Product Description

The latter part of the fifteenth century prepared a train of future events that ended by raising France to that state of formidable power. Before that period she had to struggle for her very existence, with the English already possessed of her fairest provinces while the utmost exertions of her King and the gallantry of her people could scarcely protect the remainder from a foreign yoke. Nor was this her sole danger. The princes who possessed the grand fiefs of the crown, and, in particular, the Dukes of Burgundy and Bretagne, had come to wear their feudal bonds so lightly that they had no scruple in lifting the standard against their liege and sovereign lord, the King of France, on the slightest pretense. When at peace, they reigned as absolute princes in their own provinces; and the House of Burgundy was itself so wealthy, and so powerful, as to yield nothing to the crown, either in splendor or in strength. In imitation of the grand feudatories, each inferior vassal of the crown assumed as much independence as his distance from the sovereign power, the extent of his fief, or the strength of his chateau enabled him to maintain; and these petty tyrants, no longer amenable to the exercise of the law, perpetrated with impunity the wildest excesses of fantastic oppression and cruelty. . . . -- Sir Walter Scott

Product Details

• Amazon Sales Rank: #6574562 in Books
• Published on: 2003-08-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 472 pages

Review
Willl certainly be the definitive scholarly edition of Scott for the foreseeable future. The notes and emendation lists ! evince years of thorough, diligent research into manuscripts, editions, sources, references, and allusions. The information will give the serious reader inestimable help in understanding Scott. Alexander and Wood give us a Quentin Durward that corresponds to no previous version of the novel. It is a social text for our moment in time which, given the publication history of the Waverley Novels, is eminently appropriate. This is the fifth volume of the EEWN to be edited by J. H. Alexander. In each the scholarly apparatus has been superb, and this edition of Quentin Durward is no exception, The Explanatory Notes, Historical Notes, Glossary, Map and Essay on the Text make this an indispensable work. For the study of Scott's first fictional foray on to the European continent. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. Willl certainly be the definitive scholarly edition of Scott for the foreseeable future. The notes and emendation lists ! evince years of thorough, diligent research into manuscripts, editions, sources, references, and allusions. The information will give the serious reader inestimable help in understanding Scott. Alexander and Wood give us a Quentin Durward that corresponds to no previous version of the novel. It is a social text for our moment in time which, given the publication history of the Waverley Novels, is eminently appropriate. This is the fifth volume of the EEWN to be edited by J. H. Alexander. In each the scholarly apparatus has been superb, and this edition of Quentin Durward is no exception, The Explanatory Notes, Historical Notes, Glossary, Map and Essay on the Text make this an indispensable work. For the study of Scott's first fictional foray on to the European continent. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously.

From the Publisher
Edited, with introduction and notes by Arthur Llewellyn Eno, A.M., instructor in English at the University of Illinois. Includes Historical Background of Quentin Durward, Hints and Questions for the Study of Quentin Durward, Collateral Reading References, Tabular View of Scott's Life and Works.

About the Author
J. H. Alexander is senior lecturer in English at the University of Aberdeen. G. A. M. Wood is senior lecturer in English at the University of Stirling.

Customer Reviews

Excellent historical fiction with rich characterization
Quentin Durward is good reading, right up (almost) to the very end. It's excellent historical fiction with very rich characterization, especially of Louis XI. Excellent, that is, except for the women. While two of the minor female characters are interesting, the female lead is as dull as dishwater. My real complaint is that the ending is bungled. After the tremendous buildup full of exciting action and convincing sets, you turn the page and...it's just over! Misses the crecendo and the denoument. Still, I enjoyed it, and recommend checking it out of the library, as I did.

One of Scott's finest
I read this novel forty years ago in the Modern Library edition and I am amazed that it is out of print except in expensive library editions. It is one of Scott's finest novels, full of action and with a fine portrait of King Louis. It was the first novel to use a gypsy as a character. It was made into a movie in the 1950's. Scott of one of the most neglected geniuses in literature and the world is the poorer for it.

Timeless Classic for Generations
When I was 13, I asked my father what his favorite book was when he was my age. He told me "Quentin Durward". The next time we were in a bookstore together, I found a paperback copy of this book and bought it...for 75 cents! When I read this book, I entered the medieval world of knights, kings, lovely medieval ladies, and chivalry. I later learned that Quentin Durward is about fighting to preserve moral order in a changing world. What book could be more relevant today? I just bought this book for my 13 year old son, and he has it on his list of books to read this summer. The generations in my family will be connected by this book and the themes it addresses.

p.s. When going through my father's library, I discovered the old copy my father had read. It had his father's name written on the first page, and his grandmother's name on a bookplate inside the front cover!