Track Listing

Disc 1:

1. Come Back Darling
2. I'm Head over Heels in Love
3. I'm Workin' on a Road (To Glory Land)
4. 'Tis Sweet to Be Remembered
5. Earl's Breakdown
6. Flint Hill Special
7. Foggy Mountain Chimes
8. That Old Book of Mine [#]
9. Till the End of the World Rolls Around
10. Foggy Mountain Special
11. Randy Lynn Rag
12. Shuckin' the Corn
13. Don't Let Your Deal Go Down
14. I'll Never Shed Another Tear [#]
15. Big Black Train
16. Crying My Heart Out over You
17. Cabin on the Hill

Disc 2:

1. Polka on a Banjo
2. Just Ain't
3. Go Home
4. Legend of the Johnson Boys
5. Ballad of Jed Clampett
6. New York Town
7. Pearl, Pearl, Pearl
8. My Saro Jane
9. I'm Troubled [#]
10. You Are My Flower
11. Petticoat Junction
12. Workin' It Out
13. I Still Miss Someone
14. Nashville Cats
15. California Uptight Band
16. Down in the Flood
17. Foggy Mountain Breakdown [Theme from Bonnie and Clyde]

Product Details

• Amazon Sales Rank: #8707 in Music
• Brand: Sony
• Released on: 1997-01-28
• Number of discs: 2
• Dimensions: .25 pounds

Amazon.com
With ample doses of talent, spirit, and charisma, Flatt and Scruggs rose to the popular peak of the bluegrass heap during their 17-year association with Columbia. With Lester Flatt's casual vocal style and Earl Scruggs's groundbreaking banjo technique, the Foggy Mountain Boys brought bluegrass into the country mainstream more so than either Bill Monroe or the Stanley Brothers. Disc one picks up where the legendary Mercury recordings left off. High-powered originals such as "Come Back Darling," "Head Over Heels," "Til the End of the World Rolls Round," and "I'll Never Shed Another Tear" add to their classic repertoire, while the spectacular instrumental rags and breakdowns showcase Scruggs's banjo prowess. Disc two finds the pair diversifying their portfolio, as it were, with readings of popular television themes and covers of everyone from the Carter Family, Woody Guthrie, and Johnny Cash to John Sebastian, Bob Dylan, Tom T. Hall, and even Shel Silverstein. --Marc Greilsamer

Customer Reviews

Best Domestic Set Available of Their Most Popular Recordings
Over 30 years after their breakup, Lester Flatt & Earl Scruggs remain the most famous band to emerge from bluegrass. Brought together in Bill Monroe's band in 1945, they left three years later to form their own band - the Foggy Mountain Boys - and sign with Mercury Records.

While their Mercury recordings (1948 - 1950) are held in higher esteem critically, Flatt & Scruggs' work for Columbia (1951 - 1968) was far more popular at country radio. Disc one contains their most pure bluegrass offerings, such as "Tis Sweet To Be Remembered," "Cabin In The Hills," and "Crying My Heart Out Over You." Lester's easy going, high tenor voice is the featured "instrument" on these recordings.

Disc two finds Flatt & Scruggs at their commercial peak, led by their 1962 chart-topping theme for The Beverly Hillbillies. This smash led to several appearances on the show (including a performance of "Pearl, Pearl, Pearl," their top-ten ode about Jethro Bodine's mother) as well as the Petticoat Junction theme assignment (a top 20 hit). These recordings featured Earl's extraordinary "three-finger-banjo" accompaniment far more prominently.

Flatt & Scruggs' top 20 toetapper "California Uptight Band" (not included on 16 GREATEST HITS) and the 1967 remake of their "Foggy Mountain Breakdown" (originally cut for Mercury in 1949 and repopularized in the film Bonnie & Clyde) conclude this set on a high note. In 1969, the duo split up due to differences over musical direction. Flatt's death in 1979 would end any chance of a reunion.

This 34-track, double-disc set captures all of Flatt & Scruggs' charting singles and most choice album tracks from the Columbia years and is the best domestic collection available. For a more extensive look at this period, check out the THREE box sets from Germany's Bear Family Records.

Earl is still the best.
Bought this CD a couple of weeks ago and have listened to it at least ten times - not only does this collection represent Earl and Lester's best music, but it has reminded me that Earl is - in my never to be humble opinion - still the best banjo player who ever lived; there are some guys out there that have "taken the banjo to another level", but there's something about Earl's playing that puts him in a league all by himself, way up at the top. I am also a sound engineer, and I'll tell you, the quality of these recordings amazes me - to think that a lot of them were done back in the early 50s; and with all of today's technology, these recordings - done some 50 years ago, are some of the best I've ever heard.

Classic Recordings From Flatt & Scruggs
While Bill Monroe is rightly known as the father of bluegrass, the importance of Lester Flatt and Earl Scruggs cannot be overstated. Throughout the Sixties the duo put out a string of albums for Columbia and became cultural icons with their appearances on "The Beverly Hillbillies" and contributions to the "Bonnie and Clyde" soundtrack.

While only slightly less significant than their classic Mercury sides, these 34 tracks from the Columbia vaults are essential bluegrass recordings from two pioneers of the genre, including classics like "Foggy Mountain Breakdown" and "I'll Never Shed Another Tear" to more pop oriented fare like the Lovin' Spoonful's "Nashville Cats."

My only complaint is that this two-disc set clocks in at a mere 84:14--it could be almost twice that long. Why not include songs like "Jimmy Brown the Newsboy," or originals like "Dig a Hole in the Meadow," or their covers of Dylan material? HIGHLY RECOMMENDED