Track Listing

1. Matthew & Son
2. The First Cut is the Deepest
3. Lady D'Arbanville
4. I've Got a Thing About Seeing My Grandson Grow Old (previously unreleased)
5. Wild World
6. Where Do the Children Play?
7. Hard Headed Woman
8. Father and Son
9. The Wind
10. Morning Has Broken
11. Moonshadow
12. Peace Train
13. Sitting
14. Can't Keep It In
15. Foreigner Suite (excpert)
16. Oh Very young
17. Another Saturday Night
18. Majik of Majiks
19. (Remember the Days of the) Old Schoolyard
20. Just Another Night

Product Details

• Amazon Sales Rank: #932 in Music
• Released on: 2000-03-28
• Number of discs: 1
• Format: Original recording remastered
• Dimensions: .23 pounds

Amazon.com essential recording
Kicking off A&M's ambitious Cat Stevens reissue program is this 20-song introduction. The set surveys all of Stevens's stages, from the orchestrated late-1960s sides through his early-'70s peak to his more eclectic late-1970s experiments. Following the progression makes for an interesting endeavor as Stevens learns to harness his ambitious ideas with arrangements that don't obscure his rhapsodic messages. Few artists of his generation were more gifted when it came to plucking timeless melodies out of thin air, and his sumptuous voice was always able to movingly convey his bittersweet lyrics. As a career overview (including one previously unreleased cut) this set achieves its goal, hitting all of the chart successes along the way and basically defining his role as a sensitive '70s singer-songwriter, but some fans may opt for the classic early-'70s studio records, which find Stevens at his most consistently touching. --Marc Greilsamer

Customer Reviews

Better Than Average Compilation from an Extraordinary Artist
This is a very comprehensive review of songs from throughout Stevens' career. Unlike his two "Greatest Hits" albums, this compilation does contain some of his mid-60s British hits before proceeding to the great songs from the early 70s that made him a world-wide superstar. It is also a treasure to have a "new" track in the never before released "I've Got A Thing About Seeing My Grandson..." It is notably not on the same scale as the other songs, however. But this does not diminish its worth. As far as his most recognized work, it's very well covered. Many folk oriented singer-songwriters from the 60s and 70s can sound dated, but songs like "Moonshadow" and "Peace Train" still sound crisp and relevant. This is mostly due to the strength and beauty of Cat's voice and the emotion he is able to convey. Finally, this compilation is smart enough to include at least one track from each of his lesser known but more spiritual albums of the mid to late seventies. This adds a completeness and also gives the listener a biographical sense of just where Cat Stevens was as a person when he chose to stop being "Cat Stevens". I definitely recommend this as a first step to rediscovering an artist who still ranks at the top of singer-songwriters to emerge in the last half of the last century.

This One's a Winner
By default this is the best single-disc anthology available from the artist formerly known as Cat Stevens. This release virtually duplicates the mid-Seventies Greatest Hits package--all but "Two Fine People" and "Ready"--and expands the original twelve tracks to twenty. Also, with A&M deleting many of the titles in its Classics series (including Cat Stevens' Classics Vol. 24), this new anthology is the pick of the litter.

The remastering is excellent and the song selection is solid. All of his biggest Seventies hits are here: "Wild World," "Peace Train," "Morning Has Broken," "Oh Very Young" and the Sam Cooke cover "Another Saturday Night." [However, you don't get ALL of his Top 40 hits. In addition to the two aforementioned hits dropped from the original Greatest Hits package, this also leaves off "The Hurt" (No. 31) from 1973. Other songs missing in action are his minor hits from the late Seventies--"Banapple Gas," "Bad Breaks" and "Was Dog a Doughnut."]

Also worth noting is Cat Stevens first charted in his native England four years before his intitial success in the U.S. with "Wild World" in 1971. In fact, Stevens charted in the U.K. six times between 1966 and 1970. Only "Matthew & Son," "The First Cut Is the Deepest" (a hit for Rod Stewart in 1977)and "Lady D'Arbanville" are from this period.

During the singer-songwriter era of the Seventies, Stevens held his own with the likes of James Taylor, Jim Croce, Carole King and Harry Nilsson, and created a substantial body of work. His introspective lyrics, catchy melodies and maple syrup voice were a winning combination. The twenty songs on this disc represent all facets of his career and if you're going to limit your purchases to one Cat Stevens CD, this is the one two own. RECOMMENDED

The 5th Time's The Charm
It is impossible to compile a single-disc greatest-hits compilation for Cat Stevens that will come close to satisfying all of his admirers. The Very Best of Cat Stevens is the fifth major attempt to do so and, like its predecessors, it is challenged by its subject's success.

Stevens was practically a permanent resident of the British and American pop charts from his debut as a teen star in 1966 until the late '70s when his conversion to Islam prompted him to abandon his music career. Add to the hit singles the many enormously popular album tracks and it becomes extremely difficult to identify the "very best" 20 songs.

The first Greatest Hits was released in 1975, too early to include material from the last three albums. It also ignored the early pop albums, excluding catchy hits like "Matthew & Son" and "Lady D'Arbanville." The second volume was dominated by weaker album tracks from the late albums. The Stevens edition of the A&M Classics series suffered from some peculiar song choices ("New York Times"?) and it, too, ignored the early albums. Remember Cat Stevens - The Ultimate Collection is the longest of the five (24 tracks) and may be the most comprehensive.

But The Very Best of Cat Stevens, released just a year later, has several advantages that make it more appealing. To begin with, it is the only compilation to sequence chronologically songs from every one of Stevens' albums, including the experimental Foreigner. It also contains the delightful folk creed "The Wind," which was a glaring omission from the so-called Ultimate Collection.

Most significantly, it contains the previously unreleased "I've Got a Thing About Seeing My Grandson Grow Old." Stevens recorded a demo of the song during the Mona Bone Jakon sessions in 1970, but it never saw the light of day until it was remixed for this collection.

Perhaps this was because it was considered too eccentric for public consumption, straddling the line between the hook-rich pop of Stevens' '60s records and the groundbreaking folk-rock of his '70s efforts. If so, the public was vastly underestimated. The song is a buried treasure that fits in perfectly in the company of Stevens' best work.