Product Details
Digital Fortress: A Thriller

Digital Fortress: A Thriller
By Dan Brown

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Product Description

When the NSA's invincible code-breaking machine encounters a mysterious code it cannot break, the agency calls its head cryptographer, Susan Fletcher, a brilliant, beautiful mathematician. What she uncovers sends shock waves through the corridors of power. The NSA is being held hostage--not by guns or bombs -- but by a code so complex that if released would cripple U.S. intelligence. Caught in an accelerating tempest of secrecy and lies, Fletcher battles to save the agency she believes in. Betrayed on all sides, she finds herself fighting not only for her country but for her life, and in the end, for the life of the man she loves.


Product Details

  • Amazon Sales Rank: #4407 in Books
  • Published on: 2008-11-04
  • Released on: 2008-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.08" h x 4.26" w x 7.56" l, .75 pounds
  • Binding: Mass Market Paperback
  • 384 pages

Features


Editorial Reviews

Amazon.com Review
In most thrillers, "hardware" consists of big guns, airplanes, military vehicles, and weapons that make things explode. Dan Brown has written a thriller for those of us who like our hardware with disc drives and who rate our heroes by big brainpower rather than big firepower. It's an Internet user's spy novel where the good guys and bad guys struggle over secrets somewhat more intellectual than just where the secret formula is hidden--they have to gain understanding of what the secret formula actually is.

In this case, the secret formula is a new means of encryption, capable of changing the balance of international power. Part of the fun is that the book takes the reader along into an understanding of encryption technologies. You'll find yourself better understanding the political battles over such real-life technologies as the Clipper Chip and PGP (Pretty Good Privacy) software even though the book looks at the issues through the eyes of fiction.

Although there's enough globehopping in this book for James Bond, the real battleground is cyberspace, because that's where the "bomb" (or rather, the new encryption algorithm) will explode. Yes, there are a few flaws in the plot if you look too closely, but the cleverness and the sheer fun of it all more than make up for them. There are enough twists and turns to keep you guessing and a lot of high, gee-whiz-level information about encryption, code breaking, and the role they play in international politics. Set aside the whole afternoon and evening for it and have finger food on hand for supper--you may want to read this one straight through.

From Booklist
The National Security Agency (NSA) is one setting for this exciting thriller; the other is Seville, where on page 1 the protagonist, lately dismissed from NSA, drops dead of a supposed heart attack. Though dead, he enjoys a dramaturgical afterlife in the form of his computer program. Digital Fortress creates unbreakable codes, which could render useless NSA's code-cracking supercomputer called TRANSLTR, but the deceased programmer slyly embossed a decryption key on a ring he wore. Pursuit of this ring is the engine of the plot. NSA cryptology boss Trevor Strathmore dispatches linguist Dave Becker to recover the ring, while he and Becker's lover, senior code-cracker Susan Fletcher, ponder the vulnerability of TRANSLTR. In Seville, over-the-top chase scenes abound; meanwhile, the critical events unfold at NSA. In a crescendo of murder, infernos, and explosions, it emerges that Strathmore has as agenda that goes beyond breaching Digital Fortress, and Brown's skill at hinting and concealing Strathmore's deceit will rivet cyber-minded readers. Gilbert Taylor

Review
A thriller is only as thrilling as it is real, and if Dan Brown's gut-churning story were any realer, its plot turns would hurl you against the wall. -- David Pogue, Macworld Magazine

Dan Brown has unleashed a surprise: a gripping story on the frontier of cyberspace which adroitly explores the frighteningly delicate line between defending us and controlling us. A disturbing, cutting-edge techno-thriller. -- John J. Nance, Author, Pandora's Clock, Medusa's Child, and The Last Hostage

Digital Fortress reads with all the pace of a hit movie. -- Lawrence Lasker, Screenwriter, Wargames, Sneakers

You are not going to forget Dan Brown! Comparisons of Brown to Tom Clancy are inevitable and justified. What Clancy has written so convincingly about the CIA and the FBI, Brown has accomplished masterfully for the secretive National Security Agency in "Digital Fortress". Dan Brown has crafted a powerful and memorable novel that is alive and kicking with intrigue, covert action, and more twists and turns than the NSA has underground bunkers. No longer can we think of Tom Clancy as the dominant literary icon with unequaled insight into the intelligence community: Dan Brown has charged that intrepid hill and now occupies the same high ground. "Digital Fortress" is frighteningly real, filled with honor and dishonor, passion and conviction, life and death, the love of country, and the inescapable conclusion that each of us understands deep inside: the complex simplicity of right and wrong and the strength of love are our beacons of hope. -- Don Ulsch, Managing Director, the National Security Institute


Customer Reviews

Painful like an icicle jabbed thru the eye & into the brain2
Wow, where to begin. This is the second Dan Brown book I've read and I'm guessing it'll likely be the last. To begin, if you plan on reading this book, forget suspending your disbelief, rather tie up your disbelief, take it out back and shoot it lest it resurface while you're reading the book.

