The Meme Machine
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What is a meme? First coined by Richard Dawkins in his 1976 study The Selfish Gene, a meme is any idea, behavior, or skill that can be transferred from one person to another by imitation: stories, fashions, inventions, recipes, songs, and ways of plowing a field, throwing a baseball, or making a sculpture. It is also one of the most important--and controversial--concepts to emerge since Darwin's Origin of the Species.
Here, Blackmore boldly asserts: "Just as the design of our bodies can be understood only in terms of natural selection, so the design of our minds can be understood only in terms of memetic selection." Indeed, The Meme Machine shows that once our distant ancestors acquired the crucial ability to imitate, a second kind of natural selection began: a survival of the fittest among competing ideas and behaviors. Those that proved most adaptive--making tools, for example, or using language--survived and flourished, replicating themselves in as many minds as possible. These memes then passed themselves on from generation to generation by helping to ensure that the genes of those who acquired them also survived and reproduced. Applying this theory to many aspects of human life, Blackmore brilliantly explains why we live in cities, why we talk so much, why we can't stop thinking, why we behave altruistically, how we choose our mates, and much more. With controversial implications for our religious beliefs, our free will, and our very sense of "self", this provocative book will be must reading any general reader or student interested in psychology, biology, or anthropology.
Product Details
- Amazon Sales Rank: #32656 in Books
- Published on: 2000-05-16
- Original language: English
- Number of items: 1
- Binding: Paperback
- 288 pages
Editorial Reviews
Amazon.com Review
In The Selfish Gene, Richard Dawkins proposed the concept of the meme as a unit of culture, spread by imitation. Now Dawkins himself says of Susan Blackmore:
Showing greater courage and intellectual chutzpah than I have ever aspired to, she deploys her memetic forces in a brave--do not think foolhardy until you have read it--assault on the deepest questions of all: What is a self? What am I? Where am I? ... Any theory deserves to be given its best shot, and that is what Susan Blackmore has given the theory of the meme.
Blackmore is a parapsychologist who rejects the paranormal, a skeptical investigator of near-death experiences, and a practitioner of Zen. Her explanation of the science of the meme (memetics) is rigorously Darwinian. Because she is a careful thinker (though by no means dull or conventional), the reader ends up with a good idea of what memetics explains well and what it doesn't, and with many ideas about how it can be tested--the very hallmark of an excellent science book. Blackmore's discussion of the "memeplexes" of religion and of the self are sure to be controversial, but she is (as Dawkins says) enormously honest and brave to make a connection between scientific ideas and how one should live one's life. --Mary Ellen Curtin
From Publishers Weekly
Over a decade ago, Richard Dawkins, who contributes a foreword to this book, coined the term "meme" for a unit of culture that is transmitted via imitation and naturally "selected" by popularity or longevity. Dawkins used memes to show that the theory known as Universal Darwinism, according to which "all life evolves by the differential survival of replicating entities," applies to more than just genes. Now, building on his ideas, psychologist Blackmore contends that memes can account for many forms of human behavior that do not obviously serve the "selfish gene." For example, a possible gene-meme co-evolution among early humans could have selected for true altruism among humans: people who help others (whether or not they are related) can influence them and thus spread their memes. Meme transmission would also explain some thorny problems in sociobiology. From a gene's point of view, celibacy, birth control and adoption are horrible mistakes. From a meme's point of view, they are a gold mine. Few or no children free up the meme-carrier to devote more energy to horizontal transmission to non-relatives (monks and nuns the world over figured that out long ago), something the gene is incapable of. With adoption, memes can even co-opt vertical transmission between generations. Blackmore posits that, in modern culture, meme replication has almost completely overwhelmed the glacially slow gene replication. Well written and personable, this provocative book makes a cogentAif not wholly persuasiveAcase for the concept of memes and for the importance of their effects on human culture.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
If Blackmore is correct, then imitation is much more than just the highest form of flatteryAit is the basis of all human culture. "Memes" are hypothesized as discrete units of ideas or behaviors that can be imitated, thereby replicating in a manner similar to genetic replication. The theory is controversial, but if correct it may explain phenomena as diverse as why humans have such large brains and how language developed. Blackmore, a British psychologist, expounds this theory in a very literate style, with examples and anecdotes that are vivid, informative, and sometimes downright charming. This is one of the rare popular science books that presents a new theory in lay terms while also postulating original ideas worthy of scholarly debate. Its publication is a sure sign that the science of memetics has come of age. For most libraries.AGregg Sapp, Univ. of Miami Lib., Coral Gables
Copyright 1999 Reed Business Information, Inc.
