Product Description

Studio: Uni Dist Corp. (mca) Release Date: 05/19/2009 Rating: Nr

Product Details

• Amazon Sales Rank: #544 in DVD
• Brand: Universal
• Released on: 2009-05-19
• Rating: NR (Not Rated)
• Aspect ratio: 1.78:1
• Formats: AC-3, Box set, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English
• Number of discs: 4
• Running time: 540 minutes

Amazon.com
Some televised dramas focus on families, others on singles and couples, but NBC's Friday Night Lights, among the finest shows of the decade, takes on an entire town. As with Sports Night, minimal enthusiasm for athletics presents no hindrance to enjoyment, just an interest in the concerns of Dillon, TX's populace, indelibly captured through authentic locations, handheld cameras, and naturalistic acting. If the off-shoot of creator Peter Berg's feature film doesn't look like most primetime programs, the cinematic score from Austin's Explosions in the Sky contributes to the big-screen impression.

Since the first season, Coach Taylor (Kyle Chandler) and his wife, Tami (Connie Britton), now Dillon High principal, remain constants as they guide their charges--including 17-year-old daughter Julie (Aimee Teegarden)--through games, classes, and beyond. Where Jason Street and Smash Williams began as major players, they fade from view in the third as they figure out their post-grad futures. Instead, big-hearted garage-rocker Landry (Observe and Report's Jesse Plemons) emerges as the heart of the show, while his best friend, Matt (Zach Gilford), reaches out to his estranged mother, Shelby (Kim Dickens), for help when his grandmother’s deteriorating mental condition becomes too much to bear.

If everyone has financial struggles of some kind, new quarterback JD. McCoy (Jeremy Sumpter) shares no such concerns. By the end of the season, however, his controlling father, Joe (D.W. Moffett), will go too far. And after a misguided move into criminal intrigue during the second year, Lights avoids any similar missteps this time around, and the entire cast rises to the occasion, including Taylor Kitsch (Riggins), Minka Kelly (Lyla), and Adrianne Palicki (Tyra), who portrays the show's trickiest character, a self-obsessed senior who takes advantage of Landry whenever it suits her needs. Extras include deleted scenes and insightful commentary from writer/producer Jason Katims. --Kathleen C. Fennessy

Customer Reviews

A great show gets even greater in its third season
Warning! Spoilers galore! Do NOT read this review if you have not seen all of Season 3!

Season Three of FRIDAY NIGHT LIGHTS represents one of the most interesting attempts ever to keep a great, but lightly watched series alive. After Season One the series was renewed primarily based on the huge critical acclaim the show received along with its intensely dedicated, though small (though I would like to think growing) fan base. I honestly thought that after Season One it was going to sweep the Emmys, garnering a host of awards that would propel it to the next tier in public consciousness, much like what happened to another series that debuted in the fall of 2006, 30 ROCK. For some unfathomable reason it did not receive a single major Emmy nomination. It did go on, however, to win what have come to be the three most reliable indicators of quality TV. It won a Peabody award, something that most Emmy winners never receive. It won Salon's annual Buffy award, given to the best show neglected by the Emmys (named after the greatest TV series never to receive Emmy attention). And it was named one of the ten best shows on TV by the American Film Institute. Fans of the show watched in horror as clearly inferior shows like BOSTON LEGAL, GREY'S ANATOMY, HOUSE M.D., and HEROES got recognition that continued to escape.

Still, fans hoped that Season Two would see an increased audience share. NBC hoped that moving it to Friday night (the night that most people assumed it was airing) would help. It didn't and its ratings slipped further. Normally a show with the kind of ratings FNL had would simply have been cancelled. Much to NBC's credit, they decided to take new steps to save the series. They arranged with DirecTV to have that network air the thirteen episodes of Season Three in the fall of 2008 (when many of us were lucky enough to see it), with NBC showing it in the winter and spring of 2009. According to some rumors, DirecTV was happy with the results and is interested in continuing with another season of the show. I've seen no reports on how NBC is thinking (though the head of programming for NBC Universal did, in response to a question about FNL's chances for a Season Four, said that there would continue to be a place on the NBC schedule for quality shows with a smaller audience share). In a recent interview FNL creator and executive producer Peter Berg said that the decision to continue could be as much their decision as the networks. Suffice it to say that at this point it isn't at all clear that there will be a Season Four and possibly just because Berg and show runner Jason Katims may decide not to continue.

