|
The Dark Side of the Screen: Film Noir
|
| List Price: | $24.95 |
| Price: | $16.47 & eligible for FREE Super Saver Shipping on orders over $25. Details |
Availability: Usually ships in 24 hours
Ships from and sold by Amazon.com
47 new or used available from $10.50
Average customer review:
Product Description
A revised and updated edition of the definitive study of film noir—the most original genre of American cinema—with a new afterword by the author
Since The Dark Side of the Screen first appeared over two decades ago, it has served as the essential take on what has become one of today’s most pervasive screen influences and enduringly popular genres. Covering over one hundred outstanding films and offering more than two hundred carefully chosen stills, it is by far the most thorough and entertaining study available of noir themes, visual motifs, character types, actors, and directors. This landmark work covers noir in full, from the iconic performances of Burt Lancaster, Joan Crawford, and Humphrey Bogart to the camera angles, lighting effects, and story lines that characterize the work of directors Fritz Lang, Billy Wilder, and Orson Welles.
With a new afterword about the lasting legacy of noir as well as recently rediscovered films deserving of their own screenings alongside the classics, The Dark Side of the Screen reestablishes itself as both an unsurpassed resource and a captivating must-read for any fan of noir.
Product Details
- Amazon Sales Rank: #327417 in Books
- Published on: 2008-11-24
- Original language: English
- Number of items: 1
- Binding: Paperback
- 272 pages
Features
- ISBN13: 9780306817724
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
- Click here to view our Condition Guide and Shipping Prices
Editorial Reviews
Review
"Wonderfully readable: Hirsch is clear, knowledgeable, and concise... A visual as well as literary pleasure." Martin Jackson, Cineaste"
Review
“Wonderfully readable: Hirsch is clear, knowledgeable, and concise….[The Dark Side of the Screen] is a visual as well as literary pleasure.”
Philip French, The Observer (London)
“There has been no extended work as good as Foster Hirsch’s The Dark Side of the Screen, a well-written, imaginatively illustrated book that sees the brief, true heyday as between Wilder’s Double Indemnity (1944) and his Sunset Boulevard (1950), but looks at the prelude and the aftermath, and sets the genre in its larger social and cultural context.”
Skyscraper, Spring 2009
“An important examination of what film noir is…The 264-page treatise is not a review source; rather, Hirsch’s academic work delves deeply with a scholarly but not dry approach.”
About the Author
Customer Reviews
Dark Side of the Screen is shining light!
Hirsch's brilliant analysis of the antecedents, key period and legacy of noir remains perhaps the finest single work on the subject. Not as funny or entertaining as Eddie Muller's 'Dark City', but a major work that pre-dates many inferior later studies. Especially notable is Hirsch's use of stills, his choice of key scenes (e.g. Panic in the Streets, the Phenix City Story, Scarlet Street) skilfully differentiates between studio shot film noirs and pseudo-documentary/location filmed noirs.
Highly recommended for serious lovers of the genre (not room enough here to debate whether film noir is a genre or not!) and ranks, for me, alongside Paul Schrader's legendary 'Notes on Film Noir' essay (1972) as the single most important piece of work on the subject.
The Best Introduction to Film Noir
This book is the best of several I have read recently on film noir. It strikes the right balance between being thorough and accessible; not nearly as dry and academic as some others. One of the main elements of noir is its distinctive visual style, and this book has dozens of excellent photographic stills, which enable the reader to understand the style in a way that text descriptions could never duplicate. The author does an excellent job of placing noir in its historical context, without assuming the reader has prior knowledge of German Expressionism, hard-boiled fiction or any other influence. The book ends with a list of 120 or so classic noirs; this alone is worth the price of the book. I have seen approximately one-half of the movies on his list and every single one has been excellent. For anyone interested in gazing into "The Crazy Mirror," this is the place to start.
This book contains an excellent account of noir stylistics
I found this book to be a concise and relevant exploration of the history, style and themes of film noir. It was immensely helpful as a research source for an essay I did on noir styles and themes. With clear explanations and pictorial examples it bestowed upon me a clear and precise understanding of the genre.
