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The Lance Thrower (The Camulod Chronicles, Book 8)

The Lance Thrower (The Camulod Chronicles, Book 8)
By Jack Whyte

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Product Description

Jack Whyte has written a lyrical epic, retelling the myths behind the boy who would become the Man Who Would Be King--Arthur Pendragon. He has shown us, as Diana Gabaldon said, "the bone beneath the flesh of legend." In his last book in this series, we witnessed the young king pull the sword from the stone and begin his journey to greatness. Now we reach the tale itself-how the most shining court in history was made.

Clothar is a young man of promise. He has been sent from the wreckage of Gaul to one of the few schools remaining, where logic and rhetoric are taught along with battle techniques that will allow him to survive in the cruel new world where the veneer of civilization is held together by barbarism. He is sent by his mentor on a journey to aid another young man: Arthur Pendragon. He is a man who wants to replace barbarism with law, and keep those who work only for destruction at bay. He is seen, as the last great hope for all that is good.

Clothar is drawn to this man, and together they build a dream too perfect to last--and, with a special woman, they share a love that will nearly destroy them all...

The name of Clothar may be unknown to modern readers, for tales change in the telling through centuries. But any reader will surely know this heroic young man as well as they know the man who became his king. Hundreds of years later, chronicles call Clothar, the Lance Thrower, by a much more common name.

That of Lancelot.


Product Details

  • Amazon Sales Rank: #167194 in Books
  • Published on: 2005-11-01
  • Released on: 2005-11-01
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 640 pages

Features


Editorial Reviews

Review

“Of the scores of novels based on Arthurian legend, Whyte's ‘Camulod’ series is distinctive, particularly in the rendering of its leading players and the residual Roman influences that survived in Britain during the Dark Ages.”—The Washington Post on Camulod Chronicles
 
“Whyte has done an excellent job of constructing a viable pre-Arthurian world.  His fifth-century Europe is evocative, earthy, and well researched.”—Romantic Times on Camulod Chronicles
 
“As Whyte waves off the fog of fantasy and legend surrounding the Arthurian story, he renders characters and events real and plausible.”—Booklist on Camulod Chronicles
 
“Whyte shows why Camulod was such a wonder, demonstrating time and again how persistence, knowledge and empathy can help push back the darkness of ignorance to build a shining future.”—Publishers Weekly on Camulod Chronicles
 
“Whyte’s story has an undeniable power that goes beyond the borrowed resonances of the mythic tales he’s reworking.”—Fantasy & Science Fiction on Camulod Chronicles
 
“A rousing historical adventure, full of hand-to hand combat, hidden treasures, and last-minute escapes, a refreshing change from the many quasi--historical, politically correct Arthurians out there.”—Locus on The Skystone
 
“It’s one of the most interesting historical novels that I’ve ever read and I’ve read plenty.”—Marion Zimmer Bradley on The Skystone

About the Author

Jack Whyte is a Scots-born, award-winning Canadian author whose poem, The Faceless One, was featured at the 1991 New York Film Festival. The Camulod Chronicles is his greatest work, a stunning retelling of one of our greatest legends--the making of King Arthur's Britain. He lives in British Columbia, Canada.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

BAN

I cannot recall much about my early childhood, but I have always been grateful, nevertheless, that I survived it, and that the memories of it that remain with me are happy ones, steeped in the eternal sunlight of long, bygone summer days and unaffected by the truths I learned later. The Lady Vivienne of Ganis, who occupied the center of my life then, since I grew up regarding her as my mother, was in fact my mother’s twin and therefore my aunt. Her husband, whom I also believed for years to be my father, was called Ban of Benwick, King of the Benwick Franks who settled the Ganis lands in southeastern Gaul before my birth.

I was seven years old when first I heard the story that my mother had abandoned me, and I remember the occasion well. I scoffed at first, pointing out to Frotto, the loudmouthed lout who was tormenting me, that my mother was Vivienne, whom people called the Lady of the Lake. Everyone knew that, I told him smugly, except him.

