Product Description

A sprawling epic of family faith power and oil THERE WILL BE BLOOD is set on the incendiary frontier of California s turn-of-the-century petroleum boom. The story chronicles the life and times of one Daniel Plainview (Daniel Day-Lewis) who transforms himself from a down-and-out silver miner raising a son on his own into a self-made oil tycoon. When Plainview gets a mysterious tip-off that there s a little town out West where an ocean of oil is oozing out of the ground he heads with his son H.W. (Dillon Freasier) to take their chances in dust-worn Little Boston. In this hardscrabble town where the main excitement centers around the holy roller church of charismatic preacher Eli Sunday (Paul Dano) Plainview and H.W. make their lucky strike. But even as the well raises all of their fortunes nothing will remain the same as conflicts escalate and every human value love hope community belief ambition and even the bond between father and son is imperiled by corruption deception and the flow of oil.System Requirements:Running Time: 158 minutesFormat: DVD MOVIE Genre: DRAMA/HISTORICAL EPIC Rating: R UPC: 097361325743 Manufacturer No: 132574

Product Details

• Amazon Sales Rank: #999 in DVD
• Brand: THERE WILL BE BLOOD - 2-DISC EDITION (DVD MOV
• Released on: 2008-04-08
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: Widescreen, Color, Dolby, Dubbed
• Original language: English
• Subtitled in: English, Spanish, French
• Dubbed in: French, Spanish
• Number of discs: 2
• Dimensions: .25 pounds
• Running time: 158 minutes

Amazon.com
Unmistakably a shot at greatness, Paul Thomas Anderson's There Will Be Blood succeeds in wild, explosive ways. The film digs into nothing less than the sources of peculiarly American kinds of ambition, corruption, and industry--and makes exhilarating cinema from it all. Although inspired by Upton Sinclair's 1927 novel Oil!, Anderson has crafted his own take on the material, focusing on a black-eyed, self-made oilman named Daniel Plainview (Daniel Day-Lewis), whose voracious appetite for oil turns him into a California tycoon in the early years of the 20th century. The early reels are a mesmerizing look at the getting of oil from the ground, an intensely physical process that later broadens into Plainview's equally indomitable urge to control land and power. Curious, diverting episodes accumulate during Plainview's rise: a mighty derrick fire (a bravura opportunity that Anderson, with the aid of cinematographer Robert Elswit, does not fail to meet), a visit from a long-lost brother (Kevin J. O'Connor), the ongoing involvement of Plainview's poker-faced adoptive son (Dillon Freasier). As the film progresses, it gravitates toward Plainview's rivalry with the local representative of God, a preacher named Eli Sunday (brimstone-spitting Paul Dano); religion and capitalism are thus presented not so much as opposing forces but as two sides of the same coin. And the worm in the apple here is less man's greed than his vanity. Anderson's offbeat take on all this--exemplified by the astonishing musical score by Jonny Greenwood--occasionally threatens to break the film apart, but even when it founders, it excites. As for Daniel Day-Lewis, his performance is Olivier-like in its grand scope and its attention to details of behavior; Plainview speaks in the rum-rich voice of John Huston, and squints with the wariness of Walter Huston. It's a fearsome performance, and the engine behind the film's relentless power. --Robert Horton

On the DVD
This two-disc Special Collector's Edition presents Paul Thomas Anderson's dazzling film on one disc (no commentary tracks), and about an hour's worth of extras on the other. One six-minute deleted sequence will be fascinating for TWBB fanatics, as it makes explicit a few things that are otherwise implicit in the film (perhaps that's why Anderson cut it); it involves the oil crew "fishing" for a lost drill, and Daniel Plainview (Oscar winner Daniel Day-Lewis) talking about Eli. Another brief deleted scene revolves around a haircut. A collection of vintage photographs and other kinds of research makes up 15 minutes worth of montage, and a section titled "Dailies Gone Wild" is an outtake from the late scene of Plainview and his adopted son in a restaurant with the oil men. Filling out the disc is a 26-minute silent picture, The Story of Petroleum, produced by the Department of the Interior in the 1920s. It's an unintentionally evocative film about the business of oil, made even more evocative by the use of Jonny Greenwood's spellbinding music. It has some amazing images (a sugar cube soaking up coffee, and man running alongside a pipeline), and you can imagine Anderson drawing inspiration from it. --Robert Horton

Customer Reviews

The history of greed in the oil business
This film was a little slow but I found myself engaged and entertained throughout. The main character is a trip, always talking about how much he hates people and how only sees their bad qualities. The guy basically does anything and everything possible to control as much oil as possible. It seemed to me an analogy of our country not just in our pursuit of oil, but the extent to which we exploit others for our own purposes.

Fine drama, confused in places
This is an intense study of a single minded oil man and his struggles and tests in reaching the top. It also shows the various delusions, brutalities and neglects he is a party to in his rise in his field.

Without some first rate acting, this film would not hold together. It has too many uneven elements and parts of the story do not fit as naturally as might be liked. That it remains a stunning piece of cinema is a tribute to everyone involved, but I strongly recommend people to watch and decide for themselves. At the very least, you will see some stunning acting and fine, affecting drama.

Boring.
There's a reason why nobody saw this movie until after the Oscars. Now, of course, all kinds of people are trying to tell you how great it is, but the fact is that it's boring, and the... let's call it "acting" done by Daniel Day Lewis is of about the same caliber as Jim Carey in "The Mask". If you like long, dull, depressing movies, filled with scenery-chewing and spastic over-acting, then this is for you. But really, why not save yourself some time, and just TELL everyone you "loved" it? Because really, that's what this movie is about- pretending you liked it so that everyone will know what a pretentious cineophile you are.