Product Description

Art interprets the visible world. Physics charts its unseen workings. The two realms seem completely opposed. But consider that both strive to reveal truths for which there are no words––with physicists using the language of mathematics and artists using visual images. In Art & Physics, Leonard Shlain tracks their breakthroughs side by side throughout history to reveal an astonishing correlation of visions. From the classical Greek sculptors to Andy Warhol and Jasper Johns, and from Aristotle to Einstein, artists have foreshadowed the discoveries of scientists, such as when Monet and Cezanne intuited the coming upheaval in physics that Einstein would initiate. In this lively and colorful narrative, Leonard Shlain explores how artistic breakthroughs could have prefigured the visionary insights of physicists on so many occasions throughout history. Provicative and original, Art & Physics is a seamless integration of the romance of art and the drama of science––and an exhilarating history of ideas.

Product Details

• Amazon Sales Rank: #47024 in Books
• Published on: 2007-03-01
• Released on: 2007-02-27
• Original language: English
• Number of items: 1
• Binding: Paperback
• 496 pages

About the Author

Leonard Shlain is Chairman of Laparoscopic Surgery at the California Pacific Medical Center in San Francisco and is Associate Professor of Surgery at the University of California, San Francisco. He is the author of The Alphabet Versus the Goddess: The Conflict Between Word and Image and Sex, Time, and Power: How Women's Sexuality Shaped Human Evolution. Dr. Shlain lectures internationally and has been featured on The Newshour with Jim Lehrer and NPR. He lives in Mill Valley, California.

Customer Reviews

Interesting Connections
This book seeks to provide connections about art and science. I would have liked more visual illustrations, but anyone who seeks to understand the patterns of this world will find the ideas interesting.

Academic disciplines have become segregated in our individual disciplines, so this kind of synthesis is unique.

I bought this book because it was recommended by one of my graduate students. The book was a gift for an engineer who enjoys art and design.

Shallow and confused
Leonard Shlain is a surgeon, not an art historian neither a physicist. His culture is impressively broad, but unfortunately shallow. His main thesis in this book is that basically all scientific discoveries were anticipated by artists. I find the interwoven relationship between art and science absolutely fascinating, but this book is not a reference that I would recommand on the topic.

The main problem is that this book abuses of the juxtaposition of unrelated facts, and presents them with such virtuosity that a magical causality seem to appear. Shlain presents ancient thoughts with the enlightenment of modern frameworks, subtly rewriting them, emphasizing concept and translating them such that they seem to fit with forthcoming theories.

This kind of pitfall has been described by Kuhn (the structure of scientific revolution). For example, if Newtonian mechanics can be expressed in the framework of relativity, relativity is NOT and extension of Newtonian physics, there is a fundamental revolution between them. It is only because Newtonian physics has been rewritten that it becomes more compatible with Einstein's new insights.

Moreover, Shlain's understanding of relativity is weak at best. For example, he often makes the confusion between the effect of the finite speed of light (which can be expressed in a Newtonian context) and relativity.

I was all the more disappointed that some of the issues are actually relevant and fascinating: relativity, non Euclidean, surrealism and cubism for example do share a common revolution of the notion of space (and thus of the place of humans in the world). Unfortunately, Shlain's caricatural statements are irrelevant: Manet had absolutely no idea of the concepts involved in relativity, and Einstein himself pointed out that cubism had nothing to deal with relativity (as opposed to Picasso's claims).

If you want a good introduction to art history, read Gombrich, if you want to learn about physics in a broad context, read Zajong (Catching the light).

Art & Physics:Parallel Visions in Space, Time, and Light
I thought this was a wonderful book. Tying the evolution of art to the evolution of thinking and science gave me a more holistic way to look at art. From the ancient Greeks through the Dark and Middle Ages, the Impressionists, and into modern times the parallels of physics to art are simply amazing. Perfect for us "left-brained" types.