Track Listing

1. Seven Nation Army
2. Black Math
3. There's No Home for You Here
4. I Just Don't Know What to Do With Myself
5. In the Cold, Cold Night
6. I Want to Be the Boy to Warm Your Mother's Heart
7. You've Got Her in Your Pocket
8. Ball and Biscuit
9. Hardest Button to Button
10. Little Acorns
11. Hypnotize
12. Air Near My Fingers
13. Girl, You Have No Faith in Medicine
14. It's True That We Love One Another

Product Details

• Amazon Sales Rank: #1564 in Music
• Released on: 2008-07-01
• Number of discs: 1

Album Description
Double colored vinyl. One white. One red.

Amazon.com
Jokingly referred to as the White Stripes' British album, Elephant is scattered with cultural references that give away the fact it was recorded far from home. Just listen to the lyrics on "Seven Nation Army" ("From the Queen of England to the hounds of Hell") or the album outro, in which someone chips in, "Jolly good, cup of tea?" But while there are new twists here, from Meg White discovering her voice to a tongue-in-cheek threesome with Holly Golightly, Elephant is no great departure for Jack and Meg White. They still push their creativity (and the boundaries of their eight-track) to new heights. Check out the startling, Queen-inspired "There's No Home for You Here," while the deep bass line on "Seven Nation Army" makes it a classic indie dance track. But while some songs fly off into new realms, there's plenty of their trademark straight-up bluesy rock, notably the overtly sexual "Ball and Biscuit." And there's Jack's plaintive, resolutely modest and yet theatrical voice. --Caroline Butler

Customer Reviews

I'm Impressed
Well, it's safe to say that I'm not a "hardcore fan" of the White Stripes per se. My obsession with the band has only just recently started after picking up my first album of theirs ('Elephant') just last week. I guess what first turned me onto them was their first single off the album, 'Seven Nation Army', that was receiving massive airplay on the radio and tv. I decided to take a chance on the CD seeing as it was already receiving great praise from practically every magazine on the shelve. And, I have to say, I was very impressed. It reminded me quite a bit of the older 60's rock in a way, but modernized to some extent. I was also amazed at the great variety of genres that are found on this disc, from the bluesy 'Ball & Biscuit' to the hard rock 'Black Math', the grunge 'Little Acorns' to the Burt Bacharach cover ('I Just Don't Know What To Do With Myself'). The White Stripes effectively explore all the far corners of rock & roll, and the end result is magnificent. And what's to say about Jack White's talent? Jack is an amazing guitarist, lyricist, and songwriter, and 'Elephant' is definite proof of this. And Meg's drumline, always present, superbly carries the tune. Both are extremely talented, and together have crafted a magnificent rock album. As for a comparison? Well, like I said before, this is my first album of theirs, and I'm unsure if this one is their superior. But it's safe to say that it was 'Elephant' that got me hooked on the White Stripes, and I'm glad that it was.

If it ain't broke don't fix it
It's the same White Stripes you've always known. Great garage rock mixed with folky acoustic songs. Somewhat odd song titles and somewhat odd lyrics. Still no bass (the "bass" on Seven Nation Army is actually a guitar). And who's complaining? Not a soul.

Despite how similar Elephant is to the rest of the White Stripes catalogue (in a couple instances songs even partially use the exact same chords and melodies as songs from White Blood Cells), it does show continued musical maturation and experimentation. In addition to longer, more creative solos, songs such as Black Math, There's No Home For You Here, and Ball and Biscuit show some changes to the White Stripes sound. Black Math juxtaposes a punk rock chord riff with a more heavy metal sounding guitar (like the acoustic and electric in Now Mary from White Blood Cells). There's No Room For You Here is almost a rewrite of Dead Leaves and the Dirty Ground until the music breaks off and there is only feedback and the chorus sung in harmony. Ball and Biscuit contains a classic blues riff repeated over and over, until it bursts into an amazing blistering solo. These songs are different from the normal White Stripes formula (is there such a thing?), and provide even more evidence of Jack White's songwriting skill.

Some fans of the hard garage rock songs may be turned off by the softer, acoustic/piano songs on here. There are three; You've Got Her in Your Pocket, In the Cold, Cold Night, and Well It's True That We Love One Another. Well It's True (a country sing-a-long type song, with Jack, Meg, and Holly singing to each other about Jack's love for Holly) is the worst song on the album, because of it's novelty. The others, however, are good acoustic songs, much like Hotel Yorba from White Blood Cells, although not as great. Even if you don't like these types of songs, I think the strength of the electric material would outweigh the acoustic, and you would like the album anyway.

The White Stripes have done it again. Another great garage rock album you can listen to on a day when you feel like banging your head and air guitaring (or playing real guitar, depending), without skipping a track. Any fan of White Blood Cells should buy Elephant without hesitation.

Same Sound, Same Great Result
There are things in life that we just don't want to see change because they're so damn good the way they are. They're comfort food for the soul. The White Stripes are such comfort food for me. Following up the massive breakout record White Blood Cells they've given us another fabulous record that bleeds classic White Stripes sound. . The title, Elephant, was chosen because the animal represents their personalities: regal, innocent, compassionate, and subtle. The musical rules are loosened a bit from the previous record's tight restrictions, but it's hardly anything new, even in the world of Jack and Meg White. IN the end it's still all about guitar and drums, indistinct relationships, and red and white outfits.

Jack's confidence as a songwriter really shows through. It's as Jack has stated an album about the death of the sweethearts (note the dying country lovers the album cover depicts) and, for the most part, the songs center around the ways of love, relationships, commitment and the rules that govern going about them. Nothing too new here, much like a lot of White Blood Cells lyric wise; personal with keeping enough hidden to still be mysterious.

The musical structure is quite familiar, but there's enough "new" elements to satisfy. They're quite comfortable with themselves and their musical formula and they should be because it works quite well. The first single and lead track "Seven Nation Army" kicks in with a false bass groove (guitar w/ pedal effect) and kicks the album to a charging start with the usual charging blues based riffs that have become Jack's trademark. The loud riffing continues on such songs as the building then bombastic "Hardest Button to Button", the crunching "Little Acorns", and the punk, could be hit single "Hypnotize". Then there's the softer side of Jack White with the acoustic, tender "You've Got Her in Your Pocket" and "Cold, Cold Night", which has Meg takes over on vocals.

The record just reminds me why the White Stripes are so much beyond just another garage revival band (not that the rest of the bands are without merit). Even with all the relationship rumors that float around the band and their personas they never pretend to be something they're not. Even with their simplistic musical styles they're still put out more a more interesting sound than the rest of the lot. The slow going evolution of Jack White's songwriting is certainly something to be excited about and I think they've yet to make their best record, but this one is pretty damn close if not.