Product Description

An autumn evening in 1937. A German engineer arrives at the Warsaw railway station. Tonight, he will be with his Polish mistress; tomorrow, at a workers’ bar in the city’s factory district, he will meet with the military attaché from the French embassy. Information will be exchanged for money. So begins The Spies of Warsaw, the brilliant new novel by Alan Furst, lauded by The New York Times as “America’s preeminent spy novelist.”

War is coming to Europe. French and German intelligence operatives are locked in a life-and-death struggle on the espionage battlefield. At the French embassy, the new military attaché, Colonel Jean-Francois Mercier, a decorated hero of the 1914 war, is drawn into a world of abduction, betrayal, and intrigue in the diplomatic salons and back alleys of Warsaw. At the same time, the handsome aristocrat finds himself in a passionate love affair with a Parisian woman of Polish heritage, a lawyer for the League of Nations.

Colonel Mercier must work in the shadows, amid an extraordinary cast of venal and dangerous characters–Colonel Anton Vyborg of Polish military intelligence; the mysterious and sophisticated Dr. Lapp, senior German Abwehr officer in Warsaw; Malka and Viktor Rozen, at work for the Russian secret service; and Mercier’s brutal and vindictive opponent, Major August Voss of SS counterintelligence. And there are many more, some known to Mercier as spies, some never to be revealed.

The Houston Chronicle has described Furst as “the greatest living writer of espionage fiction.” The Spies of Warsaw is his finest novel to date–the history precise, the writing evocative and powerful, more a novel about spies than a spy novel, exciting, atmospheric, erotic, and impossible to put down.

“As close to heaven as popular fiction can get.”
–Los Angeles Times, about The Foreign Correspondent

“What gleams on the surface in Furst’s books is his vivid, precise evocation of mood, time, place, a letter-perfect re-creation of the quotidian details of World War II Europe that wraps around us like the rich fug of a wartime railway station.”
–Time

“A rich, deeply moving novel of suspense that is equal parts espionage thriller, European history and love story.”
–Herbert Mitgang, The New York Times, about Dark Star

“Some books you read. Others you live. They seep into your dreams and haunt your waking hours until eventually they seem the stuff of memory and experience. Such are the novels of Alan Furst, who uses the shadowy world of espionage to illuminate history and politics with immediacy.”
–Nancy Pate, Orlando Sentinel

Product Details

• Amazon Sales Rank: #88369 in Books
• Published on: 2008-06-03
• Released on: 2008-06-03
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 288 pages

