Product Description

Buckle up and hang on tight -- the discovery of a parallel universe launches you into the adventure of a lifetime! Mario and Luigi, two wacky plumbers, undertake a daring quest to save a princess in "Dinohattan" -- a hidden world where the inhabitants evolved from dinosaurs! Mario (Bob Hoskins -- WHO FRAMED ROGER RABBIT) and Luigi (John Leguizamo -- REGARDING HENRY) face deadly challenges from a diaboloical lizard king (Dennis Hopper -- HOOSIERS) and must battle giant reptilian goombas, outwit misfit thugs, and undermine a sinister scheme to take over the world! Blast off for nonstop excitement with SUPER MARIO BROS., the live-action thrill ride that dazzled moviegoers everywhere!

Product Details

• Amazon Sales Rank: #1246 in DVD
• Brand: BUENA VISTA HOME VIDEO
• Released on: 2003-06-03
• Rating: PG (Parental Guidance Suggested)
• Formats: Closed-captioned, Color, DVD, NTSC
• Original language: English
• Number of discs: 1
• Running time: 104 minutes

Customer Reviews

Watch it objectively and it's an ok, imaginative movie.
Like a lot of kids of my generation, I grew up anticipating every new Super Mario Bros. game. And like a few other people in the country, I went to see the movie when it came out in theaters. I was almost 15 at the time, but I actually liked the movie.

Nowadays, it doesn't stand up. It bombed at the box office, is the source of constant scorn, and is often blamed for starting the "movies based off of video games always suck" phenomenon.

But to be quite honest, this isn't a terrible film. If you were to watch it objectively, you'll probably find something in it to appreciate. Sure, to begin with, the casting is off. Though I think John Leguizamo is capable of just about anything (he's played a fat, demonic clown, a character in Romeo and Juliet, a midget, a charismatic boxer, and a sneaky gangster (Benny Blanco from the Bronx!!). His roles have been met with mixed reviews, but say what you will, the guy has range. But here he is playing the taller, mustached Italian brother of the most famous plumber around, yet he's shorter, no mustache, and not at all Italian. Bob Hoskins being british doesn't do great for Mario either.

Someone else mentioned that the dinosaur adversary of the game, King Koopa, is played here as a sleazy, suited businessman. Yes, this is strange as well. Come to think of it, a lot of this stuff is just plain bizarre. But therein lies the problem.

Super Mario Bros, when taken at its most serious, is a game about a plumber who travels through pipes, beats up turtles with fireballs that he gets from a flower, and hits invisible blocks in the sky all while romping around in the mushroom kingdom while attempting to save a woman named Princess Toadstool. So, how would you film a plot such as this?

The filmmakers tried. They really did. And in my opinion, they came up with quite an intruiging world. Somewhere in between Blade Runner and Twin Peaks, the world in this film is flashy, colorful, populated with lots of strange creatures, and almost always with something unique or interesting to look at. That it's packaged inside this strange film is disappointing.

But that, again, is almost impossible to avoid. Some may argue that this film should've just played it straight, such as Mortal Kombat- meaning that the things in this film just are. You accept them, their rules and parameters, or you don't. Partly where SMB fails is in trying to make the completely absurd world of the videogame into something acceptable. See, this mushroom kingdom is just an alternate reality, where time flows differently and where prehistoric creatures roam about. Wouldn't you know it, two hapless plumbers stumble in, and boom- now we have a reason to accept the premise of the game.

Sure there's lots to complain about. This movie is very silly. But at the same time, I can respect what they tried to do. Dennis Hopper as Koopa is an inspired choice, since he's such a (expletive) all the time anyway. To see him run around, firing guns at everything while screaming "PLUMBERS!!!!!" is a hoot, akin to his freakout at the end of the (more) bizarre Texas Chainsaw Massacre 2.

That's the thing. You have to just accept this movie for what it is- tongue in cheek, self-aware goofiness. The movie doesn't try to be accepted as a serious entry into the medium of high art, it's just a silly trip into this land populated by characters who are in a video game that was, at the time, 8 years old. And in my opinion, there's lots for fans of the game to look for. Many references are there, from obvious things such as the dinosaur character Yoshi (who is played straight, strangely enough) to much more obscure references such as the character "Big Bertha", who was a fish in SMB3 but here a large african american woman who holds a key central to the plot. Yes, it's strange. But I mean come on, the game's far out to begin with. This movie may very well have been better served as a direct play on the game, such as the successful cartoon series. But instead, we're left with a sort of "alternate take", a slightly more adult and realistic one, on the Super mario landscape. Many view it as a complete failure, and I can easily see why. But for myself, I think it's no worse than any number of video game movies (and better in some cases, such as the film rape of the Resident Evil games).

In Super Mario Brothers, there's a lot to make you groan or wish better upon the participants. But if you just accept that the premise of the game is so thin to begin with, and then just accept the movie as a genuine attempt to breathe life and character into this game world, I think at the very least you can gain a new respect for what the movie is.

A completely misunderstood movie. Here's why it is good.
Most people tend to hate this film. I think, though, that they hate it because they're looking at it the wrong way. It's one of those movies that has a point, and if you miss that, you don't get any of it.

Their mistake is to watch this expecting a Mario movie. I know, it sounds like the right thing to expect, but hear me out. Fans of the game know what Mario is all about - powerups, angry mushrooms, winged turtles and flying blocks. If you watch this movie expecting that, you'll be disappointed, as you'll find NONE of it. But that's not to say it isn't worth watching.

