the distance, the purple flanks of the San Francisco peaks were wreathed in snow. She could see them, through a window shut tight against the chill.

She shrugged, turned and walked away from the sink. All babies cried, sooner or later; you'd worry if they didn't. Besides, it was none of her business; she had plenty of things to take care of without messing in her neighbors' lives. It was Friday, always the busiest day of the week. Choir rehearsal for herself, ballet for Courtney, karate for Jason. And it was Jason's birthday; he'd demanded beef fondue and chocolate cake. That meant another trip to the new supermarket on Route 66. With a sigh, Maureen pulled a list from beneath a refrigerator magnet, grabbed a pencil from the phone stand, and began scrawling items.

Then she stopped. With the windows all closed, the Thorpe baby must really be cranking if she could hear . . .

Maureen forced the thought from her mind. The infant girl had barked her shin or something. Maybe she was becoming colicky, it wasn't too late for that. In any case, the Thorpes were adults; they could deal with it. The Thorpes could deal with anything.

This last thought had a bitter undertone, and Maureen was quick to remind herself this was unfair. The Thorpes had different interests, ran in different circles; that was all.

Lewis and Lindsay Thorpe had moved to Flagstaff just over a year before. In a neighborhood full of empty nesters and retirees, they stood out as a young, attractive couple, and Maureen had been quick to invite them to dinner. They'd been charming guests, friendly and witty and very polite. The conversation had been easy, unforced. But the invitation had never been returned. Lindsay Thorpe was in her third trimester at the time; Maureen liked to believe that was the reason. And now, with a new baby, back full-time at work . . . it was all perfectly understandable.

She walked slowly across the kitchen, past the breakfast table, to the sliding glass door. From here, she had a better view of the Thorpes'. They'd been home the night before, she knew; she'd seen Lewis's car driving past around dinnertime. But now, as she peered out, all seemed quiet.

Except for the baby. God, the little thing had leather lungs . . .

Maureen stepped closer to the glass, craning her neck. That's when she saw the Thorpes' cars. Both of them, twin Audi A8s, the black one Lewis's and the silver one Lindsay's, parked in the breezeway.

Both home, on a Friday? This was seriously weird. Maureen pressed her nose up against the glass.

Then she stepped back. Now listen, you're being exactly the kind of nosy neighbor you promised you'd never be. There could be any number of explanations. The little girl was sick, the parents were home to tend to her. Maybe grandparents were arriving. Or they were getting ready to go on vacation. Or . . .

The child's cries had begun to take on a hoarse, ragged quality. And now, without thinking, Maureen put her hand on the glass door and slid it open.

Wait, I can't just go over there. It'll be nothing. I'll embarrass them, make myself look like a fool.

She looked over at the counter. The night before, she'd baked an enormous quantity of tollhouse cookies for Jason's birthday. She'd bring some of those over; that was a reasonable, neighborly thing to do.

Quickly, she grabbed a paper plate--thought better of it--replaced it with a piece of her good china, arranged a dozen cookies on it, and covered them with plastic wrap. She scooped up the plate, made for the door.

Then she hesitated. Lindsay, she remembered, was a gourmet chef. A few Saturdays before, when they'd met at their mailboxes, the woman had apologized for being unable to chat because she had a burnt-almond ganache boiling on the stove. What would they think of a homely plate of tollhouse cookies?

You're thinking about this way, way too much. Just go on over there.

What was it, exactly, she found so intimidating about the Thorpes? The fact they didn't seem to need her friendship? They were well educated, but Maureen had her own cum laude degree in English. They had lots of money, but so did half the neighborhood. Maybe it was how perfect they seemed together, how ideally suited to each other. It was almost uncanny. That one time they'd come over, Maureen had noticed how they unconsciously held hands; how they frequently completed each other's sentences; how they'd shared countless glances that, though brief, seemed pregnant with meaning. "Disgustingly happy" was how Maureen's husband termed them, but Maureen didn't think it disgusting at all. In fact, she'd found herself feeling envious.

Steadying her grip on the plate of cookies, she walked to the door, pulled back the screen, and stepped outside.

It was a beautiful, crisp morning, the smell of cedar strong in the thin air. Birds were piping in the branches overhead, and from down the hill, in the direction of town, she could hear the mournful call of the Southwest Chief as it pulled into the train station.

Out here, the crying was much louder.

Maureen strode purposefully across the lawn of colored lava and stepped over the border of railroad ties. This was the first time she'd actually set foot on the Thorpes' property. It felt strange, somehow. The backyard was enclosed, but between the boards of the fence she could make out the Japanese garden Lewis had told them about. He was fascinated by Japanese culture, and had translated several of the great haiku poets; he'd mentioned some names Maureen had never heard of. What she could see of the garden looked tranquil. Serene. At dinner that night, Lewis had told a story about the Zen master who'd asked an apprentice to tidy his garden. The apprentice had spent all day at it, removing every last fallen leaf, sweeping and polishing the stone paths until they gleamed, raking the sand into regular lines. At last, the Zen master had emerged to scrutinize the work. "Perfect?" the apprentice asked as he displayed the meticulous garden. But the master shook his head. Then he gathered up a handful of pebbles and scattered them across the spotless sand. "Now it is perfect," he replied. Maureen remembered how Lewis's eyes had sparkled with amusement as he told the story.

