Product Description

Where We Live presents more than 150 images from the Bruce and Nancy Berman collection of contemporary photographs. From Mitch Epstein's Holyoke, Massachusetts, to Camilo Vergara's Detroit, to John Divola's 29 Palms in Southern California, the images here concentrate on the American landscape and the people and structures that can be found in its vast vistas--and its backyards. The photographs that the Bermans have been drawn to often represent changing American communities recorded by artists whose vision is passionate but unsentimental--a vision that acknowledges the present as fleeting, desolate, and lyrical.
Beautifully reproduced in this volume--which coincides with an exhibition to be held at the J. Paul Getty Museum from October 24, 2006, to February 25, 2007--are works from twenty-four contemporary photographers, the majority working in color, from William Christenberry and William Eggleston to Doug Dubois and Sheron Rupp. Accompanying the photographs are illuminating essays by Kenneth A. Breisch and Colin Westerbeck and an introduction by Judith Keller. An essay by novelist Bruce Wagner captures the mood that runs through this powerful assemblage of photographs.

Product Details

• Amazon Sales Rank: #955188 in Books
• Published on: 2006-12-18
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

Review

"[Where We Live is typical of the Getty Museum, which--despite the history of problems at the Getty Trust and within the antiquities department--has been a model of generosity in preserving its shows in scholarly catalogs, opening its photographs collections to researchers, and lending to other institutions."--Wall Street Journal

About the Author

Kenneth A. Breisch is an adjunct associate professor in the School of Architecture at the University of Southern California.

Judith Keller is associate curator of photographs at the J. Paul Getty Museum.

Bruce Wagner is the author of I'm Losing You and Still Holding; his most recent novel is The Chrysanthemum Palace.

A writer for the Los Angeles Times, Colin Westerbeck was previously curator of photography at the Art Institute of Chicago.

Customer Reviews

fantastic book
I saw this show at the Getty Museum in LA and it was one of the best contempory photography show I have seen. the book is great!

Landscape miners
The 198 photos in the book are part of the 450 that have very generously been given to the Getty by LA collectors Nancy and Bruce Berman. This lovely book was published in conjunction with an exhibition of the photos at the museum in 2006 and 7. The twenty-four photographers featured are probably the leading contemporary exponents in the US of this landscape image capture and one reason I like this type of book is that I get to discover photographers I was not aware of. My main discovery here was Jim Dow. In the back of the book there is an excellent biography of the photographers which nicely lists their books, I've already got my eye on one by Mr Dow.

If you are familiar with recent landscape photography (and I think it's worth stating that this means the man-made landscape rather than natural) you'll most likely have seen some of the photos included: 'Petit's Mobil station' by George Tice, 'Red building in forest' by William Christenberry or '2nd Street, Ashland, Wisconsin' by Stephen Shore are three I've frequently seen but I feel the strength of the book is the opportunity to compare how these twenty-four photographers interpret the same subject.

The impressive page size: about eleven inches square, screen: 250dpi+ and quality paper and printing mean the photos sparkle on the page though I did wonder if maybe a few images had been taken from chromo prints rather than the original transparencies. I noticed a softness and lack of detail in a Stephen Shore photo of Easton, Pennsylvania for instance.

The book cannot be considered a definitive survey of contemporary landscape photographers, only those in the Getty Collection have been included so no Lewis Baltz, Jeff Brouws, Gregory Conniff or David Graham for example but those that are presented are clearly part of the top creative interpreters of man-made America

***FOR A LOOK INSIDE click 'customer images' under the cover.