Track Listing

1. Suffocate
2. Just Go
3. Me
4. Raw
5. Mudshovel
6. Home
7. A Flat
8. Crawl
9. Spleen

Product Details

• Amazon Sales Rank: #21325 in Music
• Released on: 1999-04-13
• Number of discs: 1

Amazon.com
Limp Bizkit frontman Fred Durst fell in love with Staind so hard that he coproduced their major-label debut. This fact should be endorsement enough for the Massachusetts-based quartet's target audience. Although not as heavy on hip-hop influences, singer Aaron Lewis's guttural, dragged-through-the-mud vocals dig into the meaty guitar wall and thrash around the speakers like Durst's band. Dysfunction's all-you-can-eat buffet of decibels grows a bit wearisome by the end of the album, but a couple of numbers stand up and demand to be noticed. "Just Go" boasts a classically sludgy Mudhoney-like groove before settling into an uncoiling murmur à la Judas Priest. The well-executed moshpit-ready "Mudshovel" gleefully cops from Alice in Chains' psychedelic leanings. Staind's hard-rock epistles are certain to gather the band a devoted following. --Jason Josephes

Customer Reviews

Staind's heaviest
Back in the day, I bought Staind's "Break the Cycle" before I listened to "Dysfunction". I liked "Cycle" so much, that I decided to listen to some of Staind's earlier works. "Dysfunction" is the band's heaviest and most depressing. "Illusions of Progress" is nowhere near as dark and haunting as "Dysfunction". The songs 'Mudshovel' and 'Just Go' are full of anger and pain. "Suffocate" and "Crawl" are powerful, while "Home" offers a different and slightly major-key approach.

This, along with "Break and Cycle" and "14 Shades of Gray," are what makes Staind special and powerful as a rock band. Their most recent "Illusions of Progress" may be very weaker compared to the first three albums, but I can handle the lighter tone pretty much.

Grade: A

The 1999 alternative metal scene
If you've enjoyed Staind from any of their other releases and expect something similar in Dysfunction you'd be mistaken. It'd be an understatement to say "it's a little more gritty". However if you expect something good in relation to say korn or maybe even some of Drowning Pool's better stuff then you've hit alternative metal gold. This is their only album as far as I'm concerned. It's disappointing to see them go from this to immediately sounding like 3 Doors Down or Nickelback etc. etc.
Alot of reviewers seem to be ecstatic about the song Mudshovel, and while that song is excellent, the four tracks preceding it are of equal if not greater value. Give this one a chance if you're big into the 1999 metal scene.

This album suffocates you with promise and potential...
A lot of fans hate what Staind has become but they can't deny that their debut album `Dysfunction' is virtually flawless. Short and sweet, the albums 9 tracks leave no room for filler and deliver track after track of pulse pounding, ear bleeding rock. From the opening `Suffocate' to the closing `Spleen' `Dysfunction' proves that this rock quartet as the goods to survive this rocky business.

There is a lot of edge here; starting with the opening track `Suffocate' which immediately grabs the listener's attention. It's heavy and straight forward and delivers the goods. `Raw' is another blunt force object that burrows itself in your eardrums. The slowed down verses help create an unsettling that all but erupts when Aaron starts screaming "raw" and the chorus ignites. Everyone, and I mean everyone, has heard the masterclass that is `Mudshovel', one of the greatest rock anthems ever. The musical arrangement is catchy and instantly recognizable (when that bass kicks in my stereo automatically goes up) and Aaron Lewis' vocals are impeccable.

`Just Go' is one of the best rock songs out there. It showcases perfectly what Staind would ultimately become, ditching the crushing guitars and pulsating drum lines for a more subtle and emotional musical experience. One thing that must be mentioned is that Aaron Lewis' voice is perfectly suited for this style of music and so it becomes elevated by the delicate flaws within his voice. `Me' is similar is style but not as emotional on impact. Next to `Home' it comes off the whineier of the tracks here. Neither is a bad track but neither are as strong as the balance.

The album ends with a string of very impressive tracks, `A Flat', `Crawl' and `Spleen' which showcase the strength in Staind's metal side. `A Flat' is my favorite of the three mainly for the brilliant closing with Aaron's overlapping "And I" and the crushing bridge. `Crawl', which can be heard on the `Scream 3' soundtrack, is also brilliantly constructed. `Spleen' closes the album on a strong note; the verses constructed to build anticipation before impact. The hidden track `Excess Baggage' is downright perfection. With Aaron Lewis alone with an acoustic guitar you have a beautiful and stirring song that reaches deeper than anything on the balance of the album. The man is genius.

There is a lot to love in this short album. All 9 tracks offer something, some more than others but none falling into that `filler' category of worthless of non-important. Staind may have changed their style in the years that followed this impressive studio debut but they have always stayed true to themselves and deserve recognition for that. They have yet to recapture the brilliance of `Dysfunction' but one day soon I expect them to.