Product Description

In 1970, one of Mississippi s more colorful weekly newspapers, The Ford County Times, went bankrupt. To the surprise and dismay of many, ownership was assumed by a 23-year-old college dropout, named Willie Traynor. The future of the paper looked grim until a young mother was brutally raped and murdered by a member of the notorious Padgitt family. Willie Traynor reported all the gruesome details, and his newspaper began to prosper.

The murderer, Danny Padgitt, was tried before a packed courthouse in Clanton, Mississippi. The trial came to a startling and dramatic end when the defendant threatened revenge against the jurors if they convicted him. Nevertheless, they found him guilty, and he was sentenced to life in prison.

But in Mississippi in 1970, life didn t necessarily mean life, and nine years later Danny Padgitt managed to get himself paroled. He returned to Ford County, and the retribution began.

Product Details

• Amazon Sales Rank: #20797 in Books
• Published on: 2006-04-25
• Released on: 2006-04-25
• Original language: English
• Number of items: 1
• Binding: Paperback
• 416 pages

Features

• ISBN13: 9780385339681
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
In 1970, small town newspaper The Clanton Times went belly up. With financial assistance from a rich relative, it's purchased by 23-year-old Willie Traynor, formerly the paper's cub reporter. Soon afterward, his new business receives the readership boost it needs thanks to his editorial efforts and coverage of a particularly brutal rape and murder committed by the scion of the town's reclusive bootlegger family. Rather than shy from reporting on the subsequent open-and-shut trial (those who oppose the Padgitt family tend to turn up dead in the area's swampland), Traynor launches a crusade to ensure the unrepentant murderer is brought to justice. When a guilty verdict is returned, the town is relieved to find the Padgitt family's grip on the town did not sway the jury, though Danny Padgitt is sentenced to life in prison rather than death. But, when Padgitt is released after serving less than a decade in jail and members of the jury are murdered, Clanton once again finds itself at the mercy of its renegade family.

When it comes, the dénouement is no surprise; The Last Juror is less a story of suspense than a study of the often idyllic southern town of Clanton, Mississippi (the setting for Grisham's first novel, A Time to Kill). Throughout the nine years between Padgitt's trial and release, Traynor finds acceptance in Clanton, where the people "don't really trust you unless they trusted your grandfather." He grows from a long-haired idealist into another of the town's colorful characters--renovating an old house, sporting a bowtie, beloved on both sides of the color line, and the only person to have attended each of the town's 88 churches at least once. The Last Juror returns Grisham to the courtroom where he made his name, but those who enjoyed the warm sentiment of his recent novels (Bleachers, A Painted House) will still find much to love here. --Benjamin Reese

From Publishers Weekly
Grisham has spent the last few years stretching his creative muscles through a number of genres: his usual legal thrillers (The Summons, The King of Torts, etc.), a literary novel (The Painted House), a Christmas book (Skipping Christmas) and a high school football elegy (Bleachers). This experimentation seems to have imbued his writing with a new strength, giving exuberant life to this compassionate, compulsively readable story of a young man's growth from callowness to something approaching wisdom. Willie Traynor, 23 and a college dropout, is working as a reporter on a small-town newspaper, the Ford County Times, in Clanton, Miss. When the paper goes bankrupt, Willie turns to his wealthy grandmother, who loans him $50,000 to buy it. Backed by a stalwart staff, Willie labors to bring the newspaper back to health. A month after his first issue, he gets the story of a lifetime, the murder of beautiful young widow Rhoda Kasselaw. After being raped and knifed, the nude Rhoda staggered next door and whispered to her neighbor as she was dying, "Danny Padgitt. It was Danny Padgitt." The killer belongs to an infamous clan of crooked highway contractors, killers and drug smugglers who live on impregnable Padgitt Island. Willie splashes the murder all over the Times, making him both an instant success and a marked man. The town is up in arms, demanding Danny's head. After a near miss (the Padgitts are known for buying themselves out of trouble), Danny is convicted and sentenced to life in prison. As he's dragged out of the courtroom, he vows revenge on the jurors. Willie finds, to his consternation, that in Mississippi life doesn't necessarily mean life, so in nine years Danny is back outâ€"and jurors begin to die. Around and through this plot Grisham tells the sad, heroic, moving stories of the eccentric inhabitants of Clanton, a small town balanced between the pleasures and perils of the old and the new South. The novel is heartfelt, wise, suspenseful and funny, one of the best Grishams ever.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Is this latest thriller from Grisham up to snuff? Or, at least, to his usual level of, err, proficiency? Maybe yes, maybe no. Grisham revisits his old haunting ground--the Deep South of A Time to Kill--to depict the inner workings of a small, insular Southern town. He creates some good characters: an evil bootlegger family, a sleazy lawyer, an immature editor, and a tender black woman, Callie, whose relationship with Willie forms the best part of the novel. Some critics loved the legal suspense. Others cited slow scenes, sloppy dialogue, a clumsy ending, and an incomplete portrait of the racially segregated Clanton. Padgitt's trial is "painful to watch, more painful to read," notes the Oregonian. But maybe we've come to expect too much from the author of The Runaway Jury--so sit back and enjoy.