Customer Reviews
The Meme Machine
Susan Blackmore's bold and fascinating book "The Meme Machine" pushes the new theory of memetics farther than anyone else has, including its originator Richard Dawkins. The reader should already be well-acquainted with the concepts of memes and Universal Darwinism before tackling this book. Those who are not would do well to first read Dawkins' The Selfish Gene (and even better to also read Daniel Dennett's Darwin's Dangerous Idea).
Dawkins himself wrote the Foreword to this book, giving it his enthusiastic endorsement, and providing some enlightening remarks about the origin of the meme concept. He concedes however, that his original intentions were quite a bit more modest, and that Blackmore has carried the concept further than he had envisioned.
The central thesis of this book is that imitation is what makes humans truly different from other animals, and what drives almost all aspects of human culture. A meme then, is a unit of imitation. Anything that can be passed from one person to another through imitation -- such as a song, a poem, a cookie recipe, fashion, the idea of building a bridge or making pottery -- is an example of a meme. From the meme's point of view, Blackmore claims, we humans are simply "meme machines", copying memes from one brain to another.
This book is highly speculative. That doesn't mean it's wrong. It just means the claims have not been proven scientifically. To Blackmore's credit she does clearly highlight the areas of speculation. She also points out the testable predictions made by her theory, and describes possible experiments that could be performed to validate or falsify them.
One such prediction is that specific neural mechanisms would be found in the brain that support imitation -- the key requirement for replication of memes. The recent discovery of mirror neurons seems to satisfy this prediction and provide a powerful validation of the theory.
This book is ambitious. It purports to be nothing less than a comprehensive scientific theory which answers such major scientific questions as the "big brain" problem, and the evolutionary origins of language, altruism, and religion -- all currently unresolved problems. Blackmore's presentation of these issues to be persuasive and insightful, though in some instances she has overstated her case. For example, while memes may have been a significant causal factor in the origin of language, it is not necessary to adopt a purely non-functional explanation for language.
The most controversial part of the book is likely to the last two chapters, where Blackmore discusses the concept of the "self", the real you which holds beliefs, desires, and intentions. Like Dennett, Blackmore believes the idea of a "self" is an illusion but unlike Dennett she does not see it as benign and a practical necessity. In her view, the illusion of the self (what she calls the "ultimate memeplex") obscures and distorts consciousness, and advocates adopting a Zen-like view to actively repel the self illusion.
After having read the book you may feel, that Blackmore has gone too far; that she has pulled some sleight-of-hand and come up with an outlandish conclusion. However, upon further reflection, the thoughtful reader will be forced to admit that Blackmore has made a forceful case and told at least a plausible, if not utterly convincing story.
It's All About Imitation
It is exciting that Oxford has come out with a book on memetics, and Blackmore does a nice job of fleshing out the basics. The Meme Machine follows through on Dawkins' (1976) fascinating suggestion that culture, like biology, evolves through the processes of variation, selection, and replication. It explores how viewing culture as a hereditary system can shed light on many aspects of the human experience, such as why we gossip, believe in alien abduction, and get enthusiastic about sex. (Though the chapter titled 'An orgasm saved my life' never gets around to explaining how an orgasm saved someone's life.)
Her central thesis is that what makes humans unique is their ability to imitate, and she takes the 'imitation is where it's at' thesis very seriously. The idea is: once humans became able to imitate, ideas could be transmitted, and cultural evolution took off. Unfortunately, there are deep problems with this proposal. First, the claim that animals don't imitate is highly controversial, and current consensus seems to sway in the opposite direction. (An article by Byrne & Russon in Behavioral and Brain Sciences, 21, 1998, and accompanying commentary, provide an insightful review.) Second, Blackmore correctly notes that the archeological record reveals a sudden INCREASE in tool variety. However, if imitation were the bottleneck, then prior to the origin of culture there would have been variation everywhere, and the onset of imitation would have funneled this variation in the most useful directions, i.e. variety would have DECREASED. The evidence is, in fact, consistent with the thesis that creativity, rather than imitation, was the bottleneck to culture.