Features

• ISBN13: 9781400066025
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Starred Review. Furst (The Foreign Correspondent) solidifies his status as a master of historical spy fiction with this compelling thriller set in 1937 Poland. Col. Jean-François Mercier, a military attaché at the French embassy in Warsaw who runs a network of spies, plays a deadly game of cat-and-mouse with his German adversaries. When one of Mercier's main agents, Edvard Uhl, an engineer at a large Düsseldorf arms manufacturer who's been a valuable source on the Nazis' new weapons, becomes concerned that the Gestapo is on to him, Mercier initially dismisses Uhl's fears. Mercier soon realizes that the risk to his spy is genuine, and he's forced to scramble to save Uhl's life. The colonel himself later takes to the field when he hears reports that the German army is conducting maneuvers in forested terrain. Even readers familiar with the Germans' attack through the Ardennes in 1940 will find the plot suspenseful. As ever, Furst excels at creating plausible characters and in conveying the mostly tedious routines of real espionage. Author tour. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
With The Spies of Warsaw, Furst continues to assert himself as the contemporary master of historical espionage. Although he has condensed his vision in recent efforts, Furst’s latest combines a relentless verisimilitude with intricate plotting and well-drawn characters. That attention to character, however, was a double-edged sword for critics: too much character development, and the plot suffers; too many plot twists, and the characters become cardboard cutouts. By creating atmospheric, complex, and often open-ended novels that reflect the ambivalence of the period and the humanity of characters who are too often lost to history, Furst gets high marks for remaining true to his original intention when he began writing historical espionage two decades ago.
Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* It’s the autumn of 1937, and the shadows of war are darkening over Warsaw. Colonel Jean-Francois Mercier, military attaché with the French embassy (a spy, that is), doesn’t like what he’s hearing, wherever he snoops. The Poles know trouble is coming but aren’t prepared for it, and the French, who might still be able to prepare, are convinced they are impregnable. As spies from throughout Europe gather at sundry diplomatic functions to trade innuendos, Mercier stumbles across what could be the real thing: access to a renegade Nazi who might be able to broker a deal that could give the French knowledge of German attack plans. This is Furst’s wheelhouse, of course, Europe sliding toward war, “intelligence” flowing as freely as wine in every café, romance (a shadow sport, like espionage) flourishing as tanks gather at the border. Furst uses essentially the same setting (Warsaw stands in for Paris this time) and establishes the same mood in most of his novels, but he always gives us something new, some heretofore unrevealed angle of vision. This time it’s a behind-the-scenes look at French spies trying to convince French politicians to open their eyes. That’s the big picture, but as always, it’s the human side of the drama that draws us: Mercier, the career soldier, falling in love at the wrong time with a Polish lawyer and attempting to carve out an individual life in the midst of international chaos. Nobody does this stuff better than Furst because nobody can dramatize like he can the horrible realization that somebody else’s politics will soon obliterate daily life as you know it. --Bill Ott

Customer Reviews

Before the Great Storm Breaks ....
It is the Autumn of 1937 and a European War is on the horizon. The German people are bitter about their defeat during the First World War and Adolph Hitler is promising them revenge. Europe will soon be plunged into war and the French Military Intelligence Service is hard at work trying to devine German War Plans. In Warsaw, Colonel Jean-Francois Mercier is the new French Army Attache to Poland. His official job is to promote good relations between the French and Polish Army Staffs. His real job is to gather military intelligence from any source he can mine.

Alan Furst has made his career in espionage novels. His haunts are the more obscure European countries and his heroes are the average, working spies. "The Spies of Warsaw" fits his pattern. There are no master spies or high level conspiracies. Just an ordinary military attache at work in the charged atmosphere of pre-war Poland.

This is Alan Furst's tenth espionage novel and "Spies of Warsaw" is one his better books. He is a very strong writer who spends a lot of time on historical research. Furst fills this novel with all the rich details that allows him to recreate Warsaw in the late 1930's.

The greatest writer of these types of espionage tales is the remarkable English writer, Eric Ambler. He wrote great espionage novels in the late 1930's during the rise of facism in Europe. Through his many fine novels, Alan Furst has become the inheritor of Eric Ambler's legacy. "The Spies of Warsaw" is another great addition to Furst's body of work. Highly recommended.

Fighting Nazis and Petain While Reading Simenon and Stendhal
Great news has arrived for those fans of Alan Furst who thought he mailed in his last work, The Foreign Correspondent: A Novel. The master of the historical spy novel is back at the top of his game in The Spies of Warsaw. Furst centers his story in Warsaw, the scene of some his best writing and the return is triumphal. The typical Furst protagonist is the ordinary man of above-average principles, thrust by accident of history into the dangerous interstices of inter-war Europe. This time, however, our man is one Jean-Francois Mercier, decorated hero of the Great War and wounded veteran of the Polish victory in the 1920 Battle of Warsaw - the Miracle at the Vistula - and new military attaché at the French embassy and a professional spook.

Mercier runs an agent who works as engineer in an armaments company Germany, but who also develops a taste for Warsaw honey and promptly falls into the honey trap. By indirect route that leads to a one-sided vendetta against Mercier of which he is the unknowing target. Mercier falls in lust early in the book, but later finds himself fully in love while he continues to troll for secrets and potential agents. His work leads him into several adventures in which the risks of failure range from embarrassing to deadly.

