Product Description

According to Andrea Buchanan, "mother shock" is the state in which many new parents exist during those first confusing, chaotic, and often comical years of parenting. It is the clash between expectation and result, theory and reality; a twilight zone of 24-hour-a-day living where life is no longer neatly divided into day and night. It is the stress of trying to acclimate quickly to the immediacy of mothering; of formulating a new conception of oneself, one's role in the family and in the world; of shouldering a fearful new level of responsibility and a new delegation of domestic duties. In this much-needed and delightfully funny collection, Buchanan shares the insight she gains as she moves through the stages of mother shock. From "Fear of the Double Stroller" and "Confessions of a Bottle Feeder" to "I'm an Idiot" and "Everything I Needed to Know I Learned in Playgroup," Buchanan details the unimaginably difficult and unbelievably rewarding process of becoming a mother. Spanning the first three years of her daughter's life, these amusing ruminations on mothering will strike a chord with every new mother.

Product Details

• Amazon Sales Rank: #110010 in Books
• Published on: 2003-04
• Original language: English
• Number of items: 1
• Binding: Paperback
• 240 pages

Features

• ISBN13: 9781580050821
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
Buchanan documents the anxiety and thrill of new motherhood ... in a way that's as entertaining as it is brave. -- Philadelphia Weekly, May 2003

Buchanan writes in a graceful, down-to-earth style. -- Brain, Child Magazine (Spring 2003)

Potently honest....Buchanan's...capacity for self-reflection paves the path for all mothers...to explore the complex feelings that accompany motherhood. -- Big Apple Parent (May 2003)

About the Author
Andrea Buchanan's work has been featured in the collection "Breeder: Real Life Stories from the New Generation of Mothers" and in on-line parenting magazines, including Oxygen.com's MomsOnline and hipMama.com. Her syndicated column "The Dark Side" runs on various websites, including the site she created for Philadelphia mothers, PhillyMama.com. Before becoming a mother, Andrea was a classical pianist. Her last recital was at Carnegie Hall's Weill Recital Hall, back before she knew how to play the Teletubbies theme song. She lives with her family in Philadelphia.

Customer Reviews

Loving Every Word of It
We are a culture that discourages mothers from discussing their doubts, insecurities, fears, and failures as mothers. We want motherhood to seem ordinary, not extraordinary. But to see the heroism in motherhood, we must explode the myth that it is easy and ordinary by acknowledging the dark elements that are part of the whole experience of motherhood. Heroes are recognized as heroic because they do what is difficult, because they venture into the darkness. We need to reveal motherhood in all its shades to counteract what we see in mainstream magazines. Articles like "10 ways to lose the baby weight" and "5 Steps to Making Time for Yourself" trivialize the intense, life-altering heroic adventure that is motherhood. Motherhood is subject worthy of more complex treatment, worthy, even, of literary discussion. MOTHER SHOCK meets this need. I applaud Andi Buchanan's vision, her honesty, her style, and her heroism.

The book is based on an analogy between mother shock and culture shock, which plays out beautifully in the four part structure, with each chapter representing a different stage of mother shock: mother love; mother shock; mother tongue; and mother land. The author defines "mother love" as a honeymoon stage of maternal bliss, "where the newness of the experience is exciting rather than overwhelming." Mother shock, in contrast, is a period when lack of sleep, missing cultural cues, shaky confidence, and unmet expectations combine to create crisis, even postpartum depression. Mother tongue describes a time when mothers become more "acclimated to the routine of living with an infant" and learn to "speak the language." Finally, mother land tells of adjustment to the new role of mother. The journey is worth following.

MOTHER SHOCK is not written in memoir style; rather the individual essays draw from ideas germinated in Buchanan widely syndicated web column, "The Dark Side" on her web site, ... . Quotes and definitions at the beginning of each section set the stage for what follows, and the essays are nicely selected to fit each description. I especially liked that the author didn't stick to chronology. I gained a broader sense of her development as a mother from grouping essays from different time periods together. It made each chapter seem less driven by a "thesis"--to prove this stage of development--and more by a common connecting thread, loosely woven.

In addition, the style is clean, tight, and direct. The pacing is quick, and moves the reader along with grace. The alternating uses of pathos and humor kept me guessing and intrigued, laughing as well as crying. The changes in format, some pieces written in journal style (aka Anne Lamontt), some as lighter, more humorous essays, and some as deeper, more philosophical reflections, helped give the book variety, like a well-made quilt, with parts that harmonize with the whole. The depth of intelligence and insight, too, set this book apart, making it an antidote to the few, careful, personal narrative essays that make it into mainstream magazines in which a mother must face some small failing in herself but in the end, only become a better mother for it. I respect the essays in the book while I don't the ones I read in mainstream magazines because they allow for ambiguity, ambivalence, and complexity. All is not neatly packaged, wrapped up, and prettied up, which makes these essays more literary than journalistic.

