Track Listing

1. My Rights Versus Yours
2. All The Old Showstoppers
3. Challengers
4. Myriad Harbour
5. All The Things That Go To Make Heaven And Earth
6. Failsafe
7. Unguided
8. Entering White Cecilia
9. Go Places
10. Mutiny, I Promise You
11. Adventures In Solitude
12. Spirit Of Giving, The

Product Details

• Amazon Sales Rank: #10971 in Music
• Released on: 2007-08-21
• Number of discs: 1

Amazon.com
Pay no attention to the reviews that imply the New Pornographers have "grown up" or "matured" or "drifted away" from the perfect-pop promise of their first three records. For if you throw darts at the songs on Challengers, an ambitious soundscape that had members of the all-star Canadian band recording their parts all over North America, you'll hit one flawless song after another. "All The Old Showstoppers," "All the Things That Go to Make Heaven and Earth," and "Mutiny, I Promise You" (with its driving Farfisa organ) all venture back to the infectiousness of the band's earlier records, with leader and chief songwriter A.C. Newman (now a Brooklyn native) penning some of the most thought-provoking lyrics this side of Billy Bragg. Yes, there are departures, including a string section, flute and harp, and Dan Bejar's foray into indie-pop hip-hop with the witty, New York-heavy "Myriad Harbour." But there's also Neko Case dominating the divine title track and equally charming "Go Places"" as only she can, Kathryn Calder making her lead-vocal debut on "Failsafe" and (with Newman) on the melancholy "Adventures in Solitude," and Newman using an ambitious six and a half minutes to write about his new home city ("Unguided"). Then, your 50 minutes--a dozen songs--are up, as is the conclusion: Grown up? Sure. Matured? OK. Still pop perfect? Utterly. --Scott Holter

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Customer Reviews

The Pornographers slow down the pace, but stay as brilliant as ever
The New Pornographers are two bands in one. On the one hand, there is the studio version of the band that includes non-touring members like the great Neko Case and Dan Bejar. Then there is the touring version of the band, that takes these amazing songs and performs them live. Both versions are centered around Carl Newman. He helps assure that the Pornographers are a great live band, even without its distinguished non-touring members, but with all members involved, this is one of the truly great studio bands in the world. CHALLENGERS is their fourth album. I honestly can't describe it as their best or their worst album. All four of their albums seem to me to be absolutely masterpieces and I was astonished to discover just how great this album has turned out to be. It isn't quite like earlier albums. For one thing, almost all the songs on CHALLENGERS are slower and statelier than almost any of the songs on previous albums. The first three cuts on the disc - "My Rights Versus Yours," "All the Old Showstoppers," and the title track represent the slowest beginning of any of their albums, but by no means are any of them weak songs. "All the Old Showstoppers" starts off almost delicately, but it gradually builds into a march as one new musical wrinkle after another is introduced to the mix. More than any other band, I would love to see these guys working on a recording. They are just dripping with talent and it would be wonderful to see who is responsible for introducing each new element. An individual song might be written initially by Newman or Bejar, but by the end of the recording process, it has been transformed into something that is obviously a group effort.

One of my fears before hearing this album (the various elements had been leaked onto the Internet over the past few months) was that Neko Case, whose solo career has been soaring, might opt out of the band. I was thrilled upon listening to this for the first time that not only has she not left the band, but contributed as much or more to this album as any other. She sings the lovely, lovely title track, which marvelously keeps the focus on her lovely voice. "Myriad Harbor" follows immediately after "Challengers," and while it doesn't frame her voice as intensely, it is still driven by her stellar singing.

While most of the songs are slower-paced compared to previous Pornographer albums, Newman's "All That Goes to Make Heaven and Earth" would be completely at home on any of the previous albums. Here it is one of the few hard driving songs. "Failsafe" slows things back down again (again focused on the singing of Neko Case).

All in all, I find this album focused a bit less on Carl Newman than previous Pornographer albums. I might have been troubled by this except all of the other members of the band seem to have stepped up to the plate. This might have been intentional. It could well be that this was more of a group effort by design. God knows that as great as Carl Newman is, this band has such a ludicrous amount of talent he could just skip the recording sessions and the rest of the band would undoubtedly produce another masterpiece. There are many collectives in rock these days, but none has the talent these guys do. And for the record, I want Carl Newman completely involved in all future recording sessions (though Carl, how about another solo album?).

I remain nervous for the future. The band's best known members all are quite successful in their own projects and with Carl Newman's moving from Vancouver to New York they are becoming more geographically dispersed. I love Neko Case. I would love to hear a new solo album by Carl Newman. And I have all of Destroyer's albums. But while I want more of each, I also want a fifth New Pornographer album. They are all great apart, but they are something truly miraculous together.

Challenging at First, but Ultimately Rewarding!
It's probably best to get it out of the way, so here it goes: the New Pornographers will probably never be able to create an album as good or better than "Twin Cinema." When "Twin Cinema" released around two years ago, I had never heard of this "supergroup" or any of the members to whom the label is attributed. But when I picked up the album on the insistence of several reviews and a preview listen, I knew that this was a band that was perfect for me. The power pop music that on that album was near-flawless and it remains just as exciting and powerful today as it was in 2005. So no, "Challengers" is not better or as good as "Twin Cinema." But once you get over that fact, you'll find an album that is great in its own right and definitely worth owning.

