Product Description

NATIONAL BESTSELLER

PULITZER PRIZE WINNER
National Book Critic's Circle Award Finalist

A New York Times Notable Book
One of the Best Books of the Year
The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post

The searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food-—and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

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Product Details

• Amazon Sales Rank: #37885 in Books
• Published on: 2006-09
• Released on: 2006-09-26
• Formats: Audiobook, Unabridged
• Original language: English
• Number of items: 6
• Binding: Audio CD
• 6 pages

Amazon.com
Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including the bestselling No Country for Old Men, and The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham

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Guest Reviewer: Dennis Lehane

Dennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans all away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play).

Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane

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From Publishers Weekly
McCarthy's latest novel, a frightening apocalyptic vision, is narrated by a nameless man, one of the few survivors of an unspecified civilization-ending catastrophe. He and his young son are trekking along a treacherous highway, starving and freezing, trying to avoid roving cannibal armies. The tale, and their lives, are saved from teetering over the edge of bleakness thanks to the man's fierce belief that they are "the good guys" who are preserving the light of humanity. In this stark, effective production, Stechschulte gives the father an appropriately harsh, weary voice that sways little from its numbed register except to urge on the weakening boy or soothe his fears after an encounter with barbarians. When they uncover some vestige of the former world, the man recalls its vanished wonder with an aching nostalgia that makes the listener's heart swell. Stechschulte portrays the son with a mournful, slightly breathy tone that emphasizes the child's whininess, making him much less sympathetic than his resourceful father. With no music or effects interrupting Stechschulte's carefully measured pace and gruff, straightforward delivery, McCarthy's darkly poetic prose comes alive in a way that will transfix listeners.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
In his new novel, McCarthy exchanges the bleak Western setting of previous works for an even bleaker post-apocalyptic one. As usual, lawless space engenders violence, but here a nuclear holocaust has reduced everything to ash, mummifying all but a few unlucky souls, who must kill or be killed (and eaten). The main characters are a father and his son, who was born a few nights after the bombs fell. "We're still the good guys," the man repeatedly assures the boy as they scavenge their way south for the winter, trying to avoid "bad guy" survival techniques. Even by McCarthy's standards, the horrors here—an infant "headless and gutted and blackening on the spit"—are extreme, and, deprived of historical context, his brutality can seem willful. But McCarthy's prose retains its ability to seduce—the deathscape is "like the onset of some cold glaucoma dimming away the world"—and there are nods to the gentler aspects of the human spirit.
Copyright © 2006 Click here to subscribe to The New Yorker

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Customer Reviews

A Dreary Road Weaving Through a Bleak Future
I finally got around to reading what is already acknowledged as a modern day masterpiece and I found it to be lyrically beautiful and profoundly disturbing at the same time. "The Road" is Cormac McCarthy's haunting vision of a post-apocalyptic world where values are confused, goodness is debatable, and love remains the central value worth living for.

McCarthy's beautifully spare prose is captivating in its simplicity yet his words haunt the reader long after putting the book down. Readers who value structure in a novel will be uncomfortable with "The Road" because it is written in a free flow stream of consciousness style that just begins on the road to the sea and ends on the road by the sea. The two main characters are unnamed and referred to only as the man and the boy. Questions about what happened to cause the apocalypse, who the man is (was), why are they going where they are going arise throughout but are seldom, if ever, answered. The answers are --it doesn't matter--but that may be too nebulous for some readers. Our job as readers is to get on board with the father/son journey on "The Road" and experience life and death, good and evil through their eyes.

Simply summarized, a father and his son (maybe 9 or 10 years old) are following a road toward the sea. The world as we know it is gone through some apocalyptic event and the world they face is grim and dreary covered in a post nuclear winter where gray ash covers all, no life is left in the sky or the seas, and those who continue to struggle for survival seem split into those of some goodness who mainly hide from those who have embraced evil as marauders and even cannibals.

"The Road" is a study in contrasts...the contrast of good versus evil, but also the contrast between what we say we are and what our actions say we really are. It is a study of the perseverance of faith and love and how that reflects one's goodness and continuing spirit. We are left to ask ourselves, would we have the inner spirit to do what the man does out of love for his child while inwardly coming to believe the journey is doomed for one or both of them? And if we felt we were ultimately doomed, what would our responsibility be to our young child who would be left alone in this devastated world?

READ THIS BOOK
This is a hard book for me to describe. It is the first novel that I have ever read by Cormac McCarthy and, perhaps, will be the only one I ever read. The Road is by turns hopeful, bleak, devestating, horrifying and... Wll, just nearly impossible to put down. From the opening scene in the unnamed fathers nighmare to the closing scenes it held my attention like few other novels have in recent years.

I cannot recommend this book enough. Read it, I believe you will not be disappointed.

Over my head
I read it. But being a post-apocalyptic fan, this story felt short. The relationship between the father and the son was endearing, but the simplicity of the story which most people seemed to enjoy was actually what I enjoyed the least. It felt like I was watching an incredibly slow movie that would end up getting an Oscar.

Everyone is entitled to they're own opinion, but for post-apoc fans, I don't think you'll dig this one too much. But hey I might be wrong. I def was annoyed by the language throughout the whole book. But then again I didn't see what the big deal was abt. No Country for Old men either, so gauge this review on that.