Product Description

Over a century ago, a young boy left Wales and journeyed to America, where he started a small press, now known as Llewellyn Publications. Llewellyn George's adventurous spirit and Welsh heritage embodies The Llewellyn Tarot, which also celebrates the publisher's enduring legacy.

From the creator of the popular Legend: The Arthurian Tarot Kit, this lavishly illustrated deck offers universal appeal (based on Rider-Waite) with a Welsh twist. A compelling story unfolds starring Rhiannon as The Empress, Bran the Blessed as The Emperor, The Wild Herdsman as The Horned God (the Devil), Gwydion as The Magician, Llew Llaw Gyffes as the Bringer of Light, and other figures from Welsh mythology. Watercolor imagery beckons us forth into a mystic world of ancient forests, sensuous seascapes, and wondrous waterfalls-gorgeous landscapes brimming with mystery, meaning, and magic. Also included is The Llewellyn Tarot Companion, which features an introduction to the craft and history of tarot, along with Welsh legends infused in this deck.

Product Details

• Amazon Sales Rank: #90903 in Books
• Published on: 2006-09-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 264 pages

Features

• ISBN13: 9780738702995
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

About the Author
Anna-Marie Ferguson, a Scorpio, was born November 10, 1966, in the heart of the New Forest, Hampshire, England. When she was ten years old her family emigrated to rural Alberta, Canada. Anna returned to England in 1982 to undergo training in graphic design. She eventually returned to Alberta where she continued a career in design, devoting her spare time to developing her illustrating skills, ably assisted by her three cats.

Anna's fascination with Celtic legends and the Tarot began when she was a child in England. The atmosphere of the New Forest was steeped in history, and faithful readings of the legends cultivated an appreciation of "the romantic" in Anna. Such formative influences have inspired Anna to keep this bygone age alive through her art.

Customer Reviews

Destined for glory...
This is the only newly published tarot set I planned to purchase this year, and I was not disappointed. This is a loving tribute to the founder of Llewellyn publications. It could have easily been called the "Welsh Tarot". It is named after the now famous astrologer who established the prolific magical publisher.

Tarot is not new. This deck bears this in mind as the Minor arcana are careful reinterpretations of the Rider-Waite images. These symbols are now recognizable all over the world. Beginners can easily study and memorize the images.

Now, looking at the major Arcana, we get to the heart of the deck, as well as Celtic(Welsh) mythology. Other than the Mabinogion, very little is written concerning the subject. Miss Ferguson's accompaning book clearly tells of the Welsh Myth, with the "Gods" and larger than life personalities contained herein. One must see these images to truely appreciate them. The Star 17 is the most beautful I have ever seen!

The colors are warm, unlike the artist previous Arthurian Tarot. She has outdone that deck by leaps and bounds, creating images that are welcoming and endearing. One may wonder if she actually visited this Otherworld she talks about and illustrated it. In the great forest of Tarot decks. This one stands out like the tallest Sycamore.

Included in the set is the book and matching beaded Tarot protective bag. The cards themselves are a bit wider than average and a little too thin. I dont plan on reading with them often. As far as themed decks are concerned, this one is one of the best! Bravo Miss Ferguson!

Beautiful!
When I first heard that Llewellyn was putting out a deck titled after itself, I thought the concept sounded a little too gimmicky. Once I saw it, however, I reconsidered. The deck is based on Welsh mythology, in honor of the publisher's founder's Welsh roots, and is actually very artistically attractive and usable.

The first thing you will notice when you open this box set is that some extra bells and whistles have been put into the packaging. Anyone who has bought any of Llewellyn's recently published box sets will now be familiar with the standard inclusion of a paperback companion book, white card box, and sheer black bag. For their namesake deck they went a step further. The card box is decorated with a red dragon motif that matches the card backs and the bag is the fancy gold bag with beads you see in the picture.

Luckily, Llewellyn didn't stop at pretty packaging. Ferguson did a superb job, particularly on the major arcana. The structure of the majors and minors follows the Rider-Waite convention. Titles, suits and court cards are the same or only altered slightly, with the exception of the substitution of The Horned One for The Devil card. The imagery, however, often departs from the RWS counterparts. Each major shows a figure or scene from Welsh mythology, which is identified at the top of the card. They are done in very detailed and atmospheric water-color paints. These are beautiful cards, and the computer scans I've seen do not do them justice. Some of the scenes are fairly close to the RWS illustrations. Gwydion as The Magician, for example, is pictured in a pose very close to the RWS Magician. Others have been changed drastically. For example, Temperance has moved underwater, where a water nymph tends to her sacred well. The Universe is represented by an austere, starlit view of the mountain Cadair Idris. The dancing woman of the R-W card is honored by the faint image of a spirit woman against the snow.

