Track Listing

1. Farewell
2. Pink
3. Woman on the Screen
4. Nothing Special
5. Blackout
6. Electric
7. Pseudo-Bread
8. Afterburner
9. Six, Three Times
10. My Machine
11. Just Abandoned My-Self

Product Details

• Brand: BORIS
• Released on: 2006-05-16
• Number of discs: 1
• Dimensions: .22 pounds

Album Description
Full length album from the Japanese noise-rock trio, first since "Akuma no Uta".

Customer Reviews

Roller-Coasting thru' Sludge, Noise, and Other Western Underground Sounds
This album is an absolute winner. Haven't heard anything this exciting on the metal side of things since last year's Pelican release. These Japanese avant-rockers take you on a queasy and supremely loud ride thru' the best of American and British rock styles of the last forty-odd years and do these styles as well as pretty much anyone has ever done them because Boris do psych, punk, metal, sludge, shoe-gazer, whatever (that's my preferred term for them right now: "whatever-metal") absolutely on their own terms.

You'll be able to get a good part of their story in last Sunday's NYTimes Magazine feature (May 28, 2006!!!) on Sunn O))) and their Southern Lord label. It's all about how bands like Boris and Sunn O))) are putting a new and surreal face on metal. No longer is it just a choice between hair metal and thrash metal, Metallica and grindcore, songs about decapitation and songs about world-loathing. Boris's self-described dada approach puts them at the vanguard of "metal" bands (you've got to use this term loosely with these bands, 'cos they are bound and determined not to be crammed into a box; the best ones definitely succeed). Mastodon uses free-jazz drumming behind their punishing grind, Pelican's instru-metal creates beauty out of ambient time and harmony shifts . . . Boris? Boris does it all with a constant layer of shifting feedback beneath the wall of sound (think a louder and meaner VU or Bloody Valentine). They can be as disorientingly slow as the Melvins (from whom they draw their namesake--a classic song on _Ozma_); the difference is that they have their own unique lyrical approach and take the feedback attack in a less monolithic direction than do the Melvins. They can slap you upside the head with the terse directness of Motorhead, replete with a stinging guitar solo from Wata (that rare metal creature--a woman lead player). Again, this isn't quite your uncle's Motorhead, though. The feedback beneath infinitizes the sound, as Emmanuel Levinas might say if he theorized metal.

Lest you think this is merely a tour of loud music courtesy of three skillful Japanese impresarios, I implore you to buy this album. Words can only begin to express the visceral, emotional, and intellectual sensations that this band evokes. As is the case with all the best music, metal or otherwise, this is music that begs to be FELT. Like I said at the beginning of the review, there's a good chance that this uncompromising music will make you feel queasy, like the best of roller-coaster rides. Ride it all the way through, though, and you have one unforgettable and addictive experience. You'll get on over and over again and feel a new rush every time you hit the mad bends, curves, and topsy-turvies of this one.

What else would you expect from these guys
Man. I love Boris. I love this album. A lot of people are saying it's got some pretty heavy shoegaze influence and I'm not about to deny that; It's pretty amazing that they can still rock just as hard (maybe even harder) than they did on either Akuma no Uta or Heavy Rocks while giving the sounds of bands like My Bloody valentine or Sigur Ros a go. Most importantly though, those MONSTER riffs that kept me listening to their previous efforts are still here.

Restore your faith in Rock and Roll
I had read that this was a good album, it got good reviews. I liked the title and the band name and the comparisons to Sunn O))). I wrote it down so that I would give it a listen in the record store a few months ago, but never got around to it. I have aged in the last few years and my tolerance for loud, fast music has started to wane. I really liked the Sunn O))) "Black One" record because it felt like metal, but without the drums. I have loved music that drones since I have discovered it. Sunn O))) is fun because it drones and has a quality of evil to it that is missing in rock music. I kind of thought that Boris was going to sound a lot like "Black One."
A couple of weeks ago I heard a track on KUSF, I think it must have been "just abandoned my-self" and was really impressed. It seemed like it played for about 20 minutes and I just kept listening. I was suprised I didn't change the channel. Luckily, they announced the band at the end of the song and I decided I was just going to get the CD.
The CD arrived and I was immediately impressed by the cover art. There are three pieces of beautiful blotter paper, one is a partial Bosch painting. I put the CD in the stereo and the first song, "Farewell" was totally different from what I expected. It is like the best shoegazer song you have ever heard. It sounded so good on the stereo that after about half of the song I turned it off and decided I was going to save this album for a time when I could actually sit and listen, it was that great. Last week I went camping and brought a crappy CD walkman, this album filled my evening in the pitch black. I haven't felt this excited about a rock band in a while. Boris in some ways are traditional hard rock, but so much better than anything else I have heard in years in this genre. After hearing "Farewell" which is just a beautiful track, I was expecting more of this, but the album rolls right into some heavy music with the next track "Pink." While this is pretty heavy and can probably pull a lot of energy out, it is also just as suitable as headphone music to zone out with. As I listened to the album, there were times I wanted to break out and bang my head (well, sort of), I was happy just listening to the variety of tones this group can pull out. The drums are fantastic. "Electric" even has a fun high-hat, nearly disco thing going on amidst a whirl of electric guitar. While, the Sunn O))) influence is present, it's not really near that. "blackout" is probably one of the best droning on songs I have ever heard. I was actually thinking more along the lines of every great rock band's best material all mixed up. I remember the first time I heard Jane's Addictions first "live" album and I can't even say that JA were this good. I was also thinking of Smashing Pumpkins very best heavy music, but without the cheese. I could also make comparisons to Pink Floyd, Black Sabbath, Sonic Youth, etc. This is better, at least it is at the moment (it's still new). I am looking forward to the Sunn O)))/Boris collaboration coming out soon. My only fault with this album that is I do believe it is so good, it deserves to be listened to very loudly, on very good stereo equipment with no other distractions, which might mean it isn't going to get listened to very often. But then I guess that is what makes it special. I would hate for any of these songs to be overplayed on the radio, not that I see that happening, it's too good for radio. Looking forward to seeing this band live and have a feeling they are probably not going to let anyone down.