The 'imitation drives culture' hypothesis leads Blackmore to restrict the definition of a meme to something that can be transmitted from one human to another by imitation. So, for example, if a child learns to peal a banana by watching her mother, a meme has replicated. But if the child learns this skill from a cartoon character on tv, no replication has taken place. By the end of the book (particularly in the chapter on the internet) she eases up on this a bit. Human-made artifacts now seem to play a role in her vision, though elements of the natural world still don't. Thus if a child gets the idea for how to peal a banana by watching the petals of a flower unfold, her flower-inspired 'how to peal a banana' meme is NOT transmittable. In the blink of an eye, Blackmore discards the possibility that any experience can be food for thought and thus food for culture, on the grounds that it is "extremely confusing" (p. 45). The worldview impled by the Shroedinger equation is extremely confusing too, but its batting average as a predictor of experimental outcomes is unsurpassed. 'Confusing' is not synonymous with 'wrong'.
Blackmore also claims that "perceptions and emotions are not memes because they are ours alone and we may never pass them on" (p. 15). It follows that the feeling evoked by a painting of a stormy night at sea has no relationship to what the artist was feeling at the time... that a teacher's attitude of compassion has no impact on the cultural dynamics of the classroom. Thus it is not clear how Blackmore's narrow definition of meme clears up the confusion.
Readers should be aware that, despite the Oxford label, the book the book does not reflect the current level of sophistocation in the field. It presents many ideas without referencing where they were first introduced, or mentioning influencial work in the area (e.g. memetic altruism, memetic explanations of the origin of culture, memes & language, memes & the internet, etc.). Blackmore does not delve deep into evolutionary theory, on the grounds that borrowing concepts from biology could lead cultural theorists astray. To my mind, this is like ignoring what we already know about snow skis when developing the first prototype for waterskis. In fact there is some disparity between the 'science rules' attitude and the lack of theory or data. If the title leads you to expect material on computer models, cognitive science, complexity, information theory, etc. you will be disappointed. There isn't much on the workings of the memetic machinery. But if you like examples of manipulative memes, you will find it interesting. And the potential significance of memetics should not be underestimated. It is not inconceivable that the next century will usher forth more books on cultural evolution than this century has on biological evolution.
Piques the interest for a future science
This book is a little too ambitious. Although Blackmore does not succeed in making the case for a science of memetics, she does a fantastic job trying to. With things like "Campbell's rule" and copying of instructions vs. copying of the product, she makes some good conceptual headway. She provides some good behaviorist insight on true imitation as a potential basis for memetic theory. The speculative field of memetics has yet to pull all the threads together, though Blackmore does a very good job setting the stage. I think the field as a whole could use a lot more immersion in cognitive science beyond the interesting forays of Daniel Dennett("Darwin's Dangerous Idea" highly recommended). I think the cognitive roles of language while not overlooked, could use more attention. In this vein I recommend to those interested to read "Philosophy in the Flesh" by George Lakoff and Mark Johnson, after you finish "The Meme Machine."
The Meme Machine reads very well. It doesn't leave me seeing how memetics will get from here (speculative) to there (real science), but it leaves me thinking that there must be a way. Blackmore backs up her own ideas with some good scientific background, but doesn't lay any real empirical foundations for a science of memetics. I think until we have a better idea of the neurological organization underpinning our conceptual thinking that foundation will not appear. For some possible headway on that, again I suggest you read "Philosophy in the Flesh" after you read "The Meme Machine." I think perhaps both of these books may be converging on some similar problems from different perspectives.
I think Blackmore sets some goals that are entirely too ambitious, and fails to achieve them. Instead of laying a foundation, she merely piques our interest. Don't let that stop you from enjoying "The Meme Machine." It is very interesting. Read this book. You will be glad that you did.