The reason for Season Four being in doubt is very easy to see. There is a major creative question about where to take the series in a fourth season. Many of the key characters on the show for the past three seasons have graduated. At the very least, Tyra, Riggins, Lyla, and Matt are out of high school. There is debate about whether or not Landry is a senior or junior. Spoiler alert! At the end of Season Three it appears that those four are going to four different schools, Tyra to University of Texas (where Landry could certainly go if he is a senior), Riggins to the fictitious San Antonio State, and Lyla to Vanderbilt, while Matt's college plans are murky. Coach Taylor's plans were not in granite, though he was clearly confronted with a very different situation if the show continues. Apart from Julie (and possibly Landry, if he is indeed a junior), there are no established high school characters continuing on the show and no high school football players. There are three major possibilities. One is to start from scratch with Coach Taylor at the heart of things and introduce a host of new characters. A second is to introduce new high school players for Coach Taylor while continuing to follow the characters we've come to love over the past three years. This would be especially easy in Tyra's case (and possibly in Landry's if he is a senior) since she is attending UT and the show is actually filmed in Austin. The third possibility is to have Coach Taylor take a coaching job at, say, San Antonio State, where Riggins already is, and perhaps find a way to get Matt, Landry, Tyra, and Lyla all to go there for whatever reason they can think up. A fourth possibility would be for the show to say goodbye to Riggins, Tyra, Matt, Lyla, and possibly Landry in a series of episodes like they did in Season Three with Smash and Jason. One thing is clear: if they have a Season Four, it will be utterly unlike the first three seasons of the show.

Season Three of FNL just might be my favorite so far. I loved Season One, continued to enjoy the show even with some iffy moments (along with several glorious ones) in Season Two, but I was just blown away by Season Three. There were not merely no weak episodes in Season Three, but few weak moments. The way I expressed my love for FNL to a friend is that while BATTLESTAR GALACTICA is my favorite show on TV and probably has 20 episodes that I think are better than the best episode of FNL, BSG also probably has 20 episodes worse than the weakest episode of FNL. FNL is just an absurdly consistent show. It may not have BSG's highpoints, but neither does it have its lowpoints. [There are, btw, several interesting connections between BSG and FNL. The creator of FNL, Peter Berg, directed the pilot of BSG creator Ron Moore's new series VIRTUALITY, while FNL producer and frequent director Jeffrey Reiner directed the movie CAPRICA, which also serves as the pilot for the BSG prequel by the same name. There are also some stylistic similarities. Both are shot with hand held cameras, with the cameras playing to the actors rather than the actors to the cameras. Both feature rich and enormously talented casts. And then there are the convoluted connections. BSG executive producer David Eick worked on HERCULES, which was created by Rob Tappert. FNL producer John Cameron not only went to high school with Tappert and did some work on HERCULES and XENA, but Tappert married a Cylon, none other than D'Anna Biers aka Lucy Lawless.]

Season Three is the senior year of many of the major characters. The football arc centers on these players' last hurrah, the attempt to go to state one last time, and getting prepared to move on. Matt's situation is complicated by the presence of an enormously talented freshman quarterback who is clearly more gifted than he is. Riggins takes on new responsibilities and begins to grow up both on and off the field. And the team manages to overachieve and do things it clearly should not be capable of. The final game the seniors play is easily the football highlight of the series. The last scene is clearly the most poetic.

Off the field the major stories involve the rekindling of Matt and Julie's romance, which becomes one of the most realistic and sweetest relationships one can imagine. Matt struggles not only with his changing role on the football team, but his grandmother's decaying mental state, which indirectly leads to reestablishing a relationship with his mother. Tyra's story is especially interesting in Season Three. If in Season One she only gradually started to do battle with her own low self-expectations and in Season Two she fought hard to be more than the person everyone expected her to be, in Season Three he has to overcome additional obstacles to finding a more fulfilling life. She has to overcome a new guidance counselor who doesn't believe in her like Tami Taylor did, the temptation of an older and dangerous rodeo star boyfriend, and her own low self-esteem. The show's penultimate episode, in which she struggles to write her college application letter, contains one of the very finest moments in the entire series, as she finally finds the words to express what going to college truly represents, namely, "The possibility that things are going to change." And you have to love a show that has as one of the most triumphant moments a girl ecstatic in getting her college acceptance letter.

