Product Details

• Amazon Sales Rank: #340342 in Books
• Published on: 1996-07
• Number of items: 1
• Binding: Hardcover
• 177 pages

From Booklist
A celebrated, highly stylized photographer of rock stars shooting Olympic athletes? That apparent anomaly seems just right when the photographer in question is Leibovitz, whose portraiture has always managed to capture the inner turmoil lurking beneath outward calm. Wisely, she chose to shoot her athletes not in Atlanta, surrounded by hoopla, but in preparation for the games, isolated and intense. The results are stunning: a sculpted Carl Lewis in repose, achieving a Mapplethorpian elegance mixed with menace; a poised and incredibly focused Michael Johnson, suggesting all the unleashed energy it would take to run faster than anyone has ever run before; a sober U.S. women's softball team, exuding the determination that would eventually produce wild jubilation and the gold medal. What drives these stark, darkly lit black-and-white photos, though, isn't our knowledge of the eventual results in Atlanta, but a sense of the overwhelming solitary confinement of athletic training, the peculiar loneliness that comes with the obsession to excel. These haunting photos will endure beyond our memory of who won what. Ilene Cooper

Customer Reviews

Fascinating Look at the Challenges of Sports Photography
Clearly, Annie Leibovitz is as talented as they come these days for black-and-white portraits of people who are used to posing (like actresses, actors, singers, and models). What happened when she took on athletes as her subject, looking at the preparations by Americans for the Atlanta games in 1996?

The portraits are usually stunning, as might be expected. Many of the action photographs leave something or much to be desired. But that's part of what makes the book interesting. I came away with a new respect for those terrific sports action photographs that I love so much.

As Ms. Leibovitz says, "Each time I worked with an athlete I had two possibilities: . . . concentrate on the person or . . . on the sport." "Sometimes I was able to do both." And those moments when she did both are sublime!

The motion shots are the difficulty. She nicely states the problem. "If you see it, you've missed it." So you have to shoot with an expectation of what is likely to follow, and keep shooting. I suspect that she did not allow enough time to get enough of all the kinds of shots that sports photographers have led us to expect. "The fixed image . . . has to be just the right slice of time, [to] . . . stand for -- and suggest -- the whole movement."

Her talent as a portrait photographer serves her well. The young women and men take on superhuman auras in stunningly composed frames. By focusing on the preparations for the games rather than the games themselves (which are very commercial now), she harkens back to the original Greek ideal of sport as a way to pursue mental and physical perfection.

If I liked the work so much, why did I grade it down one star? As I mentioned earlier, many of the motion shots were either unexciting or below the standard I am used to seeing. In addition, the pages in this book are too small for the images so many photographs have a fold right through critical details. The design is quite weak in that sense.

Here are my favorite images:

Jon Olsen (p. 17)

Amy Van Dyken (p. 19)

Mark Lenzi (p. 21)

Mihai Bagiu (p. 35)

Dominique Moceanu (p. 37)

Dominique Moceanu and John Roethlisberger (p. 39)

Men's Eight (pp. 54-55)

John Godina (p. 66)

Esther Jones, Gwen Torrence, Carlette Guidry (pp. 80-81)

Gwen Torrence (pp. 88-89)

Julie Foudy (pp. 102-103)

Chanda Rubin (pp. 104-105)

Darrick Health (pp. 132-133)

Becky Dyroen-Lancer, Heather Simmons-Carrasco, and Jill Savery (pp. 134-135)

Kevin Burnham and Morgan Reeser (pp. 174-175)

I suggest that you take up Ms. Leibovitz's challenge yourself, by photographing children practicing sports. Your subjects will be delighted with the attention, and they will be easier to shoot because they don't move as fast as adult athletes.

Shoot first, and review the contact sheets later!

Not Olympic-quality photography
Disappointing. Technically very good, but overall lacking in originality. Most of these photographs could have been taken by any newspaper sports photographer.

talent
I have gotten several copies of this book, I think these photographs are amazing and deserve an award.