Product Description

Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and in-depth access to the film noir genre for amateurs and aficionados alike. Among the films covered are these "top ten": Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil.

Product Details

• Amazon Sales Rank: #796274 in Books
• Published on: 2004-05-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

About the Author
Alain Silver has co-written and co-edited a score of books including The Samurai Film, The Noir Style, The Vampire Film, Raymond Chandler’s Los Angeles, director studies of David Lean and Robert Aldrich, and four Film Noir Readers. His articles have appeared in numerous film journals, newspapers, and online magazines. He holds a Ph.D. from UCLA and is a member of the Writers Guild of America west and the Directors Guild of America.

James Ursini has co-written and co-edited eleven books with Alain Silver and the director study Preston Sturges: An American Dreamer. He has an MA in motion pictures from UCLA and currently lectures on filmmaking at UCLA and other schools in the Los Angeles area.

Customer Reviews

The blackest book.
Essentially a photo book of film stills with eleven chapters covering the usual subjects. If you are new to this movie style the first chapter, What is 'Noir'?, explains the fascination with the themes, archetypes, visual iconography and dialogue. The other chapters expand on these main points.

I was, though, rather disappointed with this book, Alain Silver has done it before with his definitive text book 'Film Noir: An encyclopaedic reference to the American style' (ISBN 0517464675) and also with his photo book 'The Noir Style' (ISBN 0879517220) a beautiful coffee-table title with film stills and long captions revealing the essence of these great movies.

Other disappointments include a rather narrow focus on mainly ten movies, Criss Cross, Detour, Double Indemnity, Gun Crazy, In a Lonely Place, Kiss me Deadly, Out of the Past, The Reckless Moment, T-Men and Touch of Evil, which unfortunately does not include The Asphalt Jungle (OK, it's my favorite). No index, I really would expect one in this kind of book. The production, though beautifully printed, all the text is white out of black and I find this gets tiresome eventually, especially the tiny type of the Chronology and Bibliography, not to mention that printed matt black shows up finger marks easily.

I think the book is really only worth having as collection of movie stills and at the price is probably reasonable value.

***FOR A LOOK INSIDE click 'customer images' under the cover.

Great for the Film Noir Novice!
I am new to film noir, and I really enjoyed this book. Although it seems simply laid out, there is a lot of information in the book. When I bought the book, I didn't want to learn about every last noir film that has been made. I just wanted an overview of the genre and some key themes. I have read some essays on film noir, and found them difficult to understand. But this book organizes the subject in an easy-to-understand way. If you're new to this genre, I would recommend this book. However, if you've watched a lot of noir films, Alain Silver's other books, such as "Film Noir Reader" and "Encyclopedia of Film Noir" would be more suitable.

Sleek, Attractive Showcase of Film Noir Photos. But Light on Information.
"Film Noir", by noir scholars and pundits Alain Silver and James Ursini, is slick and pretty. I enjoyed reading through it and admiring the photos from some of my favorite films. It's certainly not a bad book, but I wonder who the target readership is. "Film Noir" isn't comprehensive enough to be a good introductory text, and it doesn't contain anything that readers with a basic understanding of the film noir movement don't already know. Maybe it's just supposed to be attractive. In that, the book succeeds. Its 9 3/4" x 8" cover is a thick, nicely bound and printed paperback. Inside are attractive black crepe endpapers and 192 slick black pages filled with over 180 (mostly black-and-white) photos and white-on-black text. You may want to wash your hands before cracking this book open. The problem of oily fingerprints on the shiny black pages is significant. The photographs are reproduced nicely, primarily shots from classic noir films with some publicity stills and behind-the-scenes photos mixed in. The photos are 2-to-a-page, full page, and 2-page spreads, all with captions.

After the obligatory "What is Noir?" introductory chapter, Silver and Ursini break film noir down into 10 categories or motifs, dedicating a chapter to each one: "The Perfect Crime", "The Fatalistic Nightmare", "The Burden of the Past", "The Caper Film", "Docu-Noir", "Love on the Run", "Male Violence", "Women in Film Noir", "The Private Eye", and "The Darkness and Corruption". The authors say a little about each motif and choose one film to represent it. In each chapter or category, we get an analysis of the film, discussion of its origins, and a bio of its director. The photographs are from the film being discussed as well as other films that share the motif. All of the text, including photo captions and quotations, is white on black background. This looks spiffy, but it may be difficult for some people to read. So we have a somewhat cursory discussion of 10 film noir motifs and 10 films, focusing on the classic era. That is followed, in the back of the book, by a chronology of the artistic movements and significant works related to film noir and a filmography of the films discussed. "Film Noir" is fun. Noir buffs may enjoy the pictures. It's just not especially useful.