Product Description

In Tokyo, in Los Angeles, in Antarctica, in the Solomon Islands . . . an intelligence agent races to put all the pieces together to prevent a global catastrophe.

Product Details

• Amazon Sales Rank: #66562 in Books
• Published on: 2005-11-01
• Released on: 2005-10-25
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 672 pages

Features

• ISBN13: 9780061015731
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review

Amazon.com Exclusive Content

A Michael Crichton Timeline
Amazon.com reveals a few facts about the "father of the techno-thriller."

1942: John Michael Crichton is born in Chicago, Illinois on Oct. 23.

1960: Crichton graduates from Roslyn High School on Long Island, New York, with high marks and a reputation as a star basketball player. He decides to attend Harvard University to study English. During his studies, he rankles under his writing professors' criticism. As an act of rebellion, Crichton submits an essay by George Orwell as his own. The professor doesn’t catch the plagiarism and gives Orwell a B-. This experience convinces Crichton to change his field of study to anthropology.

1964: Crichton graduates summa cum laude from Harvard University in anthropology. After studying further as a visiting lecturer at Cambridge University and receiving the Henry Russell Shaw Travelling Fellowship, which allowed him to travel in Europe and North Africa, Crichton begins coursework at the Harvard School of Medicine. To help fund his medical endeavors, he writes spy thrillers under several pen names. One of these works, A Case of Need, wins the 1968 Mystery Writers of America's Edgar Allan Poe Award.

1969: Crichton graduates from Harvard Medical school and is accepted as a post-doctoral fellow at the Salk Institute for Biological Science in La Jolla, Calif. However, his career in medicine is waylaid by the publication of the first novel under his own name, The Andromeda Strain. The novel, about an apocalyptic plague, climbs high on bestseller lists and is later made into a popular film. Crichton said of his decision to pursue writing full time: "To quit medicine to become a writer struck most people like quitting the Supreme Court to become a bail bondsman."

1972: Crichton's second novel under his own name The Terminal Man, is published. Also, two of Crichton's previous works under his pen names, Dealing and A Case of Need are made into movies. After watching the filming, Crichton decides to try his hand at directing. He will eventually direct seven films including the 1973 science-fiction hit Westworld, which was the first film ever to use computer-generated effects.

1980: Crichton draws on his anthropology background and fascination with new technology to create Congo, a best-selling novel about a search for industrial diamonds and a new race of gorillas. The novel, patterned after the adventure writings of H. Ryder Haggard, updates the genre with the inclusion of high-tech gadgets that, although may seem quaint 20 years later, serve to set Crichton's work apart and he begins to cement his reputation as "the father of the techno-thriller."

1990: After the 1980s, which saw the publication of the underwater adventure Sphere (1987) and an invitation to become a visiting writer at the Massachusetts Institute of Technology (1988), Crichton begins the new decade with a bang via the publication of his most popular novel, Jurassic Park. The book is a powerful example of Crichton's use of science and technology as the bedrock for his work. Heady discussion of genetic engineering, chaos theory, and paleontology run throughout the tightly-wound thriller that strands a crew of scientists on an island populated by cloned dinosaurs run amok. The novel inspires the 1993 Steven Spielberg film, and together book and film will re-ignite the world’s fascination with dinosaurs.

1995: Crichton resurrects an idea from his medical school days to create the Emmy-Award Winning television series ER. In this year, ER won eight Emmys and Crichton received an award from the Producers Guild of America in the category of outstanding multi-episodic series. Set in an insanely busy an often dangerous Chicago emergency room, the fast-paced drama is defined by Crichton's now trademark use of technical expertise and insider jargon. The year also saw the publication of The Lost World returning readers to the dinosaur-infested island.

2000: In recognition for Crichton's contribution in popularizing paleontology, a dinosaur discovered in southern China is named after him. "Crichton's ankylosaur" is a small, armored plant-eating dinosaur that dates to the early Jurassic Period, about 180 million years ago. "For a person like me, this is much better than an Academy Award," Crichton said of the honor.

2004: Crichton’s newest thriller State of Fear is published.


Amazon.com's Significant Seven
Michael Crichton kindly agreed to take the life quiz we like to give to all our authors: the Amazon.com Significant Seven.

Q: What book has had the most significant impact on your life?
A: Prisoners of Childhood by Alice Miller

Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: Tao Te Ching by Lao Tzu (Witter Bynner version)
Symphony #2 in D Major by Johannes Brahms (Georg Solti)
Ikiru by Akira Kurosawa

Q: What is the worst lie you've ever told?
A: Surely you're joking.

Q: Describe the perfect writing environment.
A: Small room. Shades down. No daylight. No disturbances. Macintosh with a big screen. Plenty of coffee. Quiet.

Q: If you could write your own epitaph, what would it say?
A: I don't want an epitaph. If forced, I would say "Why Are You Here? Go Live Your Life."

