Product Description

Studio: Warner Home Video Release Date: 01/31/2006 Run time: 600 minutes Rating: Nr

Product Details

• Amazon Sales Rank: #12041 in DVD
• Brand: Warner Brothers
• Released on: 2005-01-11
• Rating: NR (Not Rated)
• Aspect ratio: 1.78:1
• Formats: Box set, Closed-captioned, Color, DVD, NTSC
• Original language: English
• Subtitled in: English
• Number of discs: 5
• Running time: 600 minutes

Amazon.com
When it comes to delivering exciting and dramatic espionage stories, few do it as well as the British, as evidenced by the BBC's high-tech spy series MI-5 (known to U.K. audiences as Spooks). And the hit show's second season, which is compiled and well-annotated in this five-disc set, serves up more international intrigue while ratcheting up the drama in the lives of its main characters, most notably team leader Tom Quinn (Matthew MacFayden). Season 2 opens quite literally with a bang, with Tom's girlfriend and young daughter are trapped inside their house with a booby-trapped laptop set to explode ("Legitimate Targets"). From there, the tension escalates in each episode, with the MI-5 team facing extremists ("Nest of Angels"), computer espionage ("Hackers"), and illegal arms trading ("Clean Skin"). But the series' most intriguing wrinkle comes in its final episodes, starting with a visit by the U.S. President, and concluding with a cliffhanger season closer that calls Tom's loyalty into question. Solid performances by the program's cast and intelligent scripting should help boost MI-5's rapidly growing and rabidly loyal viewership, who should also appreciate the extensive supplemental features in this boxed set. As with the previous MI-5 set, all 10 episodes are uncut and presented in widescreen format, with commentary by cast and crew, nine behind-the-scenes featurettes, and two hours of deleted scenes chief among the bonus material. --Paul Gaita

Customer Reviews

A Great Show Gets Better
I continue to be riveted by this show. There is no show on television in America that presents a truer picture of what it means to serve your country in the War on Terror. This season ratchets up the suspense and personal angst of the main characters. There were times as I watched this show that I was literally floored by the actions of these men and women, the lengths they were willing to go in order to do their job as they saw it should be done. Matthew MacFadyen once again turns in a bravura performance and by the end of the season you are actually on the edge of your seat to know what happens. This series continues to be one of the most well-acted and well-written spy shows I have ever seen. Should not be missed by anyone who loves great drama and the spy thriller genre.

Simply the best show on TV
The BBC nails another one. This is the best show on television. If you like 24, this is better. The writing is more crisp, the plots believable and exciting, and the acting is far better than anything on American tv. You don't get scenery chewing 101, you get real characters with wit and intelligence who occasionally screw up.
This show makes Alias look like Romper Room. These 1-hour versions give you the WHOLE show, not the 44-minute A&E butcher jobs. It's like watching a densely plotted mini movie with continuing characters. Macfadyen, Hawes, and Firth are terrific, etching flawed but believable characters. Wonderful stuff.

Great shows all around until a slightly confusing season finale.
The fabulous cast, ambitious stories and dry humour all return in Series 2 of this hit UK show.

The arc of the quality here seems to be the complete reverse of Series 1. While I enjoyed both series, Series 1 had been marred by a pilot that made precious little sense and carried almost no sense of danger. Series 2 starts off on a roll and retains its momentum all the way until the final episode, when a somewhat contrived plot, too much exposition and a forced ending (which the writer admits was necessitated by a question about whether a cast member would return for Series 3) mar the enjoyment.

But it remains a strong 10 episodes. All the talent involved -- directors, writers, actors -- appear to be more comfortable since the template of the show was already so clear from the first series. Matthew MacFadyen is given more of a chance to chomp scenery, and he excels at it -- his marvellous way with confrontational dialogue is made more enjoyable by the fact that he still has that boyish face which sometimes can sneak into '80s Tom Cruise territory, but when he turns on the heat, MacFadyen's intensity is electrifying. Keeley Hawes still has the ability to light up the screen with her English-rose beauty, but she's also given a mix of a heartbreaking subplot as well as some deadpan jokes, both of which she delivers with aplomb. Megan Dodds is superb as CIA agent Christine Dale, an oddball cross of mischievous schoolgirl and vicious ice goddess. The fact that she never completely slides into either role makes her endlessly interesting to watch, and Dodds makes for a much stronger romantic interest for MacFadyen than Series 1's Esther Hall (Ellie).

David Oyelowo is sadly given less emphasis in this series, but Peter Firth remains great as head spook Harry Pearce, and the loss of Jenny Agutter was really no big deal, the role of Tessa being too one-dimensional to be interesting anyway. The "older woman" role is filled by new addition Nicola Walker, whose energy fits the cast much better. Also new to the cast is Shauna Macdonald, a vibrant young Scottish actress who walks off with some of the funniest moments in the show. This sense of humour continues to carve MI-5 an identity distinct from that of the American spy show, 24, despite the similarities. In Series 2, MI-5 further indulges in its unique strengths: Since this show doesn't shy away from using real names, real countries and real causes (nothing like 24 Season 2's "these three Arab countries" device here), this lends MI-5 a huge degree of verisimilitude which serves to make us even more on edge. Let's face it, it's much more engaging, and liberating, to be able to hear "Libya" or "President Bush and Tony Blair" on the show than vague references to "Arab countries" and "the Prime Minister and the Ambassador". I suppose American TV doesn't trust the audience to be willing to accept the idea of using real names in fiction, so when MI-5 throws you an episode where the Prime Minister and the royal family of Britain are all presumed dead, it's exhilarating to watch.

My only grudge is with the final episode. Again, it's the classic TV dilemma -- how do you deal with the potential departure of a central actor? The episode is bogged down by the need to have an open-ended ending which allows them the freedom to bring the actor back (or otherwise). But it's still moving in many places, especially the Romeo and Juliet trials and tribulations between Tom Quinn and Christine Dale, compounded by the fracture of the Harry-Tom-Zoe-Danny axis.

A great show, and I can't wait for Series 3 to arrive.