Giovanni's Room (Penguin Modern Classics)
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Average customer review:Product Description
Considered an 'audacious' second novel, "Giovanni's Room" is set in the 1950s Paris of American expatriates, liaisons, and violence. This now-classic story of a fated love triangle explores, with uncompromising clarity, the conflicts between desire, conventional morality and sexual identity.
Product Details
- Amazon Sales Rank: #854266 in Books
- Published on: 2001-10-04
- Original language: English
- Binding: Paperback
- 176 pages
Editorial Reviews
From Library Journal
Baldwin's 1956 novel, his second, was daring for its time, depicting a young man deep into Paris's second expatriate movement following World War II as he grapples with his sexual identity. He is drawn both to his fianc?e and to a male Italian bartender with whom he begins an affair.
Copyright 2001 Reed Business Information, Inc.
Review
"If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one."
--Michael Ondaatje
"A young American involved with both a woman and a man...Baldwin writes of these matters with unusual candor and yet with such dignity and intensity."
--The New York Times
"Absorbing...[with] immediate emotional impact."
--The Washington Post
"Mr. Baldwin has taken a very special theme and treated it with great artistry and restraint."
--Saturday Review
"Exciting...a book that belongs in the top rank of fiction."
--The Atlantic
"Violent, excruciating beauty."
--San Francisco Chronicle -- Review
Review
"If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one."
--Michael Ondaatje
"A young American involved with both a woman and a man...Baldwin writes of these matters with unusual candor and yet with such dignity and intensity."
--The New York Times
"Absorbing...[with] immediate emotional impact."
--The Washington Post
"Mr. Baldwin has taken a very special theme and treated it with great artistry and restraint."
--Saturday Review
"Exciting...a book that belongs in the top rank of fiction."
--The Atlantic
"Violent, excruciating beauty."
--San Francisco Chronicle
Customer Reviews
Incomparable and Beautiful
James Baldwin is, without a doubt, one of the most eloquent and talented authors that I have ever been exposed to. In his novel, Giovanni�s Room, Baldwin explores the struggle between a man and his sexuality. Torn between his feelings for another man and another woman, we are taken through David�s journey of joy, love, anger, pain, and confusion. Through secrets and lies, the story unfolds, teaching that there are no excuses when it comes to real love.
This is by far one of the most beautifully written books I have ever read. Each sentence leaves you with a good taste in your mouth. Baldwin�s passion and power in writing is proved clearly all throughout the book. His word choice and sentence development is absolutely wonderfully printed, that each page simply flows one after the other. His ability to develop and express each character�s thoughts keeps the reader wholly engaged; feeling attached to their personal dilemmas. At the end of the book, you are left with the feeling of complete satisfaction. Although this is a story of a gay man�s struggle, it is a story that affects everyone regardless his or hers sexuality. Everyone who has ever been found in a conflict with themselves will discover that this book will touch the hearts, leaving the longing to come in touch with their true self. Anyone who has been caught between desire and morality will relate and find that this book captures the genuine feelings of that difficult and tense struggle.
A visit to the wine cellar for a vintage wine
Now and then it is healthy and rewarding AND enlightening to revisit some of the books in our libraries that are time-tested, durable pinnacles of literature. Such is the case of opening the cover of James Baldwin's inimitable, cherished novel GIOVANNI'S ROOM. Baldwin died in Paris in 1987 after gifting us with great novels and strong social commmentary. It is only fitting to return to the Paris of this wonderfully rich novel when the need to reflect on how writers of stature had the courage to begin the genre of novels dealing with same sex relationships in a manner of pure literature.
GIOVANNI'S ROOM is a fluid, nonlinear exploration of alienation: the narrator is living in Paris (having escaped the US with the smilingly shallow American image descried by Parisians), heads toward a "comfortably normal courtship/engagement" with a very normal fellow American girl also living in Paris/Spain, and quite by accident encounters his repressed sexual self when he meets Giovanni, an expatriated Italian. The subcultures Baldwin details are palpably present on every page - many characters seem like enemies until their roles in the journey of these two men unfold and clarify. The title of the book is well chosen: Giovanni's room which he shares with David our narrator is claustrophobic, unkempt, dour, and threatening - an apt description of the mental environment this stumbling act of finding a new type of love creates. Baldwin lets us know from the start that we are entering a doomed affair of the heart and it is this atmospheric, eloquently written memoir that adds to the sense of the inevitable isolation that makes this a great novel.
Enough cannot be said about the beauty of Baldwin's prose, the richness of his terse description of the city of Paris, his uncanny ability to paint characters that are wholly three-dimensional. This book merits frequent re-visits. It is a rare vintage wine.
Explores universal moral conflicts
Foremost, Giovanni's Room is beautifully written. Baldwin writes incredibly well.
It would be a mistake to see this book as singularly about homosexuality (and to either read it, or not, because of that alone). Baldwin explores universal problems using a specific character and context.
What's most impressive is the way he describes, and then captures the consequences, of the moral dilemma. Though the context is homosexuality, I think similar conflict happens all too often, especially in relationships. You think you should be one thing or feel one way, and everything in your social, religious, intellectual voice tells you're right - except how you deep down feel. Baldwin has this one line about how hard it is to say "yes" to life. In that passage, I think he refers to how hard it is to reject your conventional self and embrace your deep down feelings. And this conflict could be about anything.
Then, too, Baldwin shows how, the stronger you love someone who provokes such internal conflict, the stronger your own self-hatred and hatred for that person. How terrible to most want to hurt the person you most love.





