Product Description

No Description Available.
Genre: Feature Film-Drama
Rating: UN
Release Date: 31-AUG-2004
Media Type: DVD

Product Details

• Amazon Sales Rank: #11223 in DVD
• Brand: QUINN,ANTHONY
• Released on: 2002-03-05
• Rating: NR (Not Rated)
• Aspect ratio: 2.35:1
• Formats: Closed-captioned, Color, DTS Surround Sound, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, French, Portuguese, Spanish
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 137 minutes

Amazon.com
Starring Anthony Quinn in the title role, Barabbas was released in 1961 in the midst of a wave of widescreen epics based on biblical characters. The screenplay, by playwright Christopher Fry (who also contributed to Ben-Hur), is an unusually intelligent one. Further assets are the imaginative, sparingly orchestrated score by Mario Nascimbene and a handsome production design by art director Mario Chiari that is so rewarding to the eye in Aldo Tonti's often dazzling cinematography.

Many scenes, such as Christ's crucifixion, are shot and staged like tableaux in a style reminiscent of the great masters of art. And director Richard Fleischer surpasses anything Ridley Scott achieved years later in Gladiator: he fills the huge arena--a vast Roman amphitheatre--with a gladiatorial school of hand-to-hand combat, a parade of elephants, and a den of lions, and then caps his production with a riveting and thrillingly mounted duel between Jack Palance, careering round the circumference of the arena in his chariot, and Barabbas dodging him on foot. --Adrian Edwards

Customer Reviews

Richard Fleischer's Barabbas
This is not your father's uplifting wishy-washy Biblical epic. This is a violent, dark, and sometimes depressing story that is quite a change from many religious films.

Based on a novel, this film imagines what happened to Barabbas after he was chosen over Jesus to be released before crucifixion. Anthony Quinn is a perfect choice as the unrepentant thief who goes back to the world he knows- crime and carousing. His favorite prostitute Rachel, however, has become a Christian and is later stoned for it. Barabbas is not just an observer, he sees Jesus go to the crucifixion, and later finds Rachel at the open grave. Barabbas goes back to his old gang of thieves, murders the new leaders, and they rob some Jewish clerics. Caught, he is sent to the sulfur mines for life, where he meets Christian Sahak, played by Vittorio Gassman. Sahak knows Barabbas' name and reputation, and attacks him. They eventually become friends, since they are shackled together in the pit. Barabbas survives in the mine for twenty years, refusing to die. He is tormented by the memory of his near death years before, and he sees the sacrifice Jesus made not just for him, but for all of us.

Barabbas and Sahak survive a cave-in at the mine, and are taken to Rome as good luck charms by a newly appointed senator's wife. They are recruited to fight in the coliseum, ruled by a maniacal gladiator played by a very young Jack Palance. The duo also make contact with a Christian servant, Ernest Borgnine in a small but good role. Eventually, Sahak dies for his beliefs at the hands of Palance, and Barabbas has his bloody revenge on the field. Granted his freedom, Barabbas takes Sahak's body to a group of Christians, who reject Barabbas' half hearted attempts at Christianity. Barabbas misunderstands God's word and helps in the torching of Rome, eventually ending up a martyr himself.

Just under two and a half hours, there are a few slow spots. The cast is excellent, however, and Fleischer does an impressive job with a cast of thousands. No CGI to rely on here, Fleischer uses his assorted set pieces to their fullest extent without trying to fix or better anything in editing. What is left are a series of scenes that can stand on their own as highlights in early 1960's film making, when the cinema was hotly competing with television to win viewers back. The stoning of Rachel, the sulfur mine collapse, the burning of Rome: all are unforgettable scenes.

Two stretches of the film are very memorable. First, an extended sequence between Palance and Quinn fighting in the coliseum. There is no dialogue, just brutal violence and action. Another scene is the final tracking shot of dozens of crucified Christians, including the now ironic Barabbas. This shot sent chills down my spine.

