Track Listing

1. It's On
2. Freak on a Leash
3. Got the Life
4. Dead Bodies Everywhere
5. Children Of The Korn (with Ice Cube)
6. B.B.K.
7. Pretty
8. All in the Family (with Fred Durst)
9. Reclaim my Place
10. Justin
11. Seed
12. Cameltosis (with Tre Hardson)
13. My Gift to You
14. Justin
15. Seed
16. Cameltosis
17. My Gift to You

Product Details

• Amazon Sales Rank: #3275 in Music
• Released on: 1998-08-18
• Number of discs: 1
• Format: Explicit Lyrics

Album Description
First 12 tracks are blank...music begins on track 13.

Amazon.com
Love 'em or despise 'em, you've got to give Korn props for kick-starting a new metal movement that blends aggressive hip-hop rhythms with roaring hate-metal riffs. In the wake of the band's 1994 debut, many like-minded groups cropped up, including Deftones, Snot, and Limp Bizkit. But with the release of Korn's disappointing 1996 sophomore effort, Life Is Peachy, the imitators seemed likely to usurp the innovators. Maybe that's why Follow the Leader is so crafty and inspired. Instead of continuing on cruise control, Korn have diversified their formula, experimenting with mood and dynamics while intensifying their melody and noise thresholds. "Got the Life" blends a seductive disco beat and vocals reminiscent of "Epic"-era Faith No More with oppressive guitar chimes and squawks. "Children of the Korn" features a propulsive rap beat, throbbing bass lines, and angry guest vocals by Ice Cube. But just when Korn's groovin' psychedelic fury starts to make listeners see red, the band lashes out with "All in the Family," a hilarious rap-metal diss-fest duet with Limp Bizkit's Fred Durst, that proves Korn are much more than the sum of their rage. --Jon Wiederhorn

Spin
Calling Korn the most political band around is precisely the kind of thing that would have the band themselves reaching for more ice coldies, then belching en masse. Even when they try to be funny, Korn are pathetic ... in a sort of a good way....

Customer Reviews

ANOTHER 90's CLASSIC!
This was the first CD I bought from KoRn a few weeks after it was released. Words cannot describe how truly amazing this album is. This is a must for everyone to own whether you are a KoRn fan or not. KoRn hit big making platinum with this CD and listening to it will sure explain why! It's remarkable. The band has matured since their self-titled debut album back in 1994. KoRn's experimental mixture from different genres of music are absolutely stunning. Besides sticking to Heavy Metal, KoRn play around in Hip-hop, funk, rap, and Disco music. Particularly in songs such as "Got the Life", "Children of the KoRn" with Icq Cube, and "All in the Family" with Limp Bizkit's Fred Durst. In my opinion, none of the tracks were boring. Head and Munky's guitar riffs; David and Fieldy's heavy drum, bass hits; and Jon's stunning vocals all manage to keep you far far away from the stop button on the stereo. The dark, eerie stories about Jon's life in each song leave a big impact at the end for everyone. In fact, they are so intense that "All in the Family" helps give out some comical-relief that can give out a few good laughs. If you are unfamiliar with KoRn or do not own any pf their CDs, then I recommend buying this CD first. You'll be as stunned as I was! It's brilliant! Go stick into the shopping cart!

Korn's most underrated and overrated album.
As I had just gotten used to being one of the only kid's in my school who like Korn, this cd came out. I knew from then that this would be an instant hit. Korn had so much of a fan base building up behind them, it was only a matter of time before people started noticing them. Which is just it: Korn get accused of "selling out" by people that helped them build that popularity. Instead of actually taking time to look into the depth of this release, people look at pety values surrounding it.

This album is an undeniable 90's classic. It combines Metal with Rap and with a little bit of funk. Munky and Head work out their best guitar riffs yet on songs like Seed and B.B.K. Jon's voice get's more mature on songs like Freak on a Leash and Justin.

Let's face it, the band grew, both in popularity and in skills. Back in '94 this album could not have been made because of the maturity put into this that Korn hadn't developed yet.

One funny thing I thought of was, at the time of this release, everyone was listening to Third Eye Blind and Matchbox 20 and crap like that. That stuff was mainstream. Korn broke in with an album that goes against every rule of mainstream, pave the way for every nu-metal band on the horizon, get rid of all the junk like the above mentioned and get accused of selling out and giving into the mainstream (mb20, 3rd eye blind)? Oh yeah, that's right, cuz this album is *just* like a Third Eye Blind album, isn't it?

Korn didn't give into mainstrean, they created an all new mainstream.

Let's try something..
Let's forget for a second that you saw them a million times on MTV. Forget that they "represent the birth of nu metal" and, with it, all that's wrong with society in this day and time. Forget how it's apparently cool to hate on popular bands that make it big time.
The men of the KoRn have an ability to create a wall of sound kind of effect. 7-string Ibanez guitars, and a loud bass that makes for a secondary drum kit sometimes. And who could forget the uber catchy, constantly changing, tribal drumming by David.
Try to *consciously* listen to any song in this album, and pay attention to what they do in the background. The small sounds, the subtle strumming here, a loud bass line there.. the constant change in rhythm. The breakdowns (yes, breakdowns, emo idiots).
KoRn are as experimental and creative as they get.
They may not be the most talented band in the universe, but they obviously put effort into not sounding repetitive, or boring the listener, and I appreciate that.
Every song in the album is worth a listen, but highlights include "Freak on a leash" (duh), "Seed", "Got the life", and the awesome "Reclaim my place".

Oh, and another thing. Stop comparing them to Megadeth, or Metallica, or any other metal band of their time. They've never tried to sound like them, and that's quite obvious.