Product Description

Product Details

• Amazon Sales Rank: #314768 in Books
• Published on: 2006-08-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 304 pages

Review

From the Back Cover
"John Bengtson uses the films of Charlie Chaplin to perform effortless miracles of observation and detection. He widens our cultural horizons and treats us to a most entertaining education in cinema and California history." -Kenneth Turan, Los Angeles Times

"What a debt we owe him! ... Had it not been for John Bengtson's heroic researches, virtually all traces of the silent era would likely have been erased. Silent Traces is a marvelous sequel to his book on Buster Keaton." -Kevin Brownlow, director and film historian

"Silent Traces offers fascinating glimpses of Charlie Chaplin's Hollywood in relation to the Hollywood of today. If you think Chaplin's Hollywood has disappeared, John Bengtson will prove you wrong so entertainingly that you'll half expect the Little Tramp to show up in person to turn the pages." -Bob Mondello, National Public Radio

"John Bengtson has again produced a book that combines film history, social history, and a cultural study of Los Angeles. It's unique and fascinating." -Leonard Maltin, film critic and historian

About the Author

Customer Reviews

AN ABSOLUTE MUST!!!!
Along with Bengtson's previous SILENT ECHOES (Buster Keaton) this is absolutely amazing stuff!!! I've been fascinated by this before & after photography since purchasing several Dover books (NEW YORK THEN AND NOW; WASHINGTON...etc)in the 1970's (still available at amazon) & Frassanito's series of Civil War books (GETTYSBURG...ANTIETAM, ETC...1980's) that show modern views of battlefield sites (also still avail...). But Bengtson clearly is the undisputed master of such "STUFF". The detective work involved in locating the actual sites where Chaplin (& Keaton) filmed their masterpieces is nothing less than astounding! Why isn't this guy working for our government on some top-secret spy project? I was & am simply blown away by Bengtson's books! I've revisited Chaplin's & Keaton's films & have enjoyed them even more (if that can possibly be) thanks to Bengtson. What's next...Lloyd?...Sennett& Keystone?...Fatty?
AN ABSOLUTE MUST-HAVE FOR FANS OF CHAPLIN, KEATON & SILENT SCREEN COMEDY!!! BUY AT ALL COSTS.

Part Two of a Trilogy? One Can Only Hope!
In 1999, I posted a 4-star Amazon review of John Bengtson's "Silent Echoes--The Films of Buster Keaton." While I praised the book as a masterpiece of urban archaeology, I think...at the time...I ultimately considered it to be an accomplished curiosity. It's not and, if I had it to do over, I'd opt for a 5+ rating. "Silent Echoes," and now "Silent Traces," are ingenious works of film scholarship that use environment and architecture to map the unique genius of their respectives subjects. At the time of the "Silent Echoes" publication, I lived in California and made a number of trips to LA armed with my now dog-eared copy of the book. (The related website was an equally dazzling revelation in unearthing long-lost LA.) The more I used the book to guide me through the landscape of Keaton's filmography, the more it became apparent that Bengtson was, in fact, charting the manner in which Keaton spun comic genius from the world around him. He constructed a unique world view from the pieces of the real world...a now quaint and unrecognizable LA of a past age more akin to the gentleness of spirit that imbued his work. If nothing else, the book was worth it for its view into the now faded glories of Venice Beach. I'm now on the East Coast, so I'll have less opportunity to trace Chaplin's journey through old LA, but that doesn't make the book any less rewarding. Now, we can only hope that, six or seven years down the road, Mr. Bengtson does the same service to Harold Lloyd, thus completing a study of the Holy Trinity of silent comedy. The rating for the Keaton and Chaplin books: Not enough stars in the heavens!

Chaplin and L.A. Spaces
This book is the result of amazing detective work by author John Bengston, who says he hopes to "use Chaplin's films as a portal to the past" by identifying the locations where Chaplin shot his films. Mr. Bengston fully succeeds in achieving his goals in this lavishly illustrated book, which often juxtaposes pictures from spaces in present Hollywood and the surrounding area with photographs and movie stills from Chaplin's era showing those same spaces.

I also appreciated the excellent chapter on the Chaplin Studio, now owned by the Jim Henson Company and adorned at the original entrance by a statue of Kermit the Frog holding a cane and tipping a Chaplinesque derby.

Thanks to Mr. Bengston for his history of the cultural geography of Chaplin and Hollywood.