This film is very dark and very different. Barabbas is a man torn between his heathen upbringing, and what he knows is right through what he has witnessed in Jerusalem and Rome, no matter how much he denies what he has seen.

Produced by Dino DeLaurentiis in Italy, this film has a European feel that makes it different and lends a certain credibility to the proceedings. The Oscar heavy cast does not fall victim to any preachy speeches or effects laden miracles, these are seemingly ordinary people caught up in tumultuous times. I highly recommend "Barabbas" to any film fan, especially those who think "Gladiator" is the only decent sword and sandals epic out there.

Although not rated, this does contain strong physical violence, some sexual violence, gore, and some adult situations.

One Great Film
I've often wished for a widescreen edition of Barabbas and now here it is. I became excited several months ago when I saw this edition was to be relased on DVD. So here I am on March 5th ordering my copy. I own the VHS version which distracts from the excellent photogarphy. There are some important things to know about the production of this film: the crucifixion sequece was filmed during an actual eclipse, a one shot scene. The sets were constructed three dimnesional so the streets of Jerusalem and Rome appear real. Anthony Quinn was a perfect choice for Barabbas. If you've read the book this film will provide a quality visual to the fine, simple telling of a man's life, the man who was spared crucifixion and free'd instead of our Lord. Also if you've read the book you'll know what Barabbas is thinking most of the time. Quinn is excellent, his eyes ever roaming in thought of survival. This is a big movie shot in a down to earth realistic way. A fine study in seeking truth, arriving on it's doorstep only to turn away. Because of the book, when Baabbas is helping set fire to Rome, I am aware of how truly emotional this last scene in the film is. (I hope am not giving anything way in the film). Barabbas finally makes an open commitment, acting out on a belief system that he's denied since Christ's crucifixion, only to discover in the end it was Nero who set fire to Rome and not the Christians. It's really all there. The muscal score is unsual and unique. I have the old mono 33 1/2 rpm version which gives musical examples at the end of how Mario Nascimbene wrote and orchastrated the incedibe score. Sadly enough this old recording is far supeior to the new CD issue which edited cuts and left out the 5 minute + prologue. I rate this movie 5 stars. If you like the old spectaculars this one is unique and should be in your library.

grim but interesting
One always wonders what might have happened to both Barabbas and Pontius Pilate, and this is a fanciful tale about the fate of the man who was chosen to live, based on the novel by Par Lagerkvist (winner of a Nobel prize for Literature in 1951).
The scourging and crucifixion are shown, but mostly, Jesus is seen through His followers, and the faith that endures in them throughout the film. A solar eclipse apparently happened during the filming, and it is the backdrop for the darkened sky at the crucifixion, used to great effect.

Anthony Quinn is perfect as Barabbas, and heads a fine international cast, with Silvana Mangano as his former girlfriend who has become a follower of Jesus, Arthur Kennedy as Pontius Pilate, Harry Andrews as Peter, Valentina Cortese as the wife of a high-ranking Roman, Ernest Borgnine as a Christian in Rome, and Katy Jurado (at the time Mrs. Borgnine) as one of the raunchy women in Barabbas' Jerusalem gang.
Two of the best performances come from Jack Palance as a sadistic gladiator, and especially, Vittorio Gassman as a young Christian who shares the latter part of Barabbas' life.
Richard Fleischer keeps the pacing so that the dark nature of the story doesn't get too gloomy, and the film is also helped by Mario Nascimbene's score, and Aldo Tonti's Technicolor cinematography.

The script has some inspirational touches, and the scenes I found fascinating were the ones in the "school of gladiators", where the physical feats are astounding, and the arena itself, especially at the conclusion when Jack Palance makes his entrance in a chariot.
Interesting as both an historical supposition, and an interpretation of that era of Roman rule, as well as for its excellent acting, this is probably the grimmest of the big sword and sandal religious epics of its era, but well worth watching. The DVD extra is the theatrical trailer, and total running time is 137 minutes.