Product Description

Locke & Key tells of Keyhouse, an unlikely New England mansion, with fantastic doors that transform all who dare to walk through them.... and home to a hate-filled and relentless creature that will not rest until it forces open the most terrible door of them all...! Acclaimed suspense novelist and New York Times best-selling author Joe Hill (Heart-Shaped Box) creates an all-new story of dark fantasy and wonder, with astounding artwork from Gabriel Rodriguez.

Product Details

• Amazon Sales Rank: #6729 in Books
• Published on: 2008-10-08
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 152 pages

Features

• ISBN13: 9781600102370
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Novelist Hill, author of Heart-Shaped Box, crafts a gripping account of the shattered Locke family's attempt to rebuild after the father/husband is murdered by a deranged high school student and the family subsequently moving in with the deceased father's brother at the family homestead in Maine. But as anyone who has read horror fiction in the past 70-odd years will tell you, it's a bad idea to try to leave behind the gruesome goings-on in your life by moving to an island named Lovecraft. What begins as a study in coping with grief soon veers into creepy territory as the youngest Locke discovers a doorway with decidedly spectral qualities, along with a well that houses someone or something that desperately wants out and will use any means available to gain freedom, including summoning the teenage murderer who set events in motion in the first place. To say more would give away many of the surprises the creative team provides, but this first of hopefully several volumes delivers on all counts, boasting a solid story bolstered by exceptional work from Chilean artist Rodriguez (Clive Barker's The Great and Secret Show) that resembles a fusion of Rick Geary and Cully Hamner with just a dash of Frank Quitely. (Oct.)
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Customer Reviews

Don't Go Through That Door!
I'm harder to scare these days than when I was a kid and horror movies were still black and white and filled with trademark Hollywood monsters. Currently, I've been through a plethora of Dracula, Frankenstein, Wolfman, and ghost movies and their spawn. It takes a lot to scare me these days.

Then Hollywood introduced me to FRIDAY THE 13TH, HALLOWEEN, and NIGHTMARE ON ELM STREET. George C. Scott's THE CHANGELING totally creeped me out, and Steven Spielberg's POLTERGEIST taught me to fear my television. Then I watched adaptations of Thomas Harris's novels, RED DRAGON and SILENCE OF THE LAMBS and learned to fear serial killers that were really among us.

However, I have to admit that somewhere in there I became jaded. I started watching horror movies for special effects and the snappy one-liners that became so popular. I ended up laughing through most of them.

Like I said, I'm hard to scare. Of course, I can still scare myself pretty good. Let me curl up at night with a Stephen King book or one of Joseph Delaney's THE LAST APPRENTICE YA novels, and I can give myself a case of the willies. These books, thankfully, still deliver the sheer, enervating atmosphere necessary to amp up my adrenaline gland.

But I found a new fear-inducer in Joe Hill. I discovered him in HEART-SHAPED BOX and got totally weirded out listening to that novel on audiobook. Then I got my hands on the first issue of his comic book series, LOCKE & KEY.

Imagine a family that falls victim to what appears to be a deranged teenager looking for some payback. That's pretty horrific by today's standards because the news is full of lethal teens - and others. This could happen, so I wasn't immediately getting the spook vibe.

The story is harsh and emotional. I felt Ty, Kinsey, and Bodie's pain over losing their father to violence. The way that Joe cut the action between the past and present really upped the suspense and impending feeling of doom. Gabriel Rodriguez's art is loose and captivating, and he plays with angles that pulled me right into the frames and turned them into movies. I was THERE, inside the story on several occasions. And I wasn't comfortable being there. Especially in the scenes when Bodie was talking to the thing in the wellhouse!

As it turns out, though, the teen that planned the murder of Papa Locke wasn't entirely there out of vengeance. He had made a pact with the thing in the wellhouse, and that just spins the whole story on its ear.

After their father's murder, the kids end up at the Locke House, a place so riddled with mysteries that Joe says he's got 70 issues plotted out for those bewitched doors, nooks, and crannies already. Personally, I can't wait. I love the puzzles and the mysteries, as well as the fact that THINGS are lurking inside the house and waiting to spring out on unwary victims.

Joe and Gabriel have created a whole WORLD of spine-chilling entertainment to come. It's no surprise that Dimension Films has already snapped up the film rights to the property, or that IDW publishing had to reprint the issues several times. I expect they'll have to reprint the new hardcover graphic novel as well, but I didn't take any chances - I've got my copy already.