For the Taylors, life is quite different, as Tami takes on her new position as Dillon High School's new principal. Eric not only has to make difficult decisions regarding his quarterback but has to battle with that quarterback's father, who is overbearing to the point of being abusive (the mother, by the way, is nicely played by Janine Turner, who fans of NORTHERN EXPOSURE will remember affectionately as Maggie O'Connell). Buddy Garrity struggles with a series of bad decisions while Lyla is in a full-blown relationship with Tim Riggins. Meanwhile, Tim's brother Billy and Tyra's sister Mindy get engaged, which leads to the purchase of quite possibly the most hysterically ugly wedding dress in the history of network television.

One thing that is sometimes overlooked is how brilliantly executed the show is. People ignorant of film technique complain about the photography. It is all done with hand held cameras. The actors memorize their scripts and then are allowed to more or less ad lib along the direction of the script. No scenes are blocked, so that the actors are performing their actions in spontaneous fashion. They use a three camera arrangement so that even if they do only one take of a scene, they can edit the final version from different angles (look carefully at the scene in the episode "The Giving Tree" where Matt reluctantly goes to the patio where Coach Taylor is cleaning the grill and pay attention to where the cameras are during their conversation; this degree of technique runs throughout the series).

I hope there is a Season Four. Although I can't quite imagine how the series would continue, I'm fascinated to see how they would do so. For three years this has been a show that has done almost no wrong (except for the unfortunate killing in early Season Two). It has been one of the best series ever focused on the lower middle class. As a product of the lower middle class myself, I love seeing characters that are not privileged or wealthy or where all the parents are lawyers and corporate executives. I like that the closest thing to a rich guy on the show is the owner of a car dealership. I like that Tyra drives the same old ugly truck for all three seasons. Average, everyday folk have never, ever been so well served on television.

But if there is not a Season Four, the final episodes serve as a perfect conclusion to one of the most heartbreakingly gorgeous shows in the history of American television. Even if there is not another season, this show will live on. I've already watched the entire series three times and I fully expect that I'll watch it two or three more times in my lifetime. Shows like this are what quality television is all about.

THE BEST Great show...but beware of incomplete DVD release
I was heartbroken when it was cancelled and became a huge fan of directv when they picked it up for season 3...BUT I just read on [...] (which is linked to Amazon) that they are releasing only the shortened/edited NBC season 3 - not the full episodes aired on directv's Channel 101. AND changing the music for the dvds.

Basically, the fans and directv saved this show - and NBC is going to shaft the fans-AGAIN- by releasing shortened episodes instead of full directv episodes. I'm SOOOOOOOOOOOOO MAD. How much more could it really cost to release the entire episodes? And something has to be done to negotiate use of the music up front because fans of all shows usually love the music that was originally chosen by the original creative forces behind the show - rather than after the fact, haphazard changing the music to save money. If you are willing to spend $30 on season 3 (or buy it on sale) - you would probably spend $40 just as easily to get the full episodes with the real music.

What a racket! I usually hate 1 star reviews that have nothing to do with the show - but the way it was released(like a volume 1 etc. just to make money) but when the way it is being released means you have no access to the full episodes on dvd-I think it deserves 1 star because it is content related. At least with a volume 1, they may be squeezing you for money but you know you have the option to buy volume 2 and get the entire season. This way, you just get edited episodes - with no hope of full episodes.

By the way, it also said there would be a season 4&5 - YAHOO!!

A Return to Form
+++This Review Contains Some Spoilers+++

The latest (and potentially last) season of Friday Night Lights got back to what it does best. The show is at its strongest when it focuses on the relatively low-key melodrama of small town life, and is unafraid of sentimentality, heartbreak, and emotion. Season 3 has all these things. The show seemed to get away from these things in season 2; introducing a plot device straight out of Creative Writing 101 with the ill-fated murder story, as well as some sloppy storytelling and a few cringe worthy moments. Season 3 was a return to Season 1 form.