She hurried forward, the crying strong in her ears.

Ahead was the Thorpes' kitchen door. Maureen stepped up to it, carefully arranged a bright smile on her face, and pulled open the screen. She began to knock, but with the pressure of her first rap the door swung inward.

She took a step.

"Hello?" she said. "Lindsay? Lewis?"

Here, in the house, the wailing was almost physically painful. She hadn't known an infant could cry so loud. Wherever the parents were, they certainly couldn't hear her over the baby. How could they be ignoring it? Was it possible they were showering? Or engaged in some kinky sex act? Abruptly, she felt self-conscious, and glanced around. The kitchen was beautiful: professional-grade appliances, glossy black counters. But it was empty.

The kitchen led directly into a breakfast nook, gilded by morning light. And there was the child: up ahead, in the archway between the breakfast nook and some other space that, from what she could see, looked like a living room. The infant was strapped tightly into her high chair, facing the living room. The little face was mottled from crying, and the cheeks were stained with mucus and tears.

Maureen rushed forward. "Oh, you poor thing." Balancing the cookies awkwardly, she fished for a tissue, cleaned the child's face. "There, there."

But the crying did not ease. The baby was pounding her little fists, staring fixedly ahead, inconsolable.

It took quite some time to wipe the red face clean, and by the time she was done Maureen's ears were ringing with the noise. It wasn't until she was pushing the tissue back into the pocket of her jeans that she thought to follow the child's line of sight into the living room.

And when she did, the cry of the child, the crash of china as she dropped the cookies, were instantly drowned by the sound of her screams.



TWO


Christopher Lash stepped out of the cab and into the tumult of Madison Avenue. It had been half a year since he was last in New York, and those months seemed to have softened him. He hadn't missed the acrid diesel plumes belching from serried rows of buses; he'd forgotten the unpleasantly burnt aroma of the sidewalk pretzel stands. The throngs of passersby, barking into cell phones; the blat of horns; the angry interplay of cars and trucks--it all reminded him of the frantic, senseless activity of an ant colony, exposed from beneath a rock.

Taking a firm grip on his leather satchel, he stepped onto the sidew...

Customer Reviews

Suspenseful technological thriller
Christopher Lash is a psychologist specializing in marital relationships. He previous worked for the FBI, giving him insight into criminal behavior. This is the reason officials at Eden Inc. have contacted him, to investigate the mysterious double-suicide of two of their clients.

Eden is a matchmaker, but unlike any before it. Eden uses a highly advanced Artificial Intelligence to match individuals on every little detail (more than a million criteria). Lewis and Lindsay Thorpe were two such individuals, and were also the company's first "supercouple:" two people who are a 100% match. But now they are dead...and Lash must find out why. Because another supercouple has killed themselves...and there are four more such couples to go. But finding out why two perfect couples would want to kill themselves is only half of Lash's problem, because somebody is messing with his life, in ways that could only be done through the technology available at Eden...

"Death Match" is a top-notch thriller from Lincoln Child, who has brought us (especially in collaboration with Douglas Preston) so many enjoyable, well-planned thrillers. This novel is no exception; though it is a bit predictable, it is still enthralling. The technological details are broken down into layman's terms, but with serious research behind them. Lash is an appealing, conflicted character, as are those he encounters. While "Death Match" may not be Child's best work to-date, it is certainly worth checking out, and a repeated reading or two.

When dating services go bad!
I really enjoyed Death Match. For the right amount of money, you can be paired up with the perfect mate for you. No need for blind dates and changing your phone number after going out with a psycho. It's simply to good to be true, and you know what old wise ones tell you about that scenario. There is a group of super couples who match up 100% perfectly, but for reasons unknown, they are comitting suicide. Forensic psychologist Chris Lash is called in by Eden Inc. to determine what is going wrong. What Lash discovers will astound you. Will he be able to save the supercouples that are left?

The characters in this book are real people. There are no super heroes. There are characters you will cheer for and some you will despise. The plot is well thought out and executed nicely. This book was a breath of fresh air. The ending was predictable and a little bit silly, which is why I didn't give it a 5 star rating. Overall, it is well worth your time and attention.

What price would you pay for happiness?
The singles seeking mates from Eden International paid $25,000 for the most comprehensive evaluation. Eden matches their couples on over a million criteria. They even have a money back guarantee, which has yet to be claimed.

Then, one of the supercouples--a 100% perfect match is found dead. The coroner's report is suicide pact, yet, everyone who knew the couple says they were deliriously happy--and there's nothing in their extensive psych profiles from Eden to indicate suicide.

Dr. Christopher Lash gets called in from his lucrative private practice to help. Lash, a former FBI profiler of serial killers, left the Bureau a few years before when a serial killer struck to close to home.

Now, the further Lash gets into the case, the more he's beginning to sense that someone's setting him up. If he doesn't find out quickly who the killer is--it's not just another super-couple at stake.

"Death Match" is very well-written. Child explains computer tones in a manner that avoids the usual sophorific geek's explainations and makes the whole story come alive.