Picture the scene: a couple of directors are asked to make a Mario movie by Nintendo, and they want it to be live action. That was the flavour at the time - take cartoon characters and make them real. Now, these directors know about Mario. They say "No way can that be done. Mario is all about being a cartoon. Jumping on little angry animals, everyone's a mushroom... It's a great game, and it'd make a good cartoon, but a live action version would just be moronic." "Oh, don't worry about that," says Nintendo, "just so long as you get the main elements in, do it how you want."

The directors go away, rubbing their chins, trying to think of a way to do that but still do justice to the games. And then they have a fascinating idea.

What if they don't do a Mario film, exactly. What if they do a sci-fi film, but fill it to the brim with Mario references, for the keen-eyed game fans?

That's what this movie is. If you watch it with that in mind, you will enjoy it. I've tested this theory out already on a friend who thought the film was a bit stupid when he saw it as a kid, but watched it yesterday with my little thesis in mind and he loved it.

What you get here is a quite serious (despite the light-hearted script) sci-fi flick about the nightmarish world ours may soon become: crowded, filthy, choked with pollution and overrun with a hate-filled populace who will fight you, yell at you, even try to shoot you if you pass too close. Run by a demonic well-dressed dictator politician (played to amazing effect by Dennis Hopper) who has let this world become the dark horror it is through neglect: there is no water any more, only sludge, and a slimy infestation of fungus has grown over everything, draped in great loops like one gigantic, chaotic spider web. Into this world come Mario and Luigi, similar to their game counterparts but more human, a pair of plumber brothers from Brooklyn who grew up together as orphans. They are trying to save a girl, who has been kidnapped and dragged here, and along the way they get wrapped up in something really horrifying: the president and his people are human, but human descended from dinosaurs instead of apes. He's found a way to revert his citizens back to their prehistoric roots, and with his army of lizard lackeys he's going to bridge the split between worlds (that formed when the meteorite that "killed" the dinosaurs hit) and take over our own.

And through all this we find references of the sort that Mario's biggest fans will drool over, so long as they are watching this in the way I suggest. These prove that the film has been put together not by someone ignorant of the games, but by someone very well versed in their lore. A large woman called Big Bertha, dressed all in red, is named in reference to a large red fish enemy from Mario 3. She wears mechanical boots named "Thwomp-Stompers", after the classic ice block enemies, and they are powered by capsules that look exactly like Bullet Bills, from Super Mario Bros 1. Shops are apparently owned by people with the same names as characters from the games (Hammer Bros and Bullet Bill), a protest singer is named after Toad, the happy little mushroom from the games, but his hair is shaved into the pattern on the shell of Lakitu, a fan favourite since day one. These references go on throughout the film and shape its world - the fungus, which turns out to be a conscious entity, helps the brothers in every way it can; they are saved on more than one occasion by mushrooms, in what has become a literal mushroom kingdom.

It's all in here if you keep your eyes peeled. Go in ready to watch not a Mario film, but a film that references Mario, and you will love it. It doesn't "change" anything from the games, because it is not any kind of filmed version of them, but it nods to them constantly.

Viewed in this light, it is a treat to watch, and a rare treat, because no other film has ever crammed in so many references to videogaming before. Simply put, a live action Mario film could never be made, and the directors asked to make one did a brilliant job at trying something new and original. Well worth the ten dollars for the DVD.

Stupid movie
First, let me say that this review is in no way a criticism of the numerous video games of the same title. I'm down with controlling little pixelated guys and making them jump on/punch/shoot fireballs at little pixelated monsters.

But this movie proves that movies based on video games are even worse than movies based on comic books.

Super Mario Bros. tells the story of Mario and Luigi, two plumbers who travel to another dimension to rescue a princess from a bunch of evil guys who are descended from dinosaurs. You can tell they are descended from dinosaurs and not apes because, although they look exactly the same as humans, they all have very stupid hair. Does the movie expect us to believe someone is an evil reptile just because they have stupid hair? For example, I doubt that Carrot top is descended from dinosaurs. The cast of Dragon Ball Z is another example of people who aren't descended from dinosaurs. I mean, if you believe this movie, every single person who was ever in a music video in the 80s is an evil descendant of dinosaurs with a plot to take over the world. I can't respect a movie that has so little respect for me that it lies to me in such a blatant fashion.

After arriving in the stupid-hair universe, Mario and Luigi are immediately arrested by some evil-cops with puffy sleeves and "police" written on their backs in sequins. Being arrested by the village people lowers their self esteem, but then they realize that at least their hair isn't several feet tall, and they feel better.

I'm really angry at this movie. Maybe it's because at one point, King Koopa sticks out his tongue to show it is several feet long, proving that he is not only an evil dinosaur but either Gene Simmons or the annoying big-forheaded goth that John Travolta hired in Battlefield Earth for her "special talents." I could go on for a very long time. And in fact I will. Maybe it's because the movie was aimed at seven year olds, but shows people's heads being stretched out of proportion and growing huge spikes, teeth, and scales in a way that is kind of disturbing to me, even though I can eat pizza while watching movies like Toxic Avenger and Return of the Living Dead. Maybe it's the fact that a machine designed to change people at the genetic level also changes their clothes. Maybe it's the fact that my friend Kevin told me that the theme song in the end credits made the movie tolerable, but the theme song did not really exist (although it could have been because in a fit of annoyance I smashed the TV screen with a sledgehammer before the credits sequence finished completely).

To summarize my review, it was a fairly unwatchable movie. It was visually kind of cool, and had a few funny moments, but the good was far outweighed by the fact that the movie expects us to know that dinosaurs hate plumbers.

Didn't you know that dinosaurs hate plumbers?