WRITING TO LEARN RC
|
| Price: |
10 new or used available from $17.97
Average customer review:Product Description
This is an essential book for everyone who wants to write clearly about any subject and use writing as a means of learning.
Product Details
- Amazon Sales Rank: #322948 in Books
- Published on: 1993-09-15
- Released on: 1993-06-04
- Format: Bargain Price
- Number of items: 1
- Binding: Paperback
- 272 pages
Editorial Reviews
From Library Journal
Using numerous examples of clear, stylish writing from a broad range of disciplines, and adding the warmth of his personal experiences, Zinsser makes a strong case for his claim that writing about a field of knowledge is the best way to immerse oneself in it and to make it one's own. Three guiding principles emergeaccuracy, brevity, and clarityand, Zinsser argues, writers who keep them in mind will avoid much of the misunderstanding that results from bad writing. Zinnser has particularly harsh words for what he calls "corporation-speak," the incomprehensible nonsense that invades many professional publications. His reference, whose title so accurately sums up its philosophy, should become a standard for those who care about good writing.Terry Skeats, Bishop's Univ. Lib., Lennoxville, Quebec, Canada
Copyright 1988 Reed Business Information, Inc.
Review
"An elegant exposition of the thesis that to write is to learn...in the tradition of Strunk and White, a model in its own right." -- Kirkus Reviews
About the Author
William Zinsser is a writer, editor and teacher. He began his career with the New York Herald Tribune and has long been a freelance writer for leading magazines. During the 1970s he taught writing at Yale, where he was master of Branford College. From 1979 to 1987 he was general editor of the Book-of-the-Month Club. His 15 books, ranging from jazz to baseball, also includeSpeaking of Journalism, American Places and the influential Writing to Learn. He now teaches at the New School in New York, his hometown.
Customer Reviews
"How to Write and Think Clearly About Any Subject at All"
I think we all have a "fear" of certain subjects. For me, that fear manifests itself in the field of math. I was terrified of it in school and even now would rather discuss almost any other subject. Zinsser helps us face our fear of subjects we think we don't understand by writing. How will that help? You probably know a lot about the work you do. You could probably also write very competently about your profession. In "Writing to Learn," Zinsser shows us that writing across the curriculum (which is very prominent in education right now) can help anyone learn how to organize and present their thoughts in a logical manner so that they can be understood by those who might otherwise be intimidated by them. Zinsser gives many examples from writers that support his statement that writing is helpful in all subjects in the curriculum: science, history, music, math...MATH??? How can you write about math? It's all in Zinsser's book, which is as entertaining as it is informative.
An "Admirable Complement"
For those who have read _On Writing Well_, the classic guide to writing better--meaning: clearer--prose, an excellent follow-up is this book, entitled _Writing to Learn: How to Write--and Think--Clearly About any Subject at All_. With such a title little needs to be said regarding the book's purpose and content. (It focuses on a variety of subjects, from philosophy all the way to chemistry, and shows how each can be written about in clear prose _for the benefit of the writer_.)
I got the book after listening to a course by Leonard Peikoff on the philosophy of education. In it, he states that writing should be an integral part of every subject, so much so that there should be one grade based on _what_ the student knows and another based on _how_ he expresses that knowledge in writing. When I bought it, I wanted to see how this would play out in real life, were it ever enacted. Also, to be honest, I was just a tad bit skeptical that it could be used effectively with such subjects as mathematics and chemistry.
What I learned from reading the book was that writing about a variety of subjects is not only possible but of inestimable help to the student--not to mention the teacher too, as it makes their job of evaluating the status of each child's education much easier. There were many insightful comments in the book and a few precious gems of wisdom. On the topic of obscurity, for instance, Zinsser writes:
"Obscurity being one of the deadly sins, anyone might suppose that serious people would labor mightily to avoid it in their writing. But to suppose this is to overlook another force of nature that almost equals entropy as a drag on life's momentum. That force is snobbery. Yes, gentle reader (as the Victorian novelists put it when they had to deal with the darker traits), it pains me to say that there are writers who actually want to be obscure. Their principle habitat is Academia, though they can be spotted without the aid of binoculars wherever intellectuals flock. Not for them the short words and active verbs and concrete details of ordinary speech; they believe that a simple style is the sign of a simple mind. Actually a simple style is the result of harder thinking and harder work than they are willing or able to do."
Unfortunately, such witty observations do not occupy every page of the book. There are times when teaching children long-division is looked down upon because we now have calculators, others where Zinnser argues that the "creative process" is some sort of mystical mystery. And yet, with all the good attributes of this book--including a host of smartly chosen essays--these faults that I so unmercifully find can be, if not overlooked, at least seen in their proper context.
That context is not unlike one where a few small dents appear after close inspection on a good-looking sportscar. The errors may detract a little from its over-all value, but not by much (they do not, for instance, change the fact that what you are getting is worth a lot). And thus my recommendation to you, with both, would be--and is--similar: do not let any minor faults distract you, but rather place them in an appropriate context so that you can unapologetically enjoy the value that they give. With this book especially I can assure you that your investment will be wisely made and handsomely rewarded.
The best guide to writing across the curriculum
Zissner entices the reader to write, write, write! It is one of the best guides to aid professors, high school teachers, and every day people to write for everything. His chapters on writing for math, science and other fields where writing is sometimes difficult for students, are practical and full of examples. Great for first-time college students.