Yes, this book contains an impressive amount of plot holes, factual errors, non-existent technology, etc. The NSA (which is in fact bigger than the CIA and the FBI) is portrayed as an organization with no more than perhaps 20 employees, none of whom come in on weekends. Employees with 170 IQs who act as if they had a 70 IQ. 12 gauge printer cable? The NSA has full-time employees that work as translators -- they don't hire temp college professors to read Chinese/Japanese. Programmers/mathematicians DO NOT MAKE an exorbitant amount of money working for the NSA -- they are still subject to the federal payscale. X-eleven, not 'X11'? Brute force code-breaking as the primary decryption method????? VSLI, not VLSI??? Tracer programs which don't have to be executed, but act on their own? Ugh.

I can overlook these things if they appeared in a well written, taut storyline. In his defense, Dan Brown doesn't include a preface to this book espousing the accuracy of the books' general facts as he does in the prefaces for Angels & Demons and The Da Vinci Code. So you have to take it as FICTION and not non-fiction. He does claim to have corresponded with former NSA employees during his research for this book. Having a bit of experience in the industry, I would say that either Dan Brown had no such correspondences with former NSA employees, they fed him misinformation deliberately, or Dan Brown was informed the basis of his entire book was nonsensical by these former employees, so he decided to throw all their suggestions in the trash and continued to write this book anyhow.

Regardless, the ultimate downfall of this book is BAD WRITING. The characters are flat and annoying. Their actions are contradictory to their personalities -- for no other purpose than to move the 'plot' along. I think Dan Brown has a Word-a-Day calendar and he uses that new vocabulary word several times in the 10-15 pages of writing he produces that day. Words such as 'andalusian' are used several times in a 3 'chapter' span and then never again surface throughout the book.

Most frustratingly, Dan Brown apparently never learned similes are functional and get the point across, but should not be used often as they can be extremely annoying and counterproductive to getting a point across. Towards the end of the book all these sentences are seriously used in less than 2 full pages:
- "The commander rose through the trap door LIKE Lazarus back from the dead."
- "Freon was flowing downward through the smoldering TRANSLTR LIKE oxygenated blood."
- "Susan was standing before him, damp and tousled, in his blazer. She looked LIKE a freshman coed who'd been caught in the rain. He felt LIKE the senior who'd lent her his varsity sweater." [nice double simile, huh?]
- "Her gaze was LIKE ice -- the softness was gone. Susan Fletcher stood rigid LIKE an immovable statue." [another one] "The puddle of blood beneath Hale's body had spread across the carpet LIKE an oil spill."

Believe it or not, there are more in this 2 page space, but I'll stop here. Yes, the writing is THAT groan-inducingly bad. These two classics in the book make me laugh every time I think of them -- "Like in a cheap hollywood movie, the lights went out in the bathroom just as she heard the scream," and "any more interesting than last night and I'll never walk again."

Ultimately, I did finish the book -- one reason I gave it 2 stars instead of one. A small reason was because I hate leaving a book half read, but I finished it more so to see how much more ludicrous the book would become. There's a good premise in the book, but a better writer was needed to coax it out. Dan Brown is not that writer.

Not worth it1
What if reality was like a Dan Brown book:

..."Hey ma, what's for dinner?", the boy asked innocently. A second later, his jaws fell apart. He was looking at a food item that was first served in imperial Rome only on the second full moon of every year. His mind racing, he whirled around to face his mom. It was clear from her pale visage that she too, knew what was at stake. "Yes, Henry, the same vegetable that only grows in certain parts of the world, that the medieval artist Duracelli immortalized in his classic painting, you must have it." As Henry stood there, immobilized with shock, a part of his mind was calmly processing everything he knew about what was in front of him, how the name of the plant came from the Greek god of ants, who had, in legend, used this vegetable as his crown. "Maa", Henry finally croaked, "you're going to make me eat broccoli?"...

Dan Brown creates assassins who are disgraces to their professions. The mute in digital fortress, the "assassin" in Angels and Demons, the albino in Da Vinci Code, I wouldn't pay these people two cents to engage their services, if an assassin can't bump off harmless academics, then they really aren't good for much, are they? And as for his love stories, the less said about them the better, except that, maybe, an eigh-year old, whose only experience of true romance has been to pull on his love's pigtails, could craft a better story. Mr. Brown's characters and conversations border on the ridiculous, they're so bad they almost make you cringe with embarassment.

So, it'd be better for everyone involved if Mr. Brown just started a series of books called "Sensational facts I learned about X after researching into it for the past twenty months," where X can be digital history, cryptography or whatever catches his imagination next.

Get "The Minerva Virus" Instead2
If you are looking for a GOOD sotry about computer technologies that doesn't fall off a cliff, then "Digital Fortress" is not what you want to read.

This book is a major let-down. Good beginning that just deteriorates into garbage.

I did, however, just finish a GREAT book that is a true New Age Cyber-Terror Tale. Much more enjoyable, I suggest checking out "The Minerva Virus" before you waste your time with this one.