The Basic Kafka
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- Amazon Sales Rank: #271283 in Books
- Published on: 1984-06-03
- Number of items: 1
- Binding: Mass Market Paperback
- 304 pages
Customer Reviews
My Return To The Metamorphosis
As a freshman, I had read The Metamorphosis in a course of basic English composition. How I wish I could take the day back! I was wrong, so wrong to force my Jungian dream analysis perspective onto my poor professor. In the autumn of my childhood, I was a two-bit psych major looking for a cheap thrill by Tuesday morning. I targeted Kafka like a teenager parallel parking a HumVee at his driver's license test. I argued with brazen naiveté that the spilled apple represented a mandala! Ok, so I wasn't a prodigy.
This time around, however, I decided to take Kafka literally--pardon the pun. Also, other personal writings packaged inside this volume are immensely helpful in refining my Metamorphosis road map. For instance, in the section heading "Selections From Letters To Felice", Kafka talked about his difficulty getting to sleep, writing long into the morning. In parenthesis he noted his demand for dreamless sleep. Metamorphosis may be nightmarish, but there is no merit to the dream hypothesis. The more I know about Kafka, e.g. his loathing of bureaucracy, the better equipped are we to make clear observations and intelligent interpretations of this complicated story.
The problem with understanding Metamorphosis is that it isn't formulaic. That doesn't mean we can't predict the Samsa family will succeed in coming together again after the unfortunate Gregor's death. It took us a long time to get to that point, and most of what was in between were frustrating obstacles. We have to ask why Kafka would treat his protagonist thusly, is his a sick mind? What he's trying to show us isn't of his own devising; Kafka's calling is equally unfortunate, for he had been called to the ungrateful duty of revealing the ugly side of industrial based culture.
Nobody cares for anybody else in this story, if they have no material economic use. If you are sick, your supervisor will appear at your doorstep at 7:00 in the morning, before you can get out of bed. Your immediate family will try, but eventually their patience and resources will also expire. The key to this story, I believe, is Gregor's younger sister.
This story is really about Grete, who was enthralled by her big brother Gregor, as baby sisters are known to be. Sniffle. Gregor's resemblance to an older brother fades, and little sister must learn now to take care of herself, which she does. I'm reminded of the Pink Floyd song See Saw, "she grows up for another boy, and he's down". Grete didn't exactly meet another boy, but she did grow up, and her big brother finally "bugged" her enough that she had to leave him.
Metamorphosis is the story of Grete growing up, and more interestingly, her growing into replacement part status in the cogs of industrialized Europe. She, too, dispatches Gregor with decisive haste, cutting her losses as cruelly as the three lodgers beg to sue Mr. Samsa, the senior, over Gregor's outrageous appearance. The irony of Metamorphosis occurs in the phenomenon of the "family tie". The magic and power of the family tie is diminished between Gregor and the other Samsas, until Gregor is free to die in order to prevent further devastation to his family. But the family tie was also the Samsa's salvation, prevailing in the end to give the Samsa's some ground on which to rebuild their lives together.
Finally, I see in Kafka's short prose writing, whether they are his stories or letters, elements used by Kurt Vonnegut, as exemplified in his Welcome to the Monkey House. This could be in the brevity of his stories, his common vernacular, absurd, imaginary elements. I wanted to say sci-fi, but I don't think it's so much science as it is Kafka or Vonnegut saying, "look, give me this one posit of nonsense, and I promise the rest of it will make sense".
a great little reader for Kafkaphiles...
I picked this up solely for the diverse spectrum of Kafka's writings that it covers, and it's really a pretty darn good sampling of the authors works. Most of the other reviewers have covered the book well, but there are a few important points I would like to stress with this:
The translation is not the outdated, biased, Willa & Edwin Muir translation. They were the original translators of Kafka into English, and were somewhat inclined to pigeonhole his works into their interpretation. I haven't had any qualms with the works as they are in here.
But I would recommend skipping Erich Heller's introduction if you haven't already read a lot of work on or by Kafka. Don't let this spoil the beauty of being able to feel out your own interpretation of the author as you read him. In fact, avoid all criticism and interpretation until you're looking specifically for something like that.
I would highly recommend, though, if you're looking for some perspective on what to consider when reading and interpreting this, the book (several different titles for several different publishers) Kafka/Introducing Kafka/R. Crumb's Kafka, a graphic-novel sort of history of Kafka and his work by Robert Crumb(!!) and David Zane Mairowitz. It's excellent and gives a fair perspective on the Kafka and his social/historical/psychological context.
A sampling of Kafka which gives a true feeling of his work
This is not as advertised the most comprehensive selection of Kafka's writings ever published. But it is a very good selection , and includes some of the most important of the shorter work, the stories, the parables, the diary entries. The uncanny power of Kafka's writing is present line- by - line. And with this power is that tremendous suggestibility which seems to lend his work open to so many different kinds of interpretation.
One travels with Kafka very often into a strange world which resembles our own and may even provide at times a much deeper perspective of our own than we ordinarily have, but almost always too leaves us with a feeling of irresolution, of enigma, of what is often a terrifying beauty and strangeness .
Reading these samples one comes into contact with one of mankind's great literary geniuses. One can be grateful for this while at the same time understanding, that this particular genius, does not make our lives or our understanding of the world, any easier.




