Product Description

Thou Art That is a compilation of previously uncollected essays and lectures by Joseph Campbell that focus on the Judeo-Christian tradition. Here Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology. According to Campbell, society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these metaphors as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy's classic interview with Campbell in The New York Times Magazine, which brought the scholar to the public's attention for the first time.

Product Details

• Amazon Sales Rank: #55591 in Books
• Published on: 2001-10-10
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 192 pages

Features

• ISBN13: 9781577312024
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
This collection of essays, lectures and discussions will delight both avid Campbell disciples eager for more of his thoughts and newcomers to his work on comparative mythology and religion. It is also a quick refresher course on some of Campbell's ideas about the Judeo-Christian tradition for those who have encountered him in his well-known Hero with a Thousand Faces or in his popular television series on the power of myth with Bill Moyers. This is not the polished writing of a scholar systematically presenting an argument. Rather, editor Kennedy urges the reader to approach this collection "as one would the classroom, or the study" in order to better enjoy the more energetic and spontaneous "master teacher" side of Campbell. The effect is to take the reader on a romp through the Judeo-Christian tradition a lightning-paced tour with an extremely knowledgeable and provocative guide to illuminate some intriguing, untrammeled paths. The most abiding theme of this collection is that Western religious traditions have suffered from taking their stories and symbols literally instead of metaphorically. Some chapters are dense with ideas and call for careful reading, while other sections are breathtakingly clear in describing mind-opening concepts. In either case, this is a book that will stretch readers to reconsider their interpretation of the stories and symbols of faith and the relationship between personal spirituality and institutional religion. (Oct. 15)Forecast: Although Campbell died in 1987, there is still tremendous interest in his work, which bodes well for this title, the first in New World Library's Collected Works of Joseph Campbell series. The book will have a 25,000-copy first printing and will be advertised in Utne Reader, New Age, Tricycle, Shambhala Sun and elsewhere.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Any book by Campbell must attract the attention of a broad public, given not only the continued success of his Hero with a Thousand Faces but also his series of televised interviews with Bill Moyers. This volume has been rather carefully assembled from his notes and concludes with a brief interview with Eugene Kennedy. While there are no revelations here, Campbell continues his forays into archetypal and Jungian readings of the motifs of world religions. For most collections.
Copyright 2001 Reed Business Information, Inc.

From Booklist
To launch an edition of the collected works of the comparative mythologist who gained celebrity in a series of televised conversations with Bill Moyers, Catholic journalist Kennedy has collated versions of six of Campbell's public lectures that sound his customary main themes while being more oriented to Judaism and Christianity than to other religions. The understanding of myth as religious metaphor, the experiencing of religious mystery through symbols, how myth elucidates the understanding of God, the role of the imagination in religious thought, how the myths and symbols of Judaism and Christianity define their conceptions of God and the sacred, and the cultural and psychological meanings of Christian symbols--these are the particular concerns of the lectures. Overarching them is the personal yet universal message of immanence implicit in the Sanskrit saying translated by the book's title, which is a statement locating the essential mystery of religion within the person--every person. Excerpts from postlecture question-and-answer periods and Kennedy's 1979 New York Times Magazine interview of Campbell round out a great way to start a series. Ray Olson
Copyright © American Library Association. All rights reserved

Customer Reviews

No Horizons In Space
THOU ART THAT is the first volume in THE COLLECTED WORKS OF JOSEPH CAMPBELL which contains materials gathered from previously uncollected essays, letters, diaries, articles and lectures. As such it presents a broad sampling of Campbell's work on mythology and the Western religions.

Campbell believes that the stories in the Bible should be read metaphorically. By interpreting events historically institutional religions create a problem. When people realize that the events probably did not take place, then the power of the message is diminished. Examples of such events are the Fall of Adam and Eve in the Garden of Eden and the Exodus from Egypt.

A fairly thorough discussion is introduced in Chapter VI of Judo-Christian symbols such as the Virgin Birth, Judas and the Flight into Egypt. Here we see why Campbell is so much admired for the breadth of his knowledge of mythology and his ability to bring this learning to bear on Jewish and Christian origins.

In one of the more interesting parts of the book Campbell describes the basic differences between the world religions of creed which are Buddhism, Christianity and Islam and the leading ethnic religions of birth which are Hinduism, Judaism and Shintoism.