The emotional center of the show has always been the Taylors, the most functional and normal family I've ever seen on television. Eric, who seems to always be on the hot seat despite great success, is always worried about his job, and has to deal with the encroaching influence of Joe McCoy (DW Moffett). Tami has been promoted to principal of Dillon High School, and she has to deal with the realities of an under-funded school system. Her first priorities are to education, and she frequently bumps heads with Buddy Garrity, the mayor, and the rest of the football boosters over money. Her first big battle is over a Jumbotron for the football stadium. Julie has to deal with maturity, as she gets a part time job, re-starts her relationship with Matt, and has to deal with her friends and her boyfriend all graduating at the end of the year.

A major theme this season is dark underbelly of big time high school football in Texas, where football is king and education takes a back seat. Tied in to this theme is the arrival of the JD McCoy, a young Quarterback with a golden arm and an overbearing father. JD seems to be based on Todd Marinovich, the so-called Robo QB who was groomed from birth by his father to play football. JD isn't allowed junk food, has his own personal coach Wade Aikman, and his father Joe is controlling, domineering, and power hungry. Joe is the best addition to the cast, and becomes a truly convincing villain by the end of the season.

Joe is a man with true violence in his heart. He commits mental and emotional violence against his son and his wife, controlling every aspect of his sons existence, and in one memorable scene, he erupts in to physical violence. He also engages in a battle of control with Coach Taylor, constantly encroaching on Coach Taylor's territory, threatening his job and his families well being. Joe makes efforts to assert his influence over the team and Coach Taylor by offering him bottles of scotch, cigars, holding the team party at his house, and using his influence on the boosters to get Aikman hired as offensive coordinator. Eric recognizes this early on, but is torn between selling out to the McCoy's and keeping his integrity, even if it means losing games. Mac articulates this best by saying "they have a fox in the henhouse." This all erupts when JD begins to rebel against his father's strict hand, and Eric and Tami have to make some tough choices about what they see going on with the McCoy's. This lead to a showdown between McCoy, the boosters and Eric in the season finale that sets up an intriguing scenario for a potential fourth season that I won't spoil.

Tami is also affected by the football first attitude. She's now the principal and has to deal with an under-funded school. Teachers are getting laid off; there is a dearth of supplies and text books, yet the football boosters want to build a jumbotron. She also makes friends with Angela McCoy, and she begins to influence her as well. Eric see's this and worries about being bought and owned by the McCoys. Tami's role as principal also leads to a more prominent mentoring position for Tyra as well as the other characters. They all have to come to terms with life after high school and possibly moving out of Dillon.

Tyra perhaps best illustrates this anxiety, as she works extremely hard, stooping to desperate measures at times to get in to college. She looks at her mother and her sister and doesn't like what she sees. She's conflicted about her future throughout, and falls in to an abusive relationship with a rodeo cowboy named Cash. Her relationship with Cash seems to put her future in perspective, and she struggles to get in to college and get out Dillon.

There is also a strong theme of romantic relationships throughout Season 3. The aforementioned relationship between Tyra and Cash seems to make Tyra realize what she wants out of men and puts her relationship with Landry in to perspective. Julie and Matt have a tender relationship that's incredibly sweet. Tami has an A+ parenting moment when she talks to Julie about Matt. Tim and Lyla have a surprisingly functional relationship, even though Tim struggles with doubts about college. His old demons occasionally pop up, but his character exhibits incredible growth this season. Tim's brother Billy and Tyra's sister Mindy's relationship seems to highlight what it's like for folks who stay in Dillon. They seem happy, but there's an undercurrent of doubt for their relationship. This is particularly potent for Tyra, who does not want to go down the same path as her sister. Jason Street's relationship with his new family is at times heartbreaking and incredibly touching.

I can't forget Smash's arc and his relationship with Coach Taylor, which highlights the positive affect he tries to have on his players. Another well drawn moment are the changes and hardships Matt Saracen has to go through, but they're intriguing as well. He has to deal with the re-emergence of his mother, his new role on the team, and his responsibilities towards his grandmother. Saracen might be the most adult character on the show outside of the Tami and Eric.

Season 3 was a return to form for Friday Night Lights. It got back to what it does best. It's an emotional, sentimental, and sometimes melodramatic show, and these are exactly the reasons why I like it. It's unafraid to show complete and total happiness, heartbreak, optimism, and pessimism. I hope they have a 4th season, but if not, this is a satisfying way to end the show.