Product Description

For more than 100 years, National Geographic has set the standard for nature, culture, and wildlife photography. Now, in Through the Lens, 250 spectacular images—some famous, others rarely seen—are gathered in one lavish and beautiful volume.

Through the Lens is divided into geographical regions—Europe, Asia, Africa and the Middle East, the Americas, and Oceans and Isles—with a special section devoted to space exploration. Each geographical section features an outstanding array of photographs that exemplifies the area’s unique people, wildlife, archaeology, culture, architecture, and environment, accompanied by brief but informative captions. From Barry Bishop’s heroic Mount Everest climb in the 1950s to the glorious wildlife of Asia and Africa, from ancient Maya culture to the Afghan girl found 17 years after her piercing green eyes captivated the world, these are some of the finest and most important photographs ever taken.

Featuring master photographers from the late 1800s to today, including Frans Lanting, David Doubilet, David Alan Harvey, Jodi Cobb, William Albert Allard, Nick Nichols, and Annie Griffiths Belt, Through the Lens is an extraordinary photographic celebration of some of the greatest the world has to offer.

Product Details

• Amazon Sales Rank: #127167 in Books
• Published on: 2003-10-01
• Released on: 2003-10-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 504 pages

Amazon.com Review
Since the 10.5 million images in National Geographic's possession won't fit in a book, the 250 in this moderately glossy, minimally costly collection will do nicely. Through the Lens is a stunning collection of photos judiciously apportioned to represent the regions of the earth, the sea, and outer space; humans and nature; and even the history of the medium--a few historic black and whites contrast dramatically with the eye-popping modern color shots that dominate the book. As ever, the esthetic key to their impact is the use of big, emotional pictures with witty little captions, and whenever possible, startling juxtapositions. A Boston matron's faux-fur coat looks just like her pet Dalmatian (the caption identifies them as "spots fans"). The world's widest street (in Buenos Aires) by night looks great next to a grassy highway overpass for grizzly bears in Alberta. The famous green-eyed Afghan refugee poses in a purple burkha with her 1985 National Geographic cover. A Moscow shopper tries on a snowsuit, oblivious to the huge face in the ad on the wall behind him, whose nose he obscures and smile he bisects. A fuzzy shot of a 1907 inventor testing a multiwinged "Katydid" flying machine contrasts with a crisp 1974 shot of Skylab soaring far above fluffy clouds. Often, what's striking is the juxtaposition of ideas. An Arctic wolf making an impossible leap between ice floes arcs in midair, only its reflection hitting the frigid water. A 1935 Model T "surfs" a steep dune in White Sands, New Mexico. Chorus lines of stuffed cane-toad corpses with surreally clothespinned snouts perform on a taxidermist's shelf. Newborns are lined up like bread loaves in Shanghai. A woman in a white chador sits in the Tripoli airport, the white lines of fluorescent ceiling bulbs radiating behind her head like a saint's halo. This isn't the fanciest photo book of the season, but it certainly is a good deal. –Tim Appelo

From Publishers Weekly
This monumental collection of 250 photos, mostly in color and drawn from the National Geographic Society's archive of 10.5 million, will be published simultaneously in 20 languages, with an eye toward the 113-year-old magazine's international readership of 40 million. As in the magazine, the society's signature blend of dramatic, rigorously composed natural shots and "family of nations"-style culture peeps are backed by broad captions and text ("Perfecting la dolce vita, the people of Europe are renowned for their wholehearted embrace of life's rewards, from festivals to fine dining to stolen moments with friends or loved ones") often far exceeded by the pictures themselves. Meticulously (and sympathetically) deconstructed in Catherine Lutz and Jane Collins's early '90s book Reading National Geographic, the society's broader-crossing humanism is in full effect here-and it retains its arresting power. The six sections ("Europe"; "Asia"; "Africa & the Middle East"; "The Americas"; "Oceans and Isles"; "The Universe") include the first color underwater photographs, as well as collaborative work with NASA, and prominently credit the 84 photographers whose work is featured, giving the book a less homogenous feel. More than 50% of the photos, crisply printed and mostly double-truck, are from the last 10 years, with iconic favorites (like the 1985 cover portrait of a green-eyed Afghan woman and its 1997 full-burqa reprise) threaded in. Weighing in at seven pounds, with an initial international printing of 375,000 and with an accompanying exhibition this fall at the society's Washington, D.C., Explorer's Hall museum, this book should make a considerable impression.
Copyright 2003 Reed Business Information, Inc.

Review
"These memorable pictures elevate ordinary moments and bring unimaginable adventures down to earth."—The Christian Science Monitor

"[A] monumental collection of 250 photos...[this] book should make a considerable impression."—Publishers Weekly

Customer Reviews

excellent collection
It never goes wrong to buy photo collections of national geographic. Hardcover, 500 pages, high-quality pictures, at price $30. What do you expect?

The book is in high quality, in terms of binding and printing. The pictures included are also very interesting. About 250 photos are included, and usaully, one photo will cover too pages.

But I have a complaint. Most photos are not the original. The editor cut the edges, and only show the "main" part of the photo in this book. This causes two problems. First, I believe that when the photographer took the photo, he/she has special purpose for framing. Different photographer has different style. But now, the style of all photos look consistent!!! I want to see the original photos. Second, since a portion of the orignal photo is enlarged so much, the color is not as vivid as before.

But anyway, despite the drawback, it is definitely worth buying this book.

Not Especially Satisfying
I'll give 3 stars to this book for the hidden gems in it, and for the expansive collection of photographs. However, National Geographic seems to have chosen quantity over quality. I was genuinely surprised at the lack of pictures even worth being denoted 'good'. Some of them looked like the sort of thing the average person takes on a short vacation.
Most photos in it are across both pages, and the large size makes almost every picture look grainy. It also makes the book seem like there are more pictures than there really are. The truly wonderful photos are pretty much all ones we've seen printed elsewhere, multiple times, like a humpback whale with seabirds about it by Flip Nicklin. I've even seen that one used in advertisements.
Don't waste your money or time buying this book; there are others of much better quality and lower pricing. In short they are NOT the "Greatest" photographs.

Definitely worth the price, but...
Through the Lens is an excellent collection of National Geographic photos, and for only $30, well worth the cost. The book has several well known photos, as well as other beautiful, but not as publicized, pictures. The book is divided into sections based on continents, which (usually) makes it easier to find a specific picture. This book does have its share of problems however. There's no index, so you can't look for pictures with a specific theme. The majority of the pictures are centered in the middle of the two pages, so the middle of the pictures disappear into the binding. The pages are another problem entirely. The book is printed on glossy paper that absorbs liquid (apparently). Oil from your fingers is left as prints or smudges, even if you only are touching the page for a few seconds. These marks DO NOT disappear over time, and you can espeacially see them on the black pages. Even with these problems, this book is worth getting for the spectacular pictures inside.