Furst brilliantly recreates the atmosphere of pre-war days - the end of happiness and hope. Mercier's attempts for even a brief mental respite from the looming NAZI threat are futile; the reminders everywhere. His description of the formal dining room at a Warsaw party in the city's finest hotel puts the reader in the room: the "sheen of the damask tablecloth, the heavy silver, and the gold-rimmed china glowed in the light of a dozen candelabra".

Details to delight. A trip to Paris includes the now-obligatory Furstian visit to Brasserie Heininger and a peak at the infamous bullet hole in the mirror of Table 14. We learn that Mercier is a fan of Georges Simenon and Stendhal.

Mercier struggles to help France resist the NAZI's in the coming war that palpably hangs over Europe and every page in the book. As he learns, however, there are those in France who view Soviet Russia as the true enemy and Nazi Germany as potential allies. Moreover, intelligence that questions accepted wisdom, in this case of Marshal Petain and the ruling clique in the military, is seldom welcome. The books powerful ending leaves the reader angry and impotent. Highest recommendation.

"What do you think spies are: priests, saints and martyrs?"
John LeCarre, "The Spy Who Came in From the Cold"

As its title suggests, there are more than a few spies in Alan Furst's latest novel "The Spies of Warsaw." None of them are priests, none are saints and none strive for martyrdom. What we find are a willing and unwilling collection of French, Polish, German, and Russian operatives in pre-WWII Poland. The result is a typically good Furst novel, one rich in atmospherics and character development but free of comic-book style heroics and world-saving, death-defying stunts or car chases.

Set in Warsaw, the character at the center of "The Spies of Warsaw" is Colonel Mercier. A career soldier and veteran of The Great War, Mercier is France's Military Attaché to Poland. It is 1937 and Mercier, not unlike the professional diplomats, military figures, and other assorted characters that he deals with, is aware that another war is not very far away. Mercier's real job function is that of chief intelligence officer. As the story opens he is simply gathering information on German armament programs. As the story progresses Mercier focuses on German tank building, strategy, and deployment.

Furst comes from a line of writers that can be traced back to both Graham Greene and Eric Ambler. Like Ambler (and unlike LeCarre for example) Furst often takes an unassuming, or unwitting civilian and immerses him in a world of mystery and intrigue in pre-World War II Europe. Furst's strong point has always been how he sets the scene. His atmospherics are tremendous. His descriptions of the streets of Warsaw, Berlin or Paris and the atmosphere of those cities reek of authenticity. Similarly, Furst has a keen eye for the inner life of his protagonists. Almost invariably Furst manages to convey a real sense of how those protagonists think and feel. Both of these elements of his writing generally dominate his plotting and are primarily responsible for getting the reader to turn to the next page. This is certainly the case with Spies of Warsaw. The plot, such as it is, really isn't a plot in the traditional sense, where after the first few chapters you have some central `goal' to grab a hold of. Rather, what we have here is a linear and (seemingly) realistically drawn story of a French intelligence officer and the people he interacts with in the months leading up to WWII. Mercier isn't searching for the Holy Grail or seeking to head off an assassination. Rather, he is tasked with gathering information even when he isn't quite sure exactly what information he needs or how to analyze the information he does receive. Similarly, the book did not really build to a real climax. The book ended more with a knowing sigh than with a bang. Everyone reading Furst will know the fate of Poland in 1939. Some may find that a bit disappointing. However, as readers of Furst's books already know his novels strive for authenticity. In much of life, particularly in the era Furst writes about, storybook endings or dramatic endings are more the exception than the rule. Everyone will know that the French High Command had a very strong idea as to how and where the war would start. They also had a very strong, an unassailable notion as to how best to defend France. It is no spoiler to realize how wrongly held that notion was. Furst, works with an outcome known to his readers and keeps that outcome in mind as he tells a story.

"The Spies of Warsaw" kept me engaged from the opening chapter. Recommended. L. Fleisig