Not so, he yelled at me, in a jeering voice that contained an awful note of conviction. His mother had told him that the Lady Vivienne had taken me in as a homeless baby, after my true mother had abandoned both me and my father to run off with another man. Infuriated, and strangely frightened by his outrageous accusations, I charged at him. He sidestepped my rush easily, being two years older than me and almost twice my size, and kicked me hard on the shin. While I was hopping on one foot and clutching my injured leg, he punched me twice with large, meaty fists, bloodying my nose with one and then knocking me down and blackening both my eyes with the other.

Of course, I went running home, half blinded by tears and bruises and bleeding from my nose like a gravely wounded man, and Lady Vivienne was horrified when I burst into her rooms, dribbling blood and mucus all over her clean floor. She rushed to me and held me, uncaring about damage to her clothing, then hugged and comforted me and listened to my distraught tale while she tended to my wounds, holding my head back gently but firmly until the bleeding from my nostrils had dried up, then cleansing and dressing my cut leg. As soon as my face was free of blood and snot, she laid me on her own enormous bed and bathed my swollen eyes with a cool cloth, holding me to her bosom and crooning over me until I was pacified, while her women made sure that none of my siblings made their way in to gawk at me in my distress.

The major part of my comfort that day sprang from Lady Vivienne’s immediate denial of Frotto’s tale. She told me I must pay no heed to him or to his wicked lies, and I believed her. How could I not? She was my mother, the most beautiful being in my world, and it was inconceivable to me that she could lie, even to save me from pain. And so three more full years passed by before I learned the truth.

Once again, it was Frotto who precipitated things. By then he and I were implacable enemies, although he had learned to curb his tongue and keep away from me, most of the time at least. He was still larger than I was, and fatter, but I had grown too, gaining height more quickly than he and thickening steadily toward the strength and bulk that would sustain me as a warrior thereafter. I was larger than any of the other boys I knew of my own age, and that in itself might have been enough to keep Frotto away from me; he liked his victims to be much smaller than himself. And his father was a wheelwright, whereas mine was the King, so while he spent his time roaming at large with his cronies---and I was often jealous of his freedom---I spent most of mine, from the age of eight, in training to be a warrior. Chulderic, my father’s Master-at-Arms, was my official tutor in such things, and he kept me hard at work, learning to ride and fight with sword and spear, and I was an apt pupil.

On the day I was to learn the truth about my parentage, I ran into Frotto and two of his friends while leading my injured horse, Rollo, to a lush pasture, a clearing in the woods I had discovered days earlier. Rollo and I had taken a fall that morning, and while I had been no more than slightly scratched and winded by the event, Rollo had gashed his pastern on a splintered branch that lay hidden in the thicket we had tried to gallop through. Now, a few hours later, his injured leg cleaned and firmly bandaged, I had thought to make reparation to him for my carelessness by taking him where he could eat his fill of succulent grass. I was walking slowly, allowing him to pick his way carefully as he hobbled beside me, favoring his sore ankle, and I was daydreaming, fretting about the damage I had caused to my beloved horse through my own enthusiasm and lack of thought. We Franks have always been proud of our prowess with horses, and we regard ourselves as natural horsemen, born to ride. But it had never really dawned on me until that day that the invincibility and invulnerability I felt, once mounted on my horse’s back, were foolish. My poor horse was anything but invulnerable. By sending him charging into that copse the way I had, into its hidden dangers, I might easily have killed him and myself.

Thinking that, I led him around a bush, and found myself face-to-face with Frotto.

He was as surprised to see me as I was to see him, and it was pleasant for neither one of us. His first reaction was to draw back guiltily, leaping away from what he had been doing and looking beyond me as his two friends scattered, too, to see who else might emerge from behind the bush. For my part, I immediately looked to see what he had been doing. A skinny eight-year-old child I recognized as the daughter of one of my father’s house servants lay on her back in the long grass, naked, her legs spread wide to expose everything that made her female. Her eyes were wide with fear, although whether she was frightened by what they had been doing to her or afraid of being caught doing it I could not tell. The truth is, I did not know myself what they were doing. I simply reacted to the guilt on Frotto’s face.

“What’s going on here? What are you up to, Frotto?”

