Track Listing

1. Wouldn't It Be Nice
2. You Still Believe In Me
3. That's Not Me
4. Don't Talk (Put Your Head On My Shoulder)
5. I'm Waiting For The Day
6. Let's Go Away For Awhile
7. Sloop John B
8. God Only Knows
9. I Know There's An Answer
10. Here Today
11. I Just Wasn't Made For These Times
12. Pet Sounds
13. Caroline No
14. Hang On To Your Ego - (bonus track)
15. Wouldn't It Be Nice (Stereo Mix)
16. You Still Believe In Me
17. That's Not Me
18. Don't Talk (Put Your Head On My Shoulder)
19. I'm Waiting For The Day
20. Let's Go Away For Awhile
21. Sloop John B
22. God Only Knows
23. I Know There's An Answer
24. Here Today
25. I Just Wasn't Made For These Times
26. Pet Sounds
27. Caroline No

Product Details

• Amazon Sales Rank: #999 in Music
• Brand: Beach
• Released on: 1999-07-13
• Number of discs: 1
• Formats: Extra tracks, Original recording reissued, Original recording remastered
• Dimensions: .24 pounds

Album Description
2000 HDCD remaster of the original MONO mixes. Does not include the bonus tracks that were on previous issues.

Amazon.com essential recording
If you need some pointy-headed pundit to sell you on the merits of Pet Sounds, your money might be better spent on an ear specialist. Brian Wilson's gift to 20th-century music elevated this pop album into a beguiling musical and emotional cogency that still operates outside pop culture's fickle space-time continuum--and limited critical lexicon. There's never been another record to compare (Rubber Soul, its inspiration, is close; Sgt. Pepper's, its response, misses the point), and certainly no album has been as dissected, overanalyzed, and predigested for public consumption. In 1997 Capitol Records devoted an entire four-disc box set, The Pet Sounds Sessions, to its thorough deconstruction. The techno-marvel centerpiece of that project--the album's first true stereo mix, painstakingly conjured out of multitape session sources by producer-engineer Mark Linett (under Wilson's supervision)--was at once heresy and revelation. Now the label has gratifyingly seen fit to offer both mixes on a single disc (along with alternate versions of "Hang On to Your Ego," the original title of "I Know There's An Answer"), an idea that should please the orthodox and heretics alike. And while the album has always clearly been The Brian Wilson Show featuring the Beach Boys, David Leaf's concise new notes attempt to be more inclusive of a wider band perspective. The result (three of the five band members claim credit for the album title) sometimes resembles Rashomon. If Pet Sounds forever crystallized the band's various creative (in)differences, it also became Wilson's grand karmic joke on his band mates; its burgeoning reputation (Mojo magazine's panel of pop experts once elected it greatest album of all time) guaranteed they would sing its songs--and praises--until the end. And if putting two different versions of the same album on one disc seems like overkill, look at the bright side: it's a perfect excuse to listen to the glorious Pet Sounds twice. --Jerry McCulley

Customer Reviews

Discivering Wilson's Pet
I'm a Beatles connoisseur. A die-hard. I've walked across Abbey Road (with a cigarette in hand, though it was too brisk to go barefoot), quaffed pints in the Reeperbahn, and could point out fifty "Paul is Dead" clues. I've burned through a bookshelf of biographies about the band and I noticed that the Beach Boys' 1966 album Pet Sounds is continually mentioned whenever the end of the Beatles' touring days and the start of their `studio years' is discussed. With its 40th anniversary looming I started to wonder about Pet Sounds.
I always dismissed the Beach Boys as a half-baked band who parlayed a bunch of sunny tunes into a bubblegum legacy. While Brian Wilson could be considered the group's only gifted musician, but the boys could definitely sing. Gorgeous harmonies filled their 45s, but their words were always about things which were alien to me like surfin' and California sunshine. So, why the hubbub surrounding Pet Sounds? "No one is educated musically until they've heard Pet Sounds...It is a total classic record that is unbeatable in many ways", Paul McCartney proclaimed. Wow. Powerful, yet not as bold as what Beatles Producer George Martin said: `Without Pet Sounds, Sgt. Pepper wouldn't have happened... Pepper was an attempt to equal Pet Sounds." What the hell made Beatle Paul, Sir George Martin, and countless other music luminaries bow to 1966's Pet Sounds? I was about to find out.
The other night I dug out my copy of Pet Sounds, which I half-heartedly listened to a few years ago before tossing it to the back of my collection, and I listened to it...and listened again. My original lukewarm judgment of the album mirrored the American record buyers of 1966 when LP peaked at #10 and failed to go gold. I spent the evening playing and replaying the album. A hearty auditory diet of Pet Sounds followed for the next few days. It became the soundtrack of my driving, my meals, and even my showering and shaving. The songs grew on me like a suntan-and I became more and more engulfed in its richness and splendor with each listen. As Pet Sounds connected with me through my earphones, I thought about how striking the sounds were and how naive I was to have dismissed them years ago....