Often Campbell points out that our ideas of the universe are being reordered by our experience in space. There are no horizons in space causing many people to retreat into fundamentalism.

For a small book THOU ART THAT is filled with much food for thought. I highly recommend it and am looking forward to reading future volumes in this series.

A pleasant taste of metaphor study.
This is a wonderful taste of the large, unpublished work of Campbell yet to be shared. I would recommend this book to those who want a good introduction to Campbell's work. Hopefully it will inspire them to read more about mythology and deepen their knowledge. This book is concerned mainly with mythos (meaning) versus logos (symbol) and how many people get caught up in symbols, thus missing the meaning (the mistake most fundamentalists are trapped in). As always with Campbell, his explanations are so eloquent and educated that one cannot help but want more. The only complaint I have about this book is its size--only 100 pages of Campbell's writing (mostly from lectures and notes). It certainly could have been expanded to twice that with very little effort. However, for those used to Campbell's written work, they will be pleasantly surprised how different his lecturing is.
One mistake the editor, and many a reviewer, make is to try and say that Campbell focuses on the Judeo-Christian aspect of symbol abuse. If one were to read all of Campbell's work, they would find this to be quite wrong. Campbell is not so shallow. His concern is mythology, all of it, world-round. In fact, the majority of his work focuses on primitive mythology. He certainly spoke and expounded on the Judeo-Christian aspect much in his lecturing, but this is mostly because that is what his audience was interested in, especially the new-agers who desperately clung to Campbell in the last decades of his life.
But I encourage those interested to dig deeper than this book into Campbell's work where can be found a rich, scholarly depth and breadth of mythos/logos study.

Finding new meaning in old metaphors.
"Mythology may, in a real sense, be defined as other people's religion," Joseph Campbell observes in this first volume of his Collected Works. "And religion may, in a sense, be understood as a popular misunderstanding of mythology" (p. 8). Campbell abandoned the Roman Catholic Church at age 25 when, as a student of mythology, "he felt the Church was teaching a literal and concrete faith that could not sustain an adult" (p. xvii). At his death in 1987, he left a significant body of unpublished work: uncollected articles, letters, diaries, notes, as well as recorded lectures (p. ix). This new volume is derived from that material and may be read as "an extended lecture" on finding new meaning in the metaphors of the Judeo-Christian tradition (p. xvi). Campbell examines the biblical myths, "not to dismiss them as unbelievable but to lay open once again their living and nourishing core" (p. xv).

"If we listen and look carefully," Campbell believed, "we discover ourselves in the literature, rites and symbols of others, even though at first they seem distorted and alien to us. Thou art that, Campbell would judge, citing the underlying spiritual intuition of his life and work" (pp. xii-xiii). Campbell makes a compelling argument in this book that the language of religion is metaphorical (p. 19), and that religious symbols "point past themselves to the ultimate truth which must be told: that life does not have any one absolutely fixed meaning" (pp. 8-9). He encourages us to search out the "deeper, vital meanings of symbols whose surfaces are so familiar that they have become static and brittle" (p. 43). For instance, the Virgin Birth may be viewed as a rebirth of spirit that everyone can experience, and the Promised Land may be viewed as the geography of the heart anyone can enter (p. xvii). The Kingdom of God is spread upon the earth, Campbell says, only men do not see it (p. 19). When they realize that, the end of the world as they know it has arrived (p. 83).

This book covers some familiar territory, which will provide readers new to Joseph Campbell with a good introduction to his work. Mythology, he writes, serves four functions. Myths awaken us to the mysteries of the universe (pp. 2, 24). They present us with a consistent image of the order of the cosmos (p. 3). Myths validate and support a specific moral order (p. 5), and they carry us through the passages and crises of life (p. 5). He encourages us to find our own paths through the forest, and to reach for the transcendent by studying poetry (p. 92). One must "search out one's own values and assume responsibility for one's own order of action and not simply follow orders handed down by some period past" (p. 30). "The heart," he tells us, "is the beginning of humanity" (p. 99).

Revisiting Campbell's ideas through this book reminded me how reading his HERO WITH A THOUSAND FACES (1949) and POWER OF MYTH (1988) were life changing experiences for me. My only real criticism of this book is that at just over 100 pages, it is too short. But as an inauguration to the Collected Works of Joseph Campbell, it should not be missed.

G. Merritt