My question broke his momentary panic. He had seen that there was no one with me, and so he charged at me, catching me with a shoulder to my chest and sending me flying to rediscover aches and bruises that I had sustained earlier in my fall from Rollo’s back. Winded for the second time that day, I sprawled in the grass, looking up at him towering above me, his fists clenched and his face contorted with anger.

“What’s it matter to you, shit spawn, what I’m up to?” He drew back his foot and swung a kick at me, and I rolled toward him, catching his flying foot between my arm and my chest and twisting to pull him off balance. He landed on top of me, and the sour stink of his stale sweat flooded my nostrils as I pushed him away and rolled again to regain my feet. Before I could rise, one of his friends kicked me behind the knee and I went down again, this time on all fours, just in time to take a third kick, full in the ribs, from the third boy. My vision hazed with red and I fought to keep from vomiting from the pain, but I could see Frotto scrambling away from me and I thought he was going to run.

I was wrong. He scrabbled on hands and knees until he reached the place where they had abandoned their fighting sticks, and he picked one up and rose slowly to his feet, hefting the short, thick club in his hand while measuring me with his eyes and grinning the grin that I had learned to detest. Seeing what was coming, I tried again to stand up, but again his friends prevented me, one of them sweeping my legs from under me with a wide, looping kick. And as I huddled there, facedown, half lying and half kneeling, Frotto struck me across the shoulders with his cudgel.

Pain flashed across my back, but he had not hit me as hard as he could have; I knew that even as the blow landed, and a part of me wondered why. Chulderic, my trainer, had long since taught me that, once committed to a fight, it was sheer folly to hold back and be anything less than ruthless in disabling your enemy. Now, despite my pain, I was wondering what was going on in Frotto’s mind. Perhaps he was still afraid of my status as my father’s son. I fell forward onto my elbows, my face brushing the grass, and then I gathered myself and lunged, pushing upward and forward, forcing myself to my feet in a shuffling run that caught all three of them by surprise.

The largest of the three came close to catching me. As his fingers closed on my tunic, pulling me around, I seized his own tunic in both my hands, then head-butted him hard. His nose crunched and he fell away from me, howling and falling hard to the ground, his hands clamped over the blood spewing from his ravaged face. Before either of the others could recover from the shock of what had happened, I leaped over the distance remaining between me and the other two cudgels that still lay on the ground. I snatched them up, one in each hand, spun toward my tormentors and dropped into a fighting stance.

The fight should have been over at that point. I had cut their strength by one-third and now I held two clubs to their one. And they must have seen how angry I was, in the set of my face. They knew I had been training hard for more than two years with cudgels very like those I now held, except that my own were longer and even heavier. It was plain to me that neither of them wanted to be the one who would put my training to the test. But poor stupid Frotto couldn’t simply back away and accept the situation for what it was. Perhaps if he had, and had kept his mouth shut, I might have allowed him to walk away, even then, but that was not Frotto’s way. He had to try to convince his dullard friend that they had bested me and that I wasn’t worthy of their time or attention, and so he went into his customary diatribe about my parentage, and how my “real” mother had been a faithless slut.


Customer Reviews

Long winded and Lacking...3
I have long been a HUGE fan of Whyte's Camoloud Chronicles, having read the entire series three times, but the latest edition, The Lance Thrower, was like a flat tire. The opening introduction as Clothar returns to Camoulod to bury Merlin and destroy the chests was a rocket of a start, then the book just bogs down in mire and wanders from one place to the other, seemingly without point. The magic just seems to have dissipated. The book did not pick up again until the end, when Clothar lands in England for the first time in order to deliver messages to Merlin and Author.
This book is like an oreo cookie, crispy on the outsides but gooey and without much substance in the middle.
I very much hope that Mr. Whyte is working on a future installment of his chronicles, I would hate for it to end on such a poor note.