After the luscious majors, the minors were a bit dissatisfying. The mythological theme of the majors is not carried over into the minors. Ferguson explains in the companion book that mythology is the realm of the majors, while the minors represent ordinary life. This seems reasonable to me, but I'm less convinced by her assertion that the minors should be "minor art in comparison to the trumps." The art is still nice, but definitely looks second-rate when viewed side-by-side with the trumps. There is not only less detail on the minors, but the style is also slightly changed. Whereas the majors all have soft lines, the minors are line drawings colored with water-color. I do not find the visible line drawings particularly appealing, but this is a matter of personal preference. The illustrations are RWS derived, but include a few changes. I particularly noticed that quite a few cards (the 5 of Swords, the 8 of Cups and several others) depicted women where RWS has a male figure.

As well as keywords for upright and reversed interpretations of each card, the companion book gives a decent short introduction to tarot, and includes enough about the myths associated with each trump to help people unfamiliar with Welsh mythology understand the card. Ferguson also includes a description of the traditional images found on each trump card. Clearly, Llewellyn was trying to make a deck that would be both usable by complete beginners and innovative enough to appeal to more experienced readers and collectors. The result is quite successful.

Llewellyn's Flagship Tarot Deck
This is not the first deck by Anna-Marie Ferguson. Previous to this she has "Legend: The Arthurian Tarot". Her artwork has graced the pages of books and has been exhibited in museums.

I must admit, her work is lovely and exquisite. Very detailed, the figures are full, graceful and inspired. Looking through this deck, it is well worth it for the artwork alone. But a tarot deck is much more than just lovely art. It needs to be functional and be able to illicit a response from both the client and the reader.

The book acknowledges Lewellyn Publishing's Welsh heritage as the inspiration for the topic of the deck. Llewellyn George, the founder of Llewellyn Publishing, was born in Wales, and was also a well known astrologer and theosophist. So, the inspiration from the Welsh tales become the foundation for this deck.

Ms. Ferguson is a member of the Arthurian Society and the Pendragon Society, and was a good choice for the research and attribution of this deck. Her background in these myths and legends lend to some good references and insightful attributions of the figures for this deck.

I needed to reference the book for some of the insights, as I was unsure where the author/artist was going with this. As an example, while Peredur is perfect for the Fool card, Ceridwen I needed to reference, and her attribution of "Queen of the Witches" as told by the folklorist Elias Owen put that into better perspective for me. The choice of "Taliesin" for Hierophant was interesting, softening the original Raider-Waite interpretations.

Yes, there is the word - softening. This deck softens many of the edges off the original interpretations of the Rider-Waite system. Reading through the interpretations of many of the cards, The Death Card, which is usually images that make some folks cringe, here is Arawn, and truly represents the meaning of evolution, change or transformation. While death is mentioned, the story that accompanies this card is more suggestive of the idea of change and evolution.

In the book, each of the Major Arcana cards has a story explaining the choice of the figure by retelling a shortened version of that figure. A nice touch, as it clearly helps the reader identify the elements suggested in the imagery and how to read the card.

The cards do follow the Raider-Waite system, with 21 recognizable Major Arcana cards, four suits of ten cards and four court cards. While some of the names of the Major Arcana cards are changed, they are still easily recognizable. The Court cards remain Page, Knight, Queen and King.

Again we return to the images on the cards. Going through the deck, the traditional elements of the cards are held on to. We have Swords, Wands, Cups and Pentacles. We see familiar elements, like the Two of Cups reflects the traditional meaning of lovers, often considered a minor lovers card. We even see some of the familiar imagery of the Raider-Waite deck. The Four of Pentacles is almost a dead ringer, with the figure seated, his feet on one each, he holds one in his lap, and one is above his head. Behind him is the images of a town/city. The meanings are, again, much softer than the original meaning of the card, and one which I think allows for more of a personal interpretation.

We also see some greater changes in some of the images. The Three of Pentacles is completely changed. Instead of the familiar scene of a "sculpture at work in a monastery" we see a woman sitting in a field sewing. A simpler design, but it still gets across the idea of skill or trade or one who is artistic.

If you are like me, and not all that familiar with the Welsh legends and major figures, the Major Arcana will take a bit to read through, examine and find the meanings, but I believe after a small learning curve, you will find this material easy to work with and lovely to read and understand.

I used this deck with a few clients, and they were not just impressed with the artwork but they also were fascinated with the stories and associations. I think this deck will fit well into my working decks.

Llewellyn has a winner here, with a lovely deck, original content and an easy to use product. I even love the golden patterned bag with the beaded accents that holds the deck. This will make a lovely presentation to students or as gifts for your favorite tarot reader. boudica