Classical Music 101: A Complete Guide to Learning and Loving Classical Music
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Average customer review:Product Description
A Paperback Original.
The author who has taught tens of thousands of people to love opera now introduces readers to the rich and soul-stirring world of classical music.
For anyone who is aching to discover classical music, this comprehensive and accessible book is the ideal teacher. Writing in the clear and highly entertaining prose that made Opera 101 the standard text in its field, Fred Plotkin -- music expert, teacher, lecturer, and famous author -- presents classical music in a way that respects both the reader and the art form. In Classical Music 101: --The reader will discover how to become an expert listener, which is essential for learning to love classical music.
--A thousand years of music are explored, with emphasis on great works in all styles. Significant composers will be profiled in depth, including Beethoven, Mozart, Bach, Tchaikovsky, Dvorak, and many more.
--Important musicians, such as pianist Emanuel Ax, singer Marilyn Horne, and conductor James Levine, speak about their art in interviews.
Classical Music 101, the newest addition to a highly successful series intended for readers who don't consider themselves dummies or idiots, will help the person drawn to the finer things in life (and readers who don't know how to approach them) discover the glories of music.
Product Details
- Amazon Sales Rank: #257230 in Books
- Published on: 2002-09-18
- Released on: 2002-09-18
- Original language: English
- Number of items: 1
- Binding: Paperback
- 688 pages
Editorial Reviews
From Library Journal
The latest of many introductory books on Western classical music, Plotkin's is a fine addition to the genre, though some may prefer Robert Sherman and Philip Seldon's more traditionally organized Complete Idiot's Guide to Classical Music or Michael Walsh's hilarious and opinionated Who's Afraid of Classical Music? While most such books are at least partially chronological, Plotkin's revolves almost entirely around the orchestra's instruments and the listening experience. He presents material as coursework, and his strictures about really listening (as opposed to mere "hearing") are well taken and certainly apply to all kinds of music. A valuable feature are the interviews with classical musicians interspersed throughout. One weakness is that opera is not significantly treated, perhaps because Plotkin covered that ground in an earlier book, Opera 101: A Guide to Learning and Loving Opera. The discography is organized by chapter rather than composer (which makes it a bit awkward to use as a stand-alone source), but it is superior to the one in the Idiot's Guide. Recommended for libraries desiring an up-to-date and informative general introduction to classical music. Bruce R. Schueneman, Texas A&M Univ. Lib., Kingsville
Copyright 2002 Cahners Business Information, Inc.
Review
"His insights and techniques are sound" -- Timeout Magazine
"Recommended for libraries desiring and up-to-date and informative general introduction to classical music." -- Library Journal
About the Author
Fred Plotkin has written for the New York Times, Los Angeles Times, Opera News, and other publications. He lectures frequently at the Smithsonian Institution, the Juilliard School and Columbia University. He is the author of nine books, many of them on Italian topics. He lives in New York and Italy.
Customer Reviews
Brainy, detailed, thorough...
"Classical Music 101" is a great book, but there are a few caveats, which I will get to at the end of my review.
First off, this book examines--culturally and commercially--the place that classical music holds in today's world. Next, it breaks down classical music into its constitutive elements: how individual instruments produce sound; how the individual sounds of instruments come together in various orchestral formats; what role the conductor plays; and how the elusive art of active listening can be perfected. There is specific scrutiny of several representative musical works, a discography of recommended recordings, and an appendix listing concert venues all over the world.
The best aspect of the work is how it attacks, frequently and energetically, the question of why classical music matters. Plotkin has some great answers, and they are heartfelt rather than pat. The whole work is suffused with Plotkin's great knowledge and attention to detail. There are all manner of fascinating "insider" details--such as why the number of classical recordings continues to wither while record-company profits go up--that are the icing on this detail-rich cake.
There are some warnings, however. First, the typeface is troublingly small. People who have a hard time reading fine print should avoid this book. Second, this is a book is NOT a quick, breezy read (think "Classical Music for Dummies"), so if you don't want to work a little, skip it. Plotkin asks you to think and reflect, which is great--but there are less challenging classical-music guides on the market.
In the end, I believe the attentive reader of this book will be richly rewarded. Ploktin might easily make you into a lifelong classical music fan.
A New Classical Music Convert
At its core this book teaches you how to listen to classical music. The general format of the book is giving some theory and history, and then has you listen to a piece of music. The author then explains the music and also tells you what to listen for.
For example the book starts off by developing your listening skills. You’ll learn about various instruments in the orchestra and then listen to a few recordings. Then the author teaches you how to interpret the music, and how to form your own ideas about it.
Once the foundation is laid, you’ll learn how to listen to symphonies by various composers. After that you’ll focus on music for a specific instrument - piano, strings, woodwinds, brass and percussion. The last section of the book is about how to listen to vocal music and how to feel music.
One thing to beware of is that you will need access to the music to get the full benefit of the book. I personally used the online music service Rhapsody which had most pieces of music. Another thing is this book is not a quick read, so be prepared to spend a lot of time listening to music.
If you a beginner to classical music I highly recommend this book. My perception of classical music has been forever changed.
Classical Music 101: A Complete Guide to Learning and ...
As in his "Opera 101", Plotkin gives us a book that is helpful
to the expert as well as the novice. And as in "Opera 101",
"Classical Music 101" would be a good textbook for high school
or University classes. Mr. Plotkin is at once studious and
entertaining in his prose and one gets the impression that he is
not a classical music snob. It seems very important to him to
share his love of this music with others who may not have had
the chance to know it. This book has great depth as well as
breadth. For the person who wants to "get to know" classical
music better, or at all, Mr. Plotkin leads the reader on a gentle
and illuminating tour.