Q: Who is the one person living or dead that you would like to have dinner with?
A: Benjamin Franklin

Q: If you could have one superpower what would it be?
A: Invisibility

From Bookmarks Magazine
State of Fear, Crichton’s 14th novel (Prey, **1/2 Mar/Apr 2003), is polarizing to say the least. Crichton’s obvious political intent rubbed several critics the wrong way; some felt that he sacrificed story and character to make his points. These points, however, resonated with others, who found the thriller form an effective way to pose questions about the politicization of post-Cold War science to a large audience. Most agree that Crichton is neither stylish nor subtle, but few dispute his ability to whip up suspense. Fans of his earlier work will likely enjoy this effort, if they’re not turned off by his politics.

Copyright © 2004 Phillips & Nelson Media, Inc.

Customer Reviews

THINK! THINK FOR YOURSELF!!!
First of all, this book is fiction, just like the Da Vinci Code. Yes, there are factual nuggets. However, the nuggets are conveyed in a manner that is very much like the propaganda that some of the characters rail against.

Second, having been trained in the Earth Science; a member of local, national, and global environmental groups; and an Environmental Science teacher I LOVED THIS BOOK! Why? Because it makes you think about what you know, why you know it, and where the information comes from. Nobody should take information published second-hand and not think about how data can be misconstrued (including the data published in this book).

Third, State of Fear makes you think about the hypocrisy of American Environmentalism: living in enormous houses in the middle of forest-fire prone landscapes, driving everywhere, wasting water, and then paying money to large environmental groups who overstate scientific findings (just like the energy companies do). Assuaging our guilt isn't going to make the world a better place.

Finally, Crichton encourages us to not be sheep. Think for yourself. Read the primary sources of data with an open-mind. Live the way you wish everyone else lived. Judgement without compassion is worthless.

A Scientist's View of "State of Fear"
Crichton has written a surprisingly serious and well researched indictment of the favorite sacred cow of the environmental movement -- global warming -- embedded within a typically action charged Crichton novel. The author uses Socratic dialogue and other devices to educate the reader as to what the data are showing in this complex, politically charged issue. The principal characters come well armed with graphs and data selected to back up their points, often lecturing the less informed, though environmentally concerned, characters (and the reader) on the true state of the art of the science. At the same time, the author indicts the environmental NGOs, the media, the research funding agencies, and political leaders for promoting their agenda with slanted, inaccurate portrayals of what the science is saying. He paints a jaundiced view of the motivations and methods of radical environmentalist organizations and their supporters. At a higher level, the book's title derives from a semiconspiratorial view, espoused by an eccentric, not quite credible character, that the climate warming issue is actually part of a complex social dynamic aimed a creating and maintaining a continual sense of anxiety and fear among the population at large. These literary devices call to mind Ayn Rand's influential novels, in which for example Howard Rourke is used to lecture us on the virtues of individualism and integrity.

As a scientist familiar with the climate warming issue, having managed research in the area, I believe Crichton's book makes an important statement to the many who believe that the issue is settled, that human-induced warming is real and that catastrophe will follow. He is absolutely correct in casting significant doubt on the definitiveness of the science and in indicting the politicization of the science surrounding it. He rightfully warns us to be skeptical about what we are told from the variety of mainstream sources we are exposed to. I suspect that it will be difficult for anyone whose mind is not closed on the global warming issue to read this book without gaining a different perspective. However, it would also be wrong for the reader to conclude that the opposite is true -- that the issue is a complete fabrication. The fact is that we understand little about the nature and extent of any effects of increased carbon dioxide in the atmosphere, and that much more research is needed, including work on new technology to provide humanity with the ability to stabilize atmospheric concentrations of carbon dioxide. This research needs to be conducted on a level playing field, in which funders and researchers seek only the best answers we can get.

Crichton reverses field
Michael Crichton has always used the latent but, in his view, underappreciated dangers associated with scientific advancement as a theme in his books (microbiology in The Andromeda Strain, genetic engineering in Jurassic park, and so on).

In State of Fear he reverses field and uses the incorrectly perceived threats of environmental disaster as the underlying impetus for a novel. In Crichton's view, the whole global warming argument is false. His view is that environmentalism has degenerated into a quasi religious system devoid of scientific veracity. Thus, the proponents of the global warming hysteria are pushing faith over fact, many of them have lost their moorings and the inevitable result is a grand conspiracy.

At the heart of this conspiracy is Nick Drake, head of a radical environmentalist group. Outraged that a significant source of funding has been closed by the donors getting Drakes science debunked by a MIT professor, drakes sets out on a murderous course that is designed to both do away with his detractors and enemies while concomitantly creating a profound state of fear about global warming among the public.

As is generally the case with Crichton, an avalanche of scientific data is imparted in Crichton's usual informative yet entertaining manner. Many will debate the validity of Crichton's "science" as regards the issue of global warming. As Crichton so deftly displays in this novel, this issue has become more political than scientific in many ways and there's no reason this novel won't be analyzed in that light.

The story has all the traditional strengths and weaknesses of a Crichton novel. Crichton is an accomplished technician and that comes through in this novel. It can justifiably be called a page turner. However, the methodology of using characters to do the education creates a scenario wherein the characters become somewhat robotic and predictable, not truly fully fleshed out human beings.

However, that's quibbling. This is a very fine novel. I suspect one's enjoyment will be colored to a great degree with how strongly one leans to or away from Crichton's premise. That aside, this ranks as one of his better works.