An obvious set up4
As has already been mentioned, this is obviously not the last book in the series. It is, what I call, a "bridge book." It's main purpose is to introduce characters (a lot of major ones, by the way: Percival, Bors, Tristan, Gwinnifer, and, of course, Lancelot) and give some sense of their back story. Whyte does his best to mask this backstory as "dialogue" but that is probably the best way to do it without having the series go on for about another 8 books! I think that the real value of this book will be evident when we read future books in this series more than as a "stand-alone" novel. As with all the other books in the series, it really helps to have read all of them and not try to just read the one with the best reviews.

I give this book 4 stars because it wasn't nearly as interesting as some of Jack Whyte's other books but it was more interesting than most author's could have done given the fact that he had to stay reasonably within the bounds of a well known story.

Uninspired and longwinded.2
How very disappointing!

The orginal books in this series, the Skystone, the Singing Sword etc. were great - well researched, well conceived and well written. But the story was mostly about young Merlyn and the founding of Camulod (Camelot) and it finished with a cliff-hanger, young Arthur riding into his first big battle.
So, predictably, mr Whyte was re-commissioned (I am sure they had to twist his arm) to write an additional three novels and complete his historically correct version of the Arthurian legend.

I am very sorry to say that either (a) Jack Whyte has lost his touch or (b) these new books have to be ghost-written by someone else. Uther was disappointing; this latest one is a disaster.

For starters, this novel almost never intersects or overlaps with the previous books. Lancelot only gets to Brittain at the very end of the book, wastes the entire time traveling around and meets Arthur (badly) on the last page. We learn nothing new, except that Arthur has apparenty soundly defeated the invaders somehow and that seemingly he has already formed a group of close companions - and that only incidentally, in the span of those last two pages or so.
The entire book is background - irrelevant background for the most part, including the book's characters having exhaustingly detailed conversations about trivial matters, like the exact route between point A and point B, as if that would mean anything to the reader, or repeatedly requesting clarifications from each other on some obvious order or other. Evidently, mr Whyte thinks that the Franks were rather slow-witted.

Mind you, all this background could have been interesting had we actually learned something about the Franks, as we learned so much about Roman culture as well as the Celts, in the first few books of the series. But we don't. These Franks appear indistinguishable from our earlier peoples and Lancelot's life is hardly different than, say, Merlyn's - so why waste a book on them??
For example, a good part of the early story is spent with young Lancelot trying to survive being caught directly on the path of a huge army of invading Burgudians, threatening most of the Southern Frankish kingdoms - 'Great historical stuff' you say. No it isn't. A few pages later, the story's focus shifts entirely (to the dynastic fratricides of the Geneva clans) the invasion is forgottent and only chapters later are afforded even a passing mention of some events that took place 'after the invasion' - leaving us to speculate on its outcome.

The most frustrating aspect of the book, however, is the author's increasing infatuation with biblical culture (for lack of a better term). Do not let the title fool you: this is not a book about Arthur, Lancelot, Brittain, the Franks, the Celts, or even the dark times of the end of the Roman Empire. Rather, this is a tedius treatese on the moral superiority of early Christianity over pagan cultures.
The real hero is not Lancelot or Merlyn or Arthur or any other Arthurian character, but rather Bishop Germanus (a secondary character of the earlier series) who gets more stage time than everyone. Even when he is not directly the focus of the story, or pulling Lancelot's or Merlyn's strings, then the other characters are usually wasting our time discussing his saintliness, convincing each other that he just performed another miracle, or relating to someone how they first met him.

We learn nothing of political developments in Brittain - only that the Church is endangered and that Merlyn must convince Arthur to build a big cathedral.
On every possible occasion, the characters are competing in piety and lecturing each other on 'the one True God', the evil Burgundians are predictably pagan (which apparently is what makes them such mad dogs), as are the Saxons (who apparently take perverted pleasure in brutalising priests) and in the most bizare twist of them all, Clothar (Lancelot) is Jewish (!!), presumably so that he becomes the most 'biblical' of all characters, hence inherently superiour - or something like that; who knows what was going through Jack Whyte's head - and who cares?

What any of this could possibly contribute to an (albeit historically correct) alternate version of the Arthurian legend is beyond me.

If you are new to this series, read the first three books (they are trully excellent) and STOP there.
If you are a fan, don't bother - this is not even usefull for continuity's sake.