Product Description

Armed with a magical love potion and empowered by dazzling musical fantasies, struggling teen Timothy (dreamy Tanner Cohen, As the World Turns) turns his narrow-minded town gay and captures Jonathon (buff Nathaniel David Becker), the rugby jock of his dreams.

Also starring Wendy Robie (Twin Peaks), Broadway star Judy McLane (Mamma Mia), Zelda Willaims (House of D and daughter of Robin Williams), and Jill Larson (Opal on All My Children), Were the World Mine uses vibrant imagery, a first-rate cast, and innovative music to push modern gay cinema and musical film beyond expectation.

Director/writer/producer Tom Gustafson brings us his feature directorial debut in Were The World Mine. This critically acclaimed, multi-award winning film about the truth of love was inspired by his award-winning musical short Fairies, which has screened in over 75 International film festivals.

" It made my heart soar." - indieWIRE

Product Details

• Amazon Sales Rank: #11565 in DVD
• Brand: WOLFE VIDEO
• Released on: 2009-06-09
• Rating: Unrated
• Aspect ratio: 1.66:1
• Formats: Color, Dolby, DVD, NTSC, Widescreen
• Original language: English
• Number of discs: 1
• Running time: 95 minutes

Features

• WERE THE WORLD MINE - STANDARD COVER ART (DVD MOVIE)

Amazon.com
In Were the World Mine, the lovelorn lunacy of A Midsummer Night’s Dream spreads through an all-boys school and the town beyond when the gay boy playing Puck discovers a love potion just like that of the play. Timothy (Tanner Cohen) resists being cast as the fairy, but the mystical drama teacher Ms. Tebbit (Wendy Robie, Twin Peaks) persists because of his lovely singing voice. The words of Shakespeare seize upon Timothy’s mind and lead him to create a love potion--which he uses to capture the heart of the school’s star rugby player, but also to make everyone see the world through his eyes. Soon the rugby coach is pursuing the school principal, the principal’s wife swoons for Timothy’s mother, and the school jocks are prancing around like ballerinas. Were the World Mine is punctuated here and there with techno ballads and languorous, glittery fantasies, but it’s not exactly a musical--the songs are only vaguely woven into the story, and just when the action should accelerate everything turns a bit ponderous. Nonetheless there’s a great deal of charm (and half-dressed young men) to be found in Were the World Mine. The contrast between the kitchen-sink realism of Timothy’s real life and his LaChapelle-esque daydreams gives the movie an engaging dynamic. The cast is attractive and likable, particularly Zelda Williams as a bohemian friend of Timothy’s and Judy McLane as his mother. --Bret Fetzer

Review
WINNER of 10 Audience Awards !

WINNER of 11 Jury Awards !

Official selection of over 75 International Film Festivals !

"Enchanting! Endearing! Striking! Movie musical magic!" - The New York Times

"At times reminiscent of John Waters" - Miami Herald

"Critics' Pick - Must See!" - NewYork Magazine

"..succeeds as a rousing warm-hearted spectacle." - Hollywood Reporter

" Hedwig had better move over" - The Advocate --Updated

Customer Reviews

An inspired romp!
The premise of Were the World Mine is romantic comedy trope: character A yearns for the love and affection of unattainable character B, then though a series of hi-jinks, true love wins in the end. That is about where the comparison ends as everything else is turned on its ear in Tom Gustafson's big screen adaptation of his own short film Fairies.

The film's tagline, `If you could make someone love you, would you?' Is honestly, unexpectedly answered, "Yeah. Obviously."

The first twist to the romantic comedy trope is that the lead couple is two young men. In the film our put-upon hero Timothy (Tanner Cohen), is cast as Puck in his senior production of A Midsummer Night's Dream. During rehearsal, he happens on the recipe to recreate the flower, here called a pansy in a nice play on words, which Puck uses on Shakespeare's lovers. Timothy/Puck uses the pansy first on his unrequited crush Jonathon (Nathaniel David Becker), then on his classmates, and then the town, allowing everyone to see the world through his eyes. By the end of the film, as in Shakespeare's play, all is peace.

Of course, Timothy is hardly the usual trodden-down gay lead. This is not some Cinderella story with the homely, or even 'Hollywood Ugly' lead forlornly in love with someone quite beyond him; Timothy is a pretty boy himself. The object of his affection, Jonathon is not the typical, unattainable ideal man either. We are shown in subtle ways that he is just as interested in Timothy, as Timothy is in him. Oh, were things only a bit different, eh? Enter the pansy.

This is not an adaptation of Midsummer Night's Dream, but it does have plot points tacked on from that play. Helen Fielding did the same thing tacking on Jane Austen's plot from Pride and Prejudice to the novel Bridget Jones's Diary. Timothy at various points may is Puck, Oberon, Bottom and Helena. Perhaps that is the perfect descriptive combination for a young gay man, part fairy, imp, fool, and unrequited lover.