After suffering two nervous breakdowns, twenty-three year old Brian Wilson stayed home in L.A. while the Beach Boys (with Glen Campbell filling in for Wilson) continued to tour in autumn of 1965. He suddenly had time to work on his new project- a project that was to show his newfangled musical vision- but was unsure of his direction until the Beatles' Rubber Soul became the catalyst for his new mission. "Rubber Soul was a collection of songs ... that somehow went together like no album ever made before, and I was very impressed. I said, 'That's it. I really am challenged to do a great album." Fueled by barbiturates and good vibrations, Brian Wilson diligently worked through January and early February 1966 with lyricist Tony Asher penning songs with lyrical themes which evoke both the passion of newly born love affairs and the disillusionment of futile romances. Brian looked beyond the conventional guitars and keyboards when he hired and recorded some of the industry's best session musicians to play the backing tracks for the new material. Breathy saxophones, rolling accordions, piping flutes, Baroque harpsichords, pounding tympanis, regal English and French horns, and even some melodious oddities like Coca-Cola bottles, bicycle bells, and a ghostly sounding theremin are all interwoven into the album's rich fabric. When his band mates returned from their three-week tour of Japan and Hawaii, they laid down the immaculate vocals that blanket the record.
The result is an astonishing and harmonious orgy of sound. Wilson painted a dense and melodic landscape whose hills far out number its valleys. Pet Sounds is a gem from the opening blissful guitar plucks of the youthful anthem Wouldn't it be Nice to the crestfallen sounds of the barking dogs and passing train of the dirge Caroline, No. Brian's buttery voice on You Still Believe in Me and Don't Talk (Put your Head on my Shoulder) sends shivers down my spine. The heavenly God Only Knows, with its wintry sleigh bells and clip-clop percussion, melting vocals and marriage of horns and strings, make this an album highlight. Brian hands younger brother Carl the lead and the band recorded one of the loveliest and most divine songs ever heard on a pop album. " It's a favorite of mine...very emotional, always a bit of a choker for me," McCartney said of the song. The song's unorthodox opening line of "If I should ever leave you," is the cherry on top of the sundae for me. Perfection.
Pet Sounds is the crest of Brian Wilson's wave. He was able to use inspiration from across the pond and thread it into a richly textured and intricate piece of stunning pop. It was his vision, his baby, his masterstroke. His soul breathes through the vinyl.

The Beach Boys changed my life
It sounds silly to say this, but the Beach Boys really did change my life...I'm not sure when exactly I discovered that they were more than the fun songs I heard on the oldies station when I drove somewhere with my parents.
But, reading an editorial in my local newspaper one day, I noticed they mentioned that Brian Wilson was a musical genius. This greatly intrigued me, and I just had to discover who this Brian Wilson guy was...then I continued reading and found that he was the leader of the very familiar band, The Beach Boys. I immediately found the one Beach Boys c.d. that my dad had and put it on, this time listening deeper than I had ever before listened to The Beach Boys. I found that whoever wrote the newspaper editorial was correct...Brian Wilson was a musical genius...amazing vocal harmonies...outstanding instrumental use...a different and creative sound...and simply great songwriting!
This epiphany occurred about two years ago, and has left me obsessed with Brian Wilson ever since...which is no easy thing to say when you're eighteen years old and everyone else around you is listening to Fall Out Boy and The All American Rejects...and I actually really like both of those bands...they're fun to listen to and I like them, but I can admit that it's not great music. And sometimes, when I'm listening to bands like them, I wish that bands did it the way they used to...more about the music and less about the image. Nowadays, it seems like vocals is not a big part of music...because, in most current bands, the drummers and guitarists are pretty good and the singers sound like crap...I miss hearing good voices...such as the sweet soaring sound of Brian Wilson's falsetto, and the sounds of other harmonic groups, such as The Mamas and the Papas...The Association...The Grass Roots...Crosby, Stills, Nash and Young...the Beatles.
Anyway, I'm well aware that I am very off-track here...I'm supposed to be talking about how awesome Pet Sounds is, not how I feel about every musical group ever! So, Pet Sounds...what can I say that hasn't already been said? It's an amazing album...I don't feel that any words can do it justice.
I've read a few reviews on this album that state that people just like Pet Sounds and say it's the best album of all time because that's what they've heard the "intellectuals" say. Ummm...no. I could really care less what these alleged "intellectuals" have to say...I feel that Pet Sounds is the greatest album of all time because listening to it makes me feel indescribably happy...that's all...it soothes me...takes my problems away...reassures me that everything's going to be okay...that's how I know that it's the greates album of all time. It may not be some people's kind of music, but that's fine...everyone has their own opinions...but if you're eighteen and you love The Beach Boys just as much as I do, even though none of your friends and peers can understand why, don't worry...you're not alone...you're in a very elite club full of the most awesome people on earth...just kidding...but honestly...be reassured because there are a few others out there.

Classic!! one of the great albums of the rock era!!
People tend to take the beach boys for granted, feeling that they are now a pathetic, tired, touring, surfing band, who had a few hits back in the sixties. I find this really sad. Im not the biggest beach boy fan (by no means), but this album right here changed rock music....You think the Beatles Sgt Pepper's changed music? Yea, it did; but if it wasn't for the classic PET SOUNDS album, the great Revolver and Sgt Pepper albums wouldn't have ever existed. Meticulously and beautifully crafted by lead singer, bassist, pianist, producer, and genius, Brian Wilson, this album combines extremely deep lyrical themes for that time period, combined with a great backing musical soundtrack. Every song on here rates from excellent to classic. The emotional depth in the music of this album, is so ahead of its time. But this is a surfing band!! Making a great album isnt possible for them!!...Well, the Beach Boys proved me (and if you listen to this album), you wrong. Every song on here is a beauty. The true standouts on the original 13 track album are "Wouldn't it be nice", "Don't talk(Put your head on my shoulder)" ,"I'm waiting for the day", "Lets Go Away For Awhile", "Sloop John B.", "God Only Knows".....crap, im going to name every song from the whole album!! The only negative about the album is a dated sound, because of the mono recording method Brian Wilson used; but after a few listens to the great musical intricacies of this album, you will see why i am praising it so much....believe me, if you like great music, this is a must buy; you wont be disappointed!!