Product Description

At her death in 1964, O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her too-short lifetime. The keen writings comprising Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the directness and simplicity of the author's style, a fine-tuned wit, understated perspicacity, and profound faith.

The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. Also included are: three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two pieces on teaching literature, including "Total Effect and the 8th Grade"; and four articles concerning the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are widely seen as gems.

This bold and brilliant essay-collection is a must for all readers, writers, and students of contemporary American literature.

Product Details

• Amazon Sales Rank: #33892 in Books
• Published on: 1969-01-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

Features

• ISBN13: 9780374508043
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Review
"Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing."--John Leonard, The New York Times

"[O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South,' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius."--Alfred Kazin, The New York Times Book Review
-- Review

Review

About the Author
Flannery O'Connor was born in Savannah, Georgia, in 1925. When she died at the age of thirty-nine, she was one of the most gifted and celebrated fiction writers in America.

Customer Reviews

A great book that helps writers to focus on their craft!
For anyone wanting to understand the theory and importance of writing, whether it be fiction or nonfiction, get this book. Flannery O' Connor delves deeply into the mystery of writing, why people do it, struggle over it, sacrifice so much of themselves in order to do it, to a slew of other fantastic bits of information and reasons. Mystery and Manners has narrowed my own overly broad understanding of why I write. It has helped me to focus, not on just the many types of writing, but also on the type of books that I read and should read in order to be a fully developed writer. O' Connor discuses a lot on voice and plot and theme; her views are so clear and exact. Any professional or novice writer will really appreciate her collection of essays. More than anything, writers will appreciate O' Connor's affirmation of their own views. They too will appreciate her understanding of the difficulty and importance of why people write. I can not praise this book enough.

Impressed by mystery
As an engineering student, I lean towards thinking of mystery as something temporary and, well, bad. The whole goal behind scientific research is to expel mystery - at least in the immediate context. Flannery O'Connor's timeless writings opened my eyes to the world beyond certainty, and I had to nod in agreement at her insightful appreciations of human quirkiness or critiques on deviatory literature teaching methods. (Of course science know uncertainty at the atomic/subatomic level, but we call that statistics.) In the end, I marvel at the little gems in this book, thoughtfully crafted by a master artist, laced with earthy truth and nitty-gritty humanness, and don't hesitate to recommend at least a library peek to anyone.

Everyone's entitled to an opinion
Flannery O'Connor shares opinions about (mainly) writing in this collection of previously unpublished transcripts of lectures. At times the text seems unwieldy, perhaps because the editors faced the dual duties of fidelity to the original work, and a need to prune over 50 transcripts into a non-repetitious form. There is also a clever editorial sleight of hand, with the inclusion of the first essay on the peacocks and pea hens - I was confused by it at first, then half way through the book realised it set the mood, the tone of how to read the book. That after reading 'King of the Birds', we have an impression of Flannery O'Connor - that she is a stickler for detail - which informs the rest of our reading. It is an experiential understanding of what she means when she says that a story should not be dissected but read as a whole, stands as a whole, and the whole informs whatever understanding we get out of it.

Lots of delicious gems in here for anyone who wants to see the other side of Flannery O'Connor's work. In a way it is a contradiction that this book was published at all, as the author felt that the obsessions writers have about how other writers work, what other writers think about writing, was pointless. She believed that all was contained in the stories themselves. Are we going to take her advice?