The musical fantasy sequences are not really fantasy, they are a part of the plot; magic spells that movie the story along.

The music and lyrics are inspired. Shakespeare interpolated and set to music, may hardly be revolutionary, but it is still quite fun and infectious. I find myself listening to the soundtrack repeatedly. Tanner Cohen is wonderful and has a slight sibilant 'S' that is quite endearing.

Tom Gustafson is definitely a director and writer to watch, he spins a fun, engaging yarn with genuine moments of poignancy. Some of the imagery in the film is iconic and arresting. It is hardy without flaws, but the the music and the performances buoy you along over those flaws. Cohen and Becker are especially good. I would not change a frame.

Well Worth Seeing and Listening to
As a straight, married 25 year old female, I suppose this is not the typical movie for me. I stumbled upon the music on Napster and, as an author of fantasy books, was intrigued by the cover (a boy wearing an unusual fairy costume). After listening to the soundtrack, I fell in love with it completely. The music is absolutely fantastic, Tanner Cohen's voice is a dream to listen to, and each song plays an important role in the overall movie. I even sing the songs to my 3 year old daughter (who loves the song "were the world mine", minus the "bad word" at the beginning, lol). Because it left the theater in my area the day I found out about the movie so I missed it, I actually drove all the way to New York City from Kentucky just to see this movie with a friend. It was well worth the drive. Even though it's a very simple premise, each moment is fitting and enjoyable. The only two negatives to me were that the tagline "If you could make someone love you, would you?" seemed like a "duh, no!" to me (because then it's not REAL love), but to Timothy it was a yes. I disagreed with that and did not truly enjoy the romance between the two boys until it proved real later on. The other disappointment was by my friend, who at the last scene freaked out on me whispering "You mean, Timothy doesn't sing again????" We just wanted to hear his voice more, he's so amazing!

I am definitely going to buy the DVD (despite the raised eyebrows I will most certainly get from people here!) because the movie was clean, fun, happy and very sweet. I'm sad it left the NY theater, because I might have taken the 13 hour trek again just to see it!

The New Gay Megahit
"Were the World Mine"
The New Gay Mega-Hit
Amos Lassen
By now most of you have heard about the new gay musical movie that is making waves everywhere. It seems that "Were the World Mine" is the movie of this year and from what I hear for years to come. Thomas Gustafson has directed a beautiful modern day and gay version of Shakespeare's "A Midsummer Night's Dream" replete with great music, beautiful cinematography, a wonderful cast and lots of homoeroticism.
Timothy (Tanner Cohen) is a gay boy who is a student in a private boys' school and he is secretly in love with super rugby jock, Jonathan (Nathaniel David Becker). Both boys are students in Ms. Tebbit's English class and she is a teacher who is determined to excite her students with literature. She decides to cast the two boys as the romantic leads in her summer production of the Shakespeare classic. She does as was done in Shakespearean times when males were cast in even the female roles and this riles the town people as well as the rugby coach. Timothy goes off into his gay fantasies but he can't seem to get the language of Shakespeare right and his teacher tells him to let the words work their magic on him and as he does this, he discovers a magic potion in the script that makes people gay. All it takes is one spritz of the potion to make a person utterly gay. The town where the school is located is populated by Christian fundamentalists and as opening night for the play grows closer, everyone becomes increasingly more nervous. Timothy uses his potion to make most of the town gay but first he begins with the object of his youthful lust, Jonathan. We see as Shakespeare said that "the course of true love never runs smooth".
What makes this film so interesting is that the director is relatively new but somehow everything comes together. Wendy Robie as the English teacher is every gay boy's dream of a high school instructor for one thing. Something else is the wonderful music and thirdly the homophobia we see is amazingly real. Even though there are elements that this is a fantasy, everything comes together. The acting is uniformly excellent and the direction is artful. The music and creative music combine to create a magical quality and the characterization, the plot twists and the story all contribute to the "what if" idea that the film presents. Even though the film is low budget, it exudes high quality. It is stylish and graceful, moving and poignant.
"Were the World Mine" is not a perfect film but it inspires with a wonderful concept with material that could have been quite heavy. It is the cast, above all else, that makes this film so memorable and the music is original and excellent. Even the ending which could use a little more explanation doesn't deter from the overall effect of "WTWM". The film was undoubtedly somewhat of a risk and Tom Gustafson met that risk with great aplomb and is to be commended for giving us a wonderful experience that will not be forgotten quickly. If there is a word that describes the film, it is "personality" of which it has plenty. There is energy galore and it makes a person feel good. I laughed, I was stunned visually and I was moved to tears by this film, The few flaws are overpowered by the creativity and "WTWM" moves gay cinema ahead to a place where it truly deserves to be as of late.
In closing, I just want to say that I am going to knock myself out to try to bring this amazing movie to Eureka Springs where the magic of the town and the magic of the film will come together to give us a movie going experience that I do not think we will ever forget. Stay tuned for updates.