Alicia Ostriker says in "A Wild Surmise: Motherhood and Poetry" that "If [we] believe that the activities of motherhood are trivial, tangential to main issues of life, irrelevant to the great themes of literature, [we] should untrain [ourselves]. The training is misogynist, it protects and perpetuates systems of thought and feeling which prefer violence and death to love and birth, and it is a lie." Buchanan debunks the myth that a mother's life is tangential to larger social issues affecting society. She shows us that there are no separate spheres, where mothers and children live protected and safe from the big, bad world. In particular, her essay, "Changed World" explores life as a mother after the events of September 11th, 2001, and "Forgetting" discusses the fear a mother feels as she faces the thought of her child's death. In "The Concert" and "Piano Lessons," Buchanan links motherhood to her career as a professional musician. Buchanan's exploration of the common creative connection in making music and raising children caught my attention as one of the better discussions of the similarities between mothering and art I've seen. In "Zen Mom, Beginner Mom" she shows how the practice of Zen helps and parallels motherhood. Throughout the book, she shows a woman engaged with the great themes of literature through her work as a mother.

I also appreciated the bold honesty with which the author addresses her early desire to suddenly return to her old life without baby in "Giving Birth to Ambivalence." Mothers need to hear this and need to talk about it. Like a good friend who speaks only in truths, MOTHER SHOCK drew me in and offered me a cup of coffee. I felt that I got to sit at the big table with all the other moms, talking of grown up woman things.

Yet, all is not serious. In fact, one of the delights of this book is its humor. "Loving Every (Other) Minute of It" includes a delightful list of what mothers don't love about being mothers. Each line starts with, "I don't love every minute of" and goes to on include such activities as watching Elmo, getting sleep interrupted, doing laundry, singing the Barney song, and picking up blocks. In "I am an Idiot," the author describes her attempt to take her baby to a business lunch meeting, which ended up with "general freaking out and ketchup-flinging on Emi's part and near tears on mine." "A Fine Mess" takes on a study that says higher achieving children come from cleaner homes. And "Fear of the Double Stroller" pokes fun at the author's fear of her work load doubling with another child. All address serious subjects with a lightness of touch that is refreshing and laugh inducing.

Since I became a mother of an active toddler, I don't often find books I can't put down, but I found myself running after my little Sarah with this book in hand. Thank you, Andrea Buchanan for this much-needed book that shows that motherhood can be the subject of literature.

I felt understood
I thought I was ready for motherhood - how hard could this be? I was very unprepared and once in it, felt alone, not understood by my husband and a guilty because I wasn't enjoying it as much as I thought I was supposed to. This book brought me back. I was in the book store with my baby, thumbing through books and picked up this one. I happened to open to one page that read as it if were my life. I was so overwhelmed to see it, to finally have SOMEONE understand (even if a book), that I broke down crying in the store. Needless to say, I bought the book and read it right away. It really changed how I felt about being a mother and sort of opened up the world to me to let me know that I was not the only one having a hard time. And from then on, things got easier and I was happier. A definite must have for all moms and moms-to-be. Now, I too am looking for a double stroller :)

Just a side note, I also read Anne Lamont's Operating Instructions. I prefered Mother Shock, mostly because Operating Instructions gets depressing in the end. It switches from talking about her new baby to her best, best friend who is diagnosed with cancer, becomes very ill and eventually passes away. I didn't need anything that heavy when I was looking for mothering support and/or humor.

Skilled writing, honest thoughts, slightly flawed structure and theme
I very much enjoyed my reading of Mother Shock. The author reported honestly on many feelings I think many mothers have---how it seems incredible how routine childbirth is to the hospital personnel, how sometimes once the babies start talking and walking you wonder how you ever thought it was hard when they couldn't yet, how great it feels the first time you realize that you are actually being understood by your child--and much more.

I did feel that the structure of the book could have been a bit better. It has the feel of so many books I've read lately---like it started as a collection of essays and was mushed together into a book. Baby Emily jumps in age back and forth, events don't occur in sequence, and I always think with just a touch of editing (which the author does for a living) this would feel more like a complete book and less like a collection of columns.

Also, although this is really a compliment and not a complaint, I don't think the book really was as much about mother shock as just about mothering in general, well-written mothering! I read it expecting much more about how hard the early years with a baby were, and found instead a mother that has pretty typical bad and good days and hours, but overall seems to be quite into the whole mothering scene---which was nice!

I look forward to more writing from this author---perhaps a book about how she decided to give up on being a concert pianist?