Product Description

Calvin and Hobbes books have taken the country by storm and here's the biggest, brightest one yet! Calvin and Hobbest soared to the top of the bestseller lists in its first month of publication, selling a million copies within 9 months of publication. Something Under The Bed Is Drooling exploded out of the stores, selling nearly a million copies within the first month of publication! Now, those two books are brought together in this over-size anthology-type book. Adding to the fun in The Essential Calvin and Hobbes are an original 16-page story and color Sunday cartoons.

Product Details

• Amazon Sales Rank: #21150 in Books
• Published on: 1988-01-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

Features

• ISBN13: 9780836218053
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Customer Reviews

Great collection and a great bargain
Calvin & Hobbes was so popular during its run that people never needed to explain what the strip was about to anyone; it's been a couple of years and with the exception of little kids, people seem to remember the strip for the most part. So, all I'll say about this collection is that it is the preferable purchase over the first two books, the self-titled "Calvin & Hobbes" and "Something Under The Bed Is Drooling." Why? "The Essential Calvin and Hobbes" actually collects every single strip from those two books (it's NOT a best of, as some people would say), and most importantly, the Sunday strips are in color. Hands down, Watterson painted the most beautiful looking Sunday strips since Walt Kelly, and it would be a shame if you only knew them through the black and white reproductions of the smaller collections. It's also cheaper to buy this book instead of the first two, as well. As a special bonus, Watterson included a nice, water-colored poem at the beginning, which isn't available anywhere else.

The book that introduced me to a legend
Watterson's talent is pretty hard to get over. What's the big idea, making a cartoon so consisently funny, explosively creative and accessibly brilliant that no other cartoonist could ever hope to match wits? When I saw the first Calvin strips in my paper several years ago, I knew it was something special. Here's a little kid more clever than most adults, whose stuffed friend comes to life and has philosophical debates with him while they careen down a gully in a wagon.

Calvin and Hobbes is more than a comic strip, and that's what makes it so special. Far Side and Dilbert are clever and hilarious as well, but Calvin's creator has an artistic talent that will not be confined. The everyday life of his six-year-old protagonist is frequently spliced with daydreams--Spaceman Spiff, Dinosaurs, etc.--which are consistently staggering in their rendering. It's art good enough for Marvel but stylistically superior. In the later years he was arguing with newspapers for half- or full-page spaces that would do his work justice.

What impresses me perhaps the most about Watterson, though, is his integrity. From the great beginning that is this book, up through the end, he refused to have his art form violated by commercialism. Calvin will be found ONLY on the printed page, not on TV, not on a baseball cap (save the amateur ones), not in a breakfast cereal, nor action figures, nor a fanclub, nor a box of fruit snacks. Watterson was true to the integrity of his character. What's more, he quit while he was ahead--before his strip could become repetitive, but after its potential had been fully explored.

So buy this book, if you haven't already. In fact, do yourself a favor and buy every Calvin collection, because each is completely flawless. Calvin and Hobbes is the best cartoon that ever was, and it's the best cartoon that will ever be. I'd bet my sense of humor on it.

A fantastic collection of early Calvin and Hobbes comics
The Essential Calvin and Hobbes, first published in 1988, is chock full of early Calvin and Hobbes comic strips. No cartoonist, not even Charles Schultz, has captured the magical essence of childhood the way Bill Watterson did in this strip, and it should come as no surprise (although it did to Watterson) that Calvin and Hobbes quickly developed an incredibly loyal following. This strip went way beyond mere popularity. While I was in college, the campus newspaper decided to stop running Calvin and Hobbes (I think this was during one of Watterson's sabbaticals) - this resulted in nothing less than a furor on campus, as countless students immediately demanded the return of C&H. In a matter of days, Calvin and Hobbes were right back where they belonged.

How does a comic strip featuring a mischievous six-year-old boy and his stuffed tiger attract a fiercely loyal following of adults? Most adults would love to be children again, to know the freedom and sense of wonder that somehow withers inside the human soul after the onset of puberty. Calvin and Hobbes vividly recreates the feelings and emotions of the very essence of childhood. It brings back memories of things we forgot far too long ago, and it thus reawakens the deepest parts of our ever-hardening souls. Reading this comic strip is the next best thing to being a child yourself. Calvin does everything you used to do: he takes time to stomp in mud puddles, he lets his imagination run wild to make thrilling adventures out of even the most mundane tasks, he ponders the same deep questions you are now, as an adult, afraid to ask, he goes for the gusto no matter what sort of risk is involved, he is in every way a perfect specimen of childhood. Who, as a child, didn't pretend to be a dinosaur, walk around with a hideous expression in hopes of your facing freezing that way, tease the girls (or boys) you claimed to hate, journey to distant worlds unseen by human eyes, etc.?

Of course, Hobbes is just as important to the comic strip as Calvin. Hobbes is a tiger, Calvin's best and constant friend, a fellow partaker in the joys of childish innocence. To Calvin, Hobbes really is all that, and that is how we see him as well - until, that is, someone else comes into the frame, when he suddenly becomes nothing more than a stuffed animal. Watterson is a fantastic comic artist, and there is just something captivating about the way he draws Hobbes in his stuffed animal form. Everything about Watterson's art is fantastic, though, particularly the way it captures the emotions of its two principal characters.

Sadly, we have only ten years of comic memories in the form of Calvin and Hobbes, as the inscrutable Bill Watterson retired (around the age of 37) in 1995 and quite obviously has no plans of returning to the public arena. Watterson is actually frighteningly private and seems to be living a life of unmatched solitude. I find this extraordinarily sad: here is a man who captured the essence of childhood so vividly in the form of Calvin and Hobbes, a world bursting with life and possibilities, yet now he seems to have withdrawn from life itself. We must be thankful we do have as much Calvin and Hobbes material as we do, and The Essential Calvin and Hobbes, with 255 pages of black and white daily strips and color Sunday strips, features much more than just a chunk of it in and of itself.