Copyright © 2004 Phillips & Nelson Media, Inc.

Customer Reviews

Ahh, the old South and the new
There are so many riviting aspects to this latest Grisham novel that it's hard to know where to begin. First, there is the old vs. the new with regards to the south--how it has changed, is changing, and will change. That in itself is enough for a book and reminds me of other writers who have tackled that slippery slope: McCrae in his Bark of the Dogwood and Conroy in Prince of Tides. But the most intriguing aspect of this Grisham book is his characters. Then again, that's always the most intriguing aspect of his work. In any other writer's hands, the character of Danny Padgitt (how's that for a white trash name?) would be a cardboard cut-out. But in Grisham's he's flesh-and-blood. And Danny literally "gives" the newspaper in the town new life when he commits a murder. As with all media, they love sensationalism, and the Ford County Times--the paper that Willie Traynor now owns--is no exception. Seizing the opportunity, Traynor splashes the gory details all over "the Times" and the result is that he an instant celebrity and also a marked man. Padgitt finally gets his, but not full-out. His life sentence is evidently not quite as "lifelong" as everyone thought, and as soon as he's released, the killing starts. This, all because of his statement to the jury on his way out that he will have his revenge on the jurors. Lovely. Especially if you're one of them. All through this excellent plot, Grisham weaves the lives (or lackthereof) of the colorful characters in the town--yet another aspect of southern writing (again, McCrae or Conroy), and it's really these people that create the landscape and backdrop for this book. The entire novel reads like a well-done combination of Grisham's legal thrillers, his homage to Mississippi (A Painted House), and his foray into small town Southern America. Without a doubt this is his best effort to date.

Literate Grisham
After the travesty that was "King of Torts," John Grisham returns with a novel that appears, on the cover, to be another legal thriller but is, in fact, something else entirely. This is not about courtroom theatrics or terrible murders or greedy, corrupt lawyers seeking justice that will benefit their pocketbooks. No, "The Last Juror" is much, much different than your typical Grisham fare.
It is a story of humanity. John Grisham has entered a new field while treading on familiar territory. He has written something that touches the pulse of the 1970's in Ford County. This is the story of Willie Traynor, newspaper editor, and his friendship with Callie Ruffin, a black woman and mother of eight, and a fledgling newspaper founded on obituaries. Danny Padgitt's actions are known fairly early on, and there truly is no question as to his guilt.

There are some courtroom theatrics here, but they are secondary to the relationship between Willie and Miss Callie; indeed, the courtroom scenes are secondary to the character development and onset of desegregation that the denizens of Ford County are faced with. If anything, "The Last Juror" is the sort of novel one would expect to read in a 20th Century literature class. There is a fair amount of suspense, and there is some criticism of the legal system (70's and current) and of course a bit of preaching, but it all works.

Grisham has crafted one of his best novels and given us a slew of memorable characters; the Ruffin family will stay with you long after completing the novel. As will Willie and the eclectic bunch of "old folks" who dominate the town. Social criticism is also a bit heavy, with the arrival of Bargain City and the Padgitt clan's unsavory vocations. I would hesitate to compare this to such literary giants as "To Kill a Mockingbird" and "Huckleberry Finn," the major theme in "The Last Juror" is similar to that found in both the aforementioned novels, that of racial tolerance and the transendance of boundaries.

But, when the jurors start to fall, you will believe that Danny Padgitt is indeed guilty of fulfilling his promise...but then Grisham wants you to believe it, which makes the ending all the more impactful.

Be wary, diehards and casual fans--this is not your typical John Grisham. It's something better.

Thoroughly enjoyable!
The 1970s . . .a small town in the South is the setting for this latest Grisham novel. That, plus the colorful cast of eccentric characters might be dangerously cliched material in any other author's hands, but not in Grisham's. This book is like a cross between "A Painted House" and some of his better known courtroom books. It's actually not so much a "mystery" as it is just a good story, interestingly told.

Also recommended: The Firm, Bark of the Dogwood, Capital Crimes