Product Description

Ripley is back. This new publication of Patricia Highsmith's classic inaugurates the complete Ripley series at Norton. Since his debut in 1955, Tom Ripley has evolved into the ultimate bad boy sociopath, influencing countless novelists and filmmakers. In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—immortalized in the 1998 film starring Matt Damon, Jude Law, and Gywneth Paltrow—is an unforgettable introduction to this debonair confidence man, whose talent for self-invention and calculated murder is chronicled in four subsequent novels. .

Product Details

• Amazon Sales Rank: #19510 in Books
• Published on: 2008-06-17
• Original language: English
• Number of items: 1
• Binding: Paperback
• 288 pages

Features

• ISBN13: 9780393332148
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
One of the great crime novels of the 20th century, Patricia Highsmith's The Talented Mr. Ripley is a blend of the narrative subtlety of Henry James and the self-reflexive irony of Vladimir Nabokov. Like the best modernist fiction, Ripley works on two levels. First, it is the story of a young man, Tom Ripley, whose nihilistic tendencies lead him on a deadly passage across Europe. On another level, the novel is a commentary on fictionmaking and techniques of narrative persuasion. Like Humbert Humbert, Tom Ripley seduces readers into empathizing with him even as his actions defy all moral standards.

The novel begins with a play on James's The Ambassadors. Tom Ripley is chosen by the wealthy Herbert Greenleaf to retrieve Greenleaf's son, Dickie, from his overlong sojourn in Italy. Dickie, it seems, is held captive both by the Mediterranean climate and the attractions of his female companion, but Mr. Greenleaf needs him back in New York to help with the family business. With an allowance and a new purpose, Tom leaves behind his dismal city apartment to begin his career as a return escort. But Tom, too, is captivated by Italy. He is also taken with the life and looks of Dickie Greenleaf. He insinuates himself into Dickie's world and soon finds that his passion for a lifestyle of wealth and sophistication transcends moral compunction. Tom will become Dickie Greenleaf--at all costs.

Unlike many modernist experiments, The Talented Mr. Ripley is eminently readable and is driven by a gripping chase narrative that chronicles each of Tom's calculated maneuvers of self-preservation. Highsmith was in peak form with this novel, and her ability to enter the mind of a sociopath and view the world through his disturbingly amoral eyes is a model that has spawned such latter-day serial killers as Hannibal Lecter. --Patrick O'Kelley

Review
"[Highsmith] has created a world of her own--a world claustrophobic and irrational which we enter each time with a sense of personal danger." --Graham Greene

"Patricia Highsmith's novels are peerlessly disturing . . . bad dreams that keep us thrashing for the rest of the night, with the sense that an awful possibility has been articulated only to be left unresolved." --The New Yorker

"One of our greatest modernist writers." --Gore Vidal


From the Trade Paperback edition. -- Review

Review
"[Highsmith] has created a world of her own--a world claustrophobic and irrational which we enter each time with a sense of personal danger." --Graham Greene

"Patricia Highsmith's novels are peerlessly disturing . . . bad dreams that keep us thrashing for the rest of the night, with the sense that an awful possibility has been articulated only to be left unresolved." --The New Yorker

"One of our greatest modernist writers." --Gore Vidal


From the Trade Paperback edition.