In the various issues, Joe shifts the point of view around from Ty to Bodie to Kinsey, and all of them achieve a distinct voice that bring a different flavor to the emerging story. When I read the graphic novel all at once, the voices didn't quite stand out as much as waiting a month between, but that's only because I was trying to get to the end of the story faster and faster. I'd read the first three issues, then couldn't get my hands on the last three, so I was desperate to know what happened next.

The suspense ratchets up like a whipsaw rollercoaster cresting the top of the final plunge leading to a white-knuckled grip (thank God the book is a hardcover or it wouldn't have survived the read!).

I couldn't stop reading, and now I can't wait for the next volume in the Locke family's adventures. The old house as a lot of life (and UNLIFE) still waiting to be discovered and feared.

Horror fans will love this book because it delivers every delicious thrill and chill a reader could want. And Gabriel's art is absolutely eye-popping, alternately beautiful and then gruesome. LOCKE & Key is a definite, pulses-pounding winner.

Tremendous offering...a little bit of everything
I knew nothing of this book when I got it. In fact, I erroneously believed it to be a graphic adaptation of some of H.P. Lovecraft's stories. I was wrong, but the impulse buy paid off because this is some of the richest narrative and illustration you will find in any graphic novel of the horror genre.

I won't go into the storyline, because Mel Odom covers that pretty well in his review. What I will say is that there is tremendous depth in the characters, and the way Joe Hill uses the flashbacks to gradually reveal the plot's details rather than follow a linear progression makes this even more readable than it is. I suppose it could be conceived by some as a little jarring the way Hill bounces back and forth between past and present, but as long as you pay attention, I feel it only adds to the uniqueness of the tale.

I was completely pulled in from the first few pages thanks to Gabriel Rodriguez's stunning visuals and Hill's compelling story. I read it once...then again and once again the day I got it, finding something I missed each time. There is so much subtlety in the way the tale unravels, and you just know that Hill has much more of Lovecraft and the Locke family yet to reveal when the final page is turned.

I say this story has a little bit of everything because it does: the sociopathic killer who murders his victims without emotion, just staying on task and mission to get what he's after. The ghost/phantasm theme involving the books narrator, the elementary school-aged Bode. The monster living at the bottom of the well and the way she manipulates Bode and the killer Sam to further her own secret ends.

I've read that Dimension Films has already secured the rights to the Locke & Key franchise, and I'm looking forward to seeing this chilling tale re-told on the big screen.

The Key House and the Thing that Wants it All
Many things happen when we take trips down memory lane. Fortuately for most of us, they don't involve a shadow that looks like a beautiful woman but that is far from beautiful living in a wellhouse, a house that isn't really a house but is more of a portal that goes anywhere - depending on what key you have and what door you plan on opening with it, and a deathtrap that is willing to kill us just to get someone that carries our bloodline back between four wallks. For others, however, its Welcome to Lovecraft, a fun little place where fantastic things like spirit walks do happen and where, if we are really lucky, a psychotic might happen to come and try to track us down!

After reading this, Head Games, and beginning the third installment in the series, I can say that this series has quite a bit to give. It all starts here, however, and it starts out rather violently. One of the things I like about the violents that starts this trend toward the keyhouse is that it does not go away easily, either, but that it shapes our characters and makes them into the people we grow attached to. When the youngest of the siblings finds a door that allows him to roam in what he percieves as a good place, he thinks that it will let him meet up with his dead father. Other people think he his crazy, mind you, but the kid thinks this is just the way of the world. The same goes for making friends and finding out that a psycho is on the loose and looking for blood. The characters just don't know how deep those rivers run, nor do they understand just how dark the things that prowl the keyhouse really can be.

Another thing I really like about this story is that it is open enough to keep the readers in the dark for three books now, and yet it answers certain things at the end of each book. When this book starts, for example, the chaos seems boundless and the horrors seem like untapped wells. As we move forward, however, we see more and mroe of the players in a larger game but we really don't know what to expect from them. We only know that they want the keys to this proverbial kingdom and, given the chance, they would rend both time and space to get their hands on them. This is exactly what i love about the story - you really don't know what to expect nor should you - the world always larger than the dancefloor we envision. As I said before, I am now on the Crown of Shadows and, really, I am just starting to put some of the key pieces into place.
That says that a story is really good and really consuming - something you want and need in this day and age.

If you want something to read that will keep you thinking, that has all the elements of old horror and new horror combined, and that takes a noteable departure from the same old ,musty stories, then Welcome to Lovecraft is a beautiful butterfly to capture. It will keep you in its thrall, keep you going back through pages after you've read it, and make you want more. Either be willing to be addicted to something, back out of reading it, or just hunt for the keys in your spare time and slowly become addicted to the story. Either way, it is a great time in an odd place.