It starts off with the first single, "My Rights Versus Yours." I have to be honest, when I first listened to the song a few months ago I was not a fan. The song lacked the powerful hooks and grandiose climaxes that "Twin Cinema" flaunted on pretty much every song. Of course, since then I've been able to appreciate the song for it's absolutely beautiful lyrics, and relentless drive. Carl Newman's delivery is flawless as he sings "We hang suspended from the heights until it's safer to walk here." The hook is a bit weak in my opinion("The truth in one free afternoon"), but it really doesn't distract from this great song. "All the Old Showstoppers" continues the fantastic songwriting from the first track. It really feels like a group effort, especially by the time the bridge rolls around.

It runs head-on into the title track, "Challengers." It's not only one of my favorite tracks on the album, but probably one of my favorites of 2007. Neko Case takes over the vocals here, and she once again nails it. Each line, each note is sung perfectly with Carl harmonizing gently in the background. Everything about the song is beautiful, from Neko's declaration that "We are the challengers of the unknown!" to simple "Nah nah nahs" on the bridge. The song succeeds in being moving and poignant without the help of a chorus or any sort of climax. In my opinion, the song is just like one big climax, it starts off strong and never falters. Without a doubt, it is one of the most beautiful songs I've ever had the pleasure of listening to.

Dan Bejar's next up with his almost humorous, "Myriad Harbor." As he nonchalantly notes, "I took a plane, I took a train..." the rest of the band cuts him off with "Ah! Who cares? You always end up in the city!" By the time they're all singing "Look out upon the Myriad Harbor," chances are you're singing along right with them. The steady drumming and infectious guitars are complimented by some string instruments here, and it sounds awesome. Speaking of things sounding awesome, "All of the Things that Go to Make Heaven and Earth" is one of the few times on the album that The New Pornographers revert back to their wilder days. This up tempo power pop opus is quite an accomplishment, even for this band! The song sounds like it could've fit perfectly on Carl Newman's solo album, "The Slow Wonder," but the background vocals clearly make it a good fit here too.

The energy built up by that song is almost immediately brought to a halt by "Failsafe" in which Kathryn Calder finally makes her debut on a Pornographers record. Unfortunately, the song is pretty unmemorable. Her vocals aren't really the problem, as they're near-Neko quality and impressive. But the melody and the music surrounding it are misguided at best. I can't help but think that the song made the final cut simply because of Calder's notable presence. "Unguided" is also a song that seems out of place. At 6 1/2 minutes, it progresses slowly and really never pays off the way one would expect it to. There is definitely something at work here, especially when Neko Case finds her way into the song, but it still seems like it's missing something. In the end, it's lyrics are its only saving grace and it's worth listening to if only for that.

"Entering White Cecilia" is another song that is fronted by Bejar, but it sounds more like his main project, Destroyer, than The New Pornographers. Anyone who is familiar with Bejar's solo work knows that he loves to half-talk and rush a lot of his lines. In the context of Destroyer, it works well, but here it just sound like he's taking his fellow bandmates on a ride that they weren't totally down for. This is evidenced by the background vocalists awkwardly struggling to keep up with his erratic delivery. Even though the album takes a dip in quality for those three songs, the remainder of "Challengers" is great!

"Go Places" is a Case-fronted song in which she asserts "Yes, a heart will always stay one day too long, always hoping for the hot flashes to come." Again, she does a perfect job of delivering the vocals. The song climaxes at around the 2:30 mark, as Neko sings the chorus with passion and conviction. She continues to amaze me. "Mutiny, I Promise You" is an upbeat group effort whose woodwinds give it a very cool late-60s pop sound, at least for the song's introduction. In the chorus, the members ask "What's the weight of the world worth to ya'?" in traditional Pornographers form. It's a very cool song.

"Adventures In Solitude" is another Newman-fronted balled, whose beauty and poignancy rivals "Challengers." Newman's subdued singing of "We thought we lost you...welcome back," is countered beautifully in the bridge as the song picks up and Neko takes over the vocal duties. Violins are added here, and they once again integrate perfectly with the band. The album ends with "The Spirit of Giving," in which Bejar makes his third appearance on the album, singing "I'll give you something to be sad about. It's your turn to go down now!" The song features everything from a trumpet to an accordion, and it ends the album in an almost triumphant way. It leaves you feeling good about what you just listened to, and gives you a reason to listen to it all over again.

Perhaps my biggest complaint about "Challengers" is that many of the songs sound like they are not group efforts. In many cases it sounds like Neko wrote a few Neko Case Songs, Carl wrote a few A.C. Newman songs, and Dan wrote a few Destroyer songs and then everybody added background vocals, a little bit of drums, some guitars, and then called it a day. "Challengers" is nowhere near as cohesive, focused, or exciting as it's predecessors. At the same time, however, it is more creative and risky than any of the group's other three albums. Like I said, once you get over the fact that it's no "Twin Cinema," "Challengers" reveals itself for what it truly is; another great album from The New Pornographers and one of 2007's best!

Key Tracks:
1. "My Rights Versus Yours"
2. "Challengers"
3. "Myriad Harbor"
4. "All of the Things that Go to Make Heaven and Earth"
5. "Adventures in Solitude"

7 out of 10 Stars

Different - but the same, - and still excellent.
Tell me something. Did the Beatles sound the same on "Rubber Soul" as they did on "Meet the Beatles"? No, of course not. Does that make "Rubber Soul" any less interesting of an album? Quite the opposite. The same goes for the New Pornographers' latest release which, like the Fab Four's middle period albums, has more variety and subtlety than their early albums, but still retains the pop song artistry that they've been known for in the past. Actually, they've always had their slower, quieter side on a few songs from previous albums, so this transition shouldn't be completely unexpected by NP fans. And of course, they deliver the goods (meaning manic rockin' out) the same as they've ever done on at least two or three tracks here. So now we also have the opportunity to rest a bit between bop sessions. Is